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Jesse V. Johnson
An orphaned Jamaican baby, adopted by an elderly white couple and brought up in an all white area of London, became one of the most feared and respected men in Britain. CASS grew up in a time before political correctness and was forced to endure racist bullying on a daily basis, until one day when the years of pent up anger came out in a violent burst. CASS found through violence the respect he never had and became addicted to the buzz of fighting. His way of life finally caught up with him when an attempted assassination on his life, saw him shot three times at point blank range. His inner strength somehow managed to keep him alive but he was left with a dilemma; whether to seek vengeance as the street had taught him, or renounce his violent past. Written by
The film received a full blown (cast and crew) premier at Cineworld on Broad Street in Birmingham, UK. In order to accomplish this the cinema had to order a print of the film as they were not going to originally show it. Cineworld, Broad Street is itself the premier cinema outside of London in the UK. Other cinemas adjacent to Cineworld, Broad Street took note of this and ordered copies themselves, this had a dramatic effect on promoting the film. Accordingly the cinema run of Cass broke any and all expectations, pushing it to the very top of 18 rated movies that year in the British made film ratings. See more »
When the two ladies are talking outside a house with Cass in the pram, the subtitle shows 'Slade Green, London 1958'. Slade Green is now in the London Borough of Bexley, but in 1958 would have been part of Kent as the current Greater London was not formed until 1965. Also, the house types don't exist and have never existed in the Slade Green area, neither does the blue railway footbridge. Slade Green would have in 1958 consisted of a couple of farms, a railway depot, some railway worker houses and some newer council houses. See more »
Not just another hooligan film: works as a good drama in its own right
Sure Cass is about hooliganism and has enough of that to fit the bill, but this is good enough to be mainstream viewing.
We found it much better than we expected: good central performances and a great arc lift this from its genre to something better.
It really looks and sounds (the language is what is was, every second word is filth, but then it was) like the British East End 80s down to the council flat doors.
I can honestly recommend this a good well-made film about life in Britain in the early 80s, it is a little light on production and directing values, it is shot too simplistically, but the story is well delivered, it is probably not for your granny (unless she's a hard nut), but deserves a wider audience than just 20 year old males with a footie hard on.
10 of 17 people found this review helpful.
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