The young man (Artem Alekseev) - after a long break is coming from Russia to visit her mother, a long time living in France. The dramatic events of a single day - a meeting with mother ... See full summary »
In the countryside of France, two groups of boys from the rural villages of Longeverne and Velran are in constant war against each other. Their war is a tradition that passes from father to... See full summary »
With Maltazard now seven feet tall and Arthur still two inches small, our hero must find a way to grow back to his normal size and stop the Evil M once and for all, with the help of Selenia and Betameche.
Ten-year-old Arthur, in a bid to save his grandfather's house from being demolished, goes looking for some much-fabled hidden treasure in the land of the Minimoys, tiny people living in harmony with nature.
Welcome to Timpelbach, a small, serene village. Well, not really that serene... Indeed, for several weeks, the children have been playing multiple practical jokes and nasty tricks. The victims are, of course, other children... but also, and most of all, the parents. Overwrought, they decide to leave the village for what they think will only be one day. But nothing happens as planned: on the way back, they are taken prisoner by a group of soldiers. In Timpelbach, the news of a village without parents makes Oscar and his gang of thugs happy! But that isn't the case of a few daredevils who decide to side with Manfred and Marianne to regain control of the village. Written by
LES ENFANTS DE TIMPELBACH is a fantasy that offers an interesting premise; what would happen if children were so badly behaved that their parents decided to abandon them to their own devices? The film explores how the children adapt - or do not adapt - to their changed surroundings. It's a difficult task; they now have to undertake all those chores such as cooking, cleaning and tidying up, that hitherto they have always taken for granted. The film has its darker elements; there is an internecine conflict between the children strongly reminiscent of Golding's LORD OF THE FLIES. But the film ends good-heartedly with everyone restored and differences overcome. Gérard Depardieu and Carole Bouquet enjoy themselves with a couple of lip-smackingly memorably performances, but the real stars of the film are the children themselves, a marvelous ensemble who seem totally at ease in front of the camera, giving the lie to the old adage that no one should dare to act with animals and children.
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