1926. The Chinese Civil War. Drifter Ted Beaubien is captured and forced to witness his girlfriend's execution. He finally escapes and vows to avenge her death by taking on a deadly mission... See full summary »
A high school swim champion with a troubled past enrolls in the U.S. Coast Guard's "A" School, where legendary rescue swimmer Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice.
John James is a writer; his wife has left him. He moves with his two middle-school children to an isolated house off a dirt road in South Carolina. The property has an Indian burial mound, which fascinates his daughter, Louisa, who's entering puberty. Strange things: noises on the roof and in the woods, the cat missing, Luisa sleepwalking clutching a straw doll no one's seen before. She visits the mound often, staying late, coming home covered with mud. John's younger son, Sam, is frightened. John learns the house has a history and seeks out the previous owner. Louisa's behavior becomes more bizarre. Is there an explanation? An ant farm and a missing babysitter provide clues. Written by
Halfway through filming, cinematographer Checco Varese fell off a moving vehicle and broke his right hand. After working for a week wearing a splint and using painkillers, he flew to Los Angeles to have surgery; Antonio Calvache took over for five days. See more »
James and his contractor prepare a batch of ANFO (ammonium nitrate + fuel oil) to blow up the mound. This is a 'tertiary' explosive, which means you cannot set it off with fire. It would just burn. To set off the detonation, you need to explode a secondary explosive, like a stick of dynamite, which in turn needs to be set off with a primary explosive, like a blasting cap. See more »
In todays, "no imagination, every bit of story must be spelled out on screen in action and with explosions" it is often to appreciate movies that make you think, draw conclusions, actually use you imagination and remember the source.
This movie is true to the short story it is based on with a good cinematic backdrop where the actors act, and everything isn't carried out on a blue/green screen. Costner's portrayal was very true to the actual character which, isn't that the point of having characters and using actors that can act.
In a genre that is quickly becoming based only on graphic, grotesque, shocking blood and gore sequences and predictable horror and grisly effects, this thriller is actually attractive for all the right reasons and should be enjoyed highly by those that appreciate true horror/thriller films as opposed to the blood soaked hacker/slasher movies that are being pumped out monthly.
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