39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »
To the folks in Conway, South Carolina, Duncan Mayor is a very cranky guy. To "my sweet girl" - his wife, Suzy - he's a doting pussycat. But Suzy is just home from the hospital and cared ... See full summary »
The film philosophical approach at redemption. The protagonist Manual Jordan has gotten parole from a life sentence for the murder of Abner Easley, and returns to the city he lived in to ... See full summary »
Billy Bob Thornton,
Strait-laced Rose breaks off relations with her party girl sister, Maggie, over an indiscretion involving Rose's boyfriend. The chilly atmosphere is broken with the arrival of Ella, the grandmother neither sister knew existed.
On a snowy winter night in 1964, Dr. David Henry rushes his pregnant wife Norah to the hospital, where, with help from her husband and nurse Caroline Gill, she delivers their son Paul. However, Dr. Henry discovers that his wife was carrying twins, and helps her deliver the second child, a baby girl named Phoebe. Shortly after Phoebe's birth, he finds that she has Down Syndrome, and hands her over to Nurse Caroline, explaining that the death of his ill sister nearly destroyed their mother and he doesn't want Norah to go through that. Instead, he instructs Caroline to take Phoebe to a nearby institution for the mentally ill, figuring the child won't live much longer, and tells Norah that Phoebe was a stillborn. However, after visiting the institution and seeing the state of the other patients, Caroline takes the baby home with her, stopping along the way to buy formula and diapers. With help from a truck driver named Al, Caroline begins to raise the baby as her own, while Dr. Henry ... Written by
When Caroline is placing the money that she had received from David in the cookie jar, the twenty dollar bill that she puts in was actually produced in 2006 and would not have been available during that time. See more »
[burning the pictures from the darkroom and referring to David]
Bastard! That bastard!
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Yes I loved it. I picked it up (the film) just because Emily Watson was in it. I haven't seen many of her pictures, maybe 4 or 5, but then, they were all very good films, and I consider her such a fine actress that to see her name prompted my decision to rent this film. I suppose that after 30 films or so where she has been appearing, the fact that she is no beauty queen, made her come to her senses and realize that the best action for her in the movies was to be a natural, plain, excellent actress (my speculation, probably not hers). She bet on that and she won. I'm sure she worked more than many pretty faces known today forgotten tomorrow. This film is excellent. Everything in it works --I just found out that it was a made for TV production, a thing I never noticed while watching it (another point for never reading reviews before watching a movie). From the acting to the technical, no complains. The plot touches on a very delicate subject and it treats it superbly well. The unfolding of the original problem grows more and more out of any possible previous consideration, as much as a snowball rolls down the hill gathering more snow and becoming so huge that eventually will crush against the first firm obstacle in its way, as it was the case in this poignant story. The last scene is an overwhelming tear jerker, but then, a high class one, perfectly suited as a conclusion to the whole movie. Do not miss it!!
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