Sadism and masochism beneath a veneer of revenge. Lou Ford is a mild-mannered sheriff's deputy in a Texas oil town in the mid 1950's. His boss sends him to roust a prostitute living in a rural house. She slaps him; he hits her, then, after daily sex for the next few weeks, he decides it's love. She's devoted to him and becomes his pawn in a revenge plot she thinks is to shakedown the son of Chester Conway, the town's wealthy king of construction. Lou has a different plan, and bodies pile up as murder leads to murder. The district attorney suspects Lou, and Conway may have an inkling, but Lou stays cool. Is love, or at least peace, in the cards? Written by
The piece of music that Lou (Casey Affleck) plays on his piano is the 25th variation of J.S. Bach's Goldberg Variations. It was regarded by musicians, such as Glenn Gould and Wanda Landowska, as one of the most significant pieces of music ever written, even within the context of the entire set of variations, which is generally held to be one of Bach's greatest masterpieces. Gould's 1955 recording of this variation was included in the soundtrack to Slaughterhouse-Five (1972), during scenes portraying the firestorm that destroyed Dresden. See more »
When Amy gives Lou the letter in the restaurant, it is obviously a former Pizza Hut as apparent by the unique window shape. Pizza Hut did not become a restaurant chain until 1959 and their standard restaurant design didn't appear until 1964. See more »
Sheriff Bob Maples:
Name of Joyce Lakeland. Lives about four or five miles out on Derrick Road past the old Branch place.
Oh, I know the old Branch place. She a hustling lady, Bob?
Sheriff Bob Maples:
Well, I guess so, but she's - she's been pretty decent about it.
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compelling portrait of a sociopath in an engrossing thriller
Casey Affleck (Ben Affleck's younger brother) delivers a stunning performance as a psychopathic deputy sheriff; when his charming and well mannered guy appearance disappears the audience's shown violence both "ordinary" and of sexual kind. There's absolutely nothing voyeuristic in these scenes, difficult to see though they might be, on the contrary they're the moments where the movie really gets to make an impact on the viewers. The narrative's very gripping and Winterbottom's story manages to strongly connect on an emotional level. All the characters appear to have a "proximity" to the audience. On the whole the film always makes a strong impact and keeps the noir atmosphere required, furthermore its ability to shock is the key for being truthful and compelling.
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