A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Birth of a legend. Following King Richard's death in France, archer Robin Longstride, along with Will Scarlett, Alan-a-Dale and Little John, returns to England. They encounter the dying Robert of Locksley, whose party was ambushed by treacherous Godfrey, who hopes to facilitate a French invasion of England. Robin promises the dying knight he will return his sword to his father Walter in Nottingham. Here Walter encourages him to impersonate the dead man to prevent his land being confiscated by the crown, and he finds himself with Marian, a ready-made wife. Hoping to stir baronial opposition to weak King John and allow an easy French take-over, Godfrey worms his way into the king's service as Earl Marshal of England and brutally invades towns under the pretext of collecting Royal taxes. Can Robin navigate the politics of barons, royals, traitors, and the French? Written by
don @ minifie-1
It has been said that the size of Robin's childhood hand mark on the carved stone when we see Robin's memory fits the size of his hand as an adult. However, Robin places his hand in the hand mark of his father which fits. When the marks are made, Robin (as a child) makes the mark on the left, while his father makes the mark on the right. It's the mark on the right that the adult Robin places his hand into. See more »
Eleanor of Aquitaine:
Milking a dried udder get's you nothing but kicked off the milking stool!
Mother, spare me your farmyard memories, you have none and I don't understand them.
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The first part of the end credits are in the same style as Ridley Scott's production company 'Scott Free Productions'. See more »
Robin Hood is a very professionally made film. Great actors, great production design, great images. It is nice to watch because you feel you are in the capable hands of Ridley Scott. But do not expect to be amazed by the story or the acting. Apart from dame Marion, the characters are two dimensional and predictable. The film pretends to be historically correct, but is of course a well dressed fantasy. There are a few battle scenes, filmed in the Gladiator way. They are exciting, but not very convincing. In fact, they are completely ridiculous when you think you are watching a historically correct film. The worst for me were the boats in the final battle, apparently trying to induce a D-Day feeling.
Overall, the story is off balance. Some scenes have a very slow pace, while other scenes, often key elements that explain how Robin Hood came into existence, are reduced to a few shots and proclamations. The end of the film tells it all: it reminds us that we were supposed to see the story of how the legend of Robin Hood started. The makers just forgot to tell it.
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