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Shotgun Stories (2007)
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Overview
User Rating:
Director:
Writer:
Jeff Nichols (writer)
Release Date:
26 March 2008 (USA)
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Plot:
Shotgun Stories tracks a feud that erupts between two sets of half brothers following the death of their father...
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Plot Keywords:
Half Brother
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Shotgun
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Bandaged Head
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Indifference
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Tent
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Awards:
4 wins
&
2 nominations
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NewsDesk:
(30 articles)
The Missing Person: Michael Shannon
(From Tribeca Film. 18 November 2009, 5:45 AM, PST)
We Can't Wait #18 Whatever Works
(From FilmExperience. 5 February 2009, 9:30 AM, PST)
(From Tribeca Film. 18 November 2009, 5:45 AM, PST)
We Can't Wait #18 Whatever Works
(From FilmExperience. 5 February 2009, 9:30 AM, PST)
User Comments:
In the Name of the Father
more (17 total)
Cast
(Credited cast)| Michael Shannon | ... | Son Hayes | |
| Douglas Ligon | ... | Boy Hayes | |
| Barlow Jacobs | ... | Kid Hayes | |
| Natalie Canerday | ... | Nicole | |
| Glenda Pannell | ... | Annie Hayes | |
| Lynnsee Provence | ... | Stephen Hayes | |
| rest of cast listed alphabetically: | |||
| Michael Abbott Jr. | ... | Cleaman Hayes | |
| Coley Canpany | ... | Cheryl | |
| Lance Christopher | ... | Fish Farm Worker | |
| Will Hahn | ... | Farm Hand | |
| Gary Hawkins | ... | J.J. | |
| Cole Hendrixson | ... | Carter | |
| Mark W. Johnson | ... | Amos | |
| Tom Kagy | ... | Red | |
| Vivian Morrison Norman | ... | Melissa | |
| Hannah Payne | ... | Funeral Attendee | |
| Cosmo Pfeil | ... | Norman | |
| Tucker Prentiss | ... | Paul | |
| Wyatt Ashton Prentiss | ... | Kevin | |
| David Rhodes | ... | John Hayes | |
| Travis Smith | ... | Mark Hayes | |
| G. Alan Wilkins | ... | Shampoo | |
Additional Details
MPAA:
Rated PG-13 for violence, thematic elements and brief strong language.
Parents Guide:
Runtime:
92 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
USA:PG-13 |
UK:12A |
Switzerland:12 (canton of Vaud) |
Switzerland:12 (canton of Geneva) |
Portugal:M/12 |
Argentina:13
Company:
Fun Stuff
Trivia:
The majority of the principal photography took place in 2004.
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Movie Connections:
References An American Tail: Fievel Goes West (1991)
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FAQ
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Shotgun Stories (2007) ****
Having been ignored and pushed aside by big studios and distributors, and overshadowed by big money makers, Jeff Nichols Shotgun Stories has gotten limited release. As much as I enjoy finding the hidden gems, it always makes me a little bit sad to see a film so great passed over. Filmed primarily in 2004, and released last year, Shotgun Stories has gotten a nice word of mouth and critical following. Roger Ebert announced it would play at his Overlooked Film Festival, and recently published a 4 star review.
The film centers on Son Hayes and his brothers, Boy and Kid. They were given their names by their alcoholic deadbeat father, who birthed them, left them as if they were never born, then reformed his ways, stopped drinking, became a born again Christian and fathered a new family. The boys were left, as Son says, to be "raised by a hateful woman," who taught them to hate their fathers new family, and they do. When their father dies, the brothers show up at his funeral, make an impromptu speech, which the new sons, with proper names, do not take kindly to.
Writer/director Nichols handles his film with the greatest of care. Not a word of dialogue is uttered that seems implausible. Nothing is wasted on exposition. For instance, what we know about the Father, we learn only through the brief speech made by Son at the funeral. It feels real, it feels to the point, and best of all, in a few short words it never feels like exposition. Nichols takes his time, never rushing, but wasting nothing. The end result is a visceral experience. The actors all deliver excellent performances, especially Michael Shannon, who seems to be off and on in a lot of roles. Here he is definitely on.
This film gets under your skin, takes you into the world of these characters and never lets you go. There are deaths in the film, and when it happens midway through, a sense of loss, of sadness, and of rage is felt by the audience for the remainder.
It never boils down into a standard revenge film, but simply muddles in the mundane and sad lives of its characters. Although this film exudes a sense of sadness that few other films could aspire to, its not depressing. I would not dare reveal the films resolution, only to say that it comes sensibly, after a moment of great realization. Nichols shows himself to be a serious filmmaker to watch in the future. This is a profound and wise film. And a great one too