On a snowy winter night in 1964, Dr. David Henry rushes his pregnant wife Norah to the hospital, where, with help from her husband and nurse Caroline Gill, she delivers their son Paul. However, Dr. Henry discovers that his wife was carrying twins, and helps her deliver the second child, a baby girl named Phoebe. Shortly after Phoebe's birth, he finds that she has Down Syndrome, and hands her over to Nurse Caroline, explaining that the death of his ill sister nearly destroyed their mother and he doesn't want Norah to go through that. Instead, he instructs Caroline to take Phoebe to a nearby institution for the mentally ill, figuring the child won't live much longer, and tells Norah that Phoebe was a stillborn. However, after visiting the institution and seeing the state of the other patients, Caroline takes the baby home with her, stopping along the way to buy formula and diapers. With help from a truck driver named Al, Caroline begins to raise the baby as her own, while Dr. Henry ... Written by
Giving one of the most amazing performances of her incredible career, Emily Watson brings compassion, love, and beauty to this otherwise mediocre film. As is almost always the case, Watson rises above the material and essays a character that in unforgettable in its depth, realism, and passion. There is no debate as to Emily Watson being the finest actor of our time and this film serves as another showcase for her astounding talent and artistry. In even minor roles, Watson captures a film and makes it her own to the extent that other actors in a piece strive to give exceptional performances themselves. Anyone who truly appreciates cinema and recognizes genius when they see it will see Emily Watson's name in the credits and make a point of seeing the film. Watson is a divine gift to any director and an artist that touches the very souls of audiences whenever she graces the screen with yet another masterful moment of cinematic greatness.
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