Memphis cop Lieutenant McKenzie is called in to investigate a series of strange deaths and weird sightings following the resurrection of a murder victim from the 1950s (a local boy) who is ...
See full summary »
Willful young Jennifer Cassi travels to South America to claim the inheritance of her recently deceased twin sister Johanna's house. While there Jennifer must contend with her eccentric ... See full summary »
A musical prodigy comes to grips with her true past and real identity. Raised by an African American family, she learns that she is actually the daughter of a white socialite who had paid her step-family to raise her as their own.
The story revolves around Jared, a struggling writer haunted by a tragic past, who is pushed to the breaking point with fatal consequences. Fact and fiction explosively collide when he ... See full summary »
Memphis cop Lieutenant McKenzie is called in to investigate a series of strange deaths and weird sightings following the resurrection of a murder victim from the 1950s (a local boy) who is brought back to life in modern times and tries to find his teenage sweetheart who is now aged 62 and also to seek revenge for his death. Written by
The plot is feeble at times, and the character's motivation unconvincing but the flawless style of the movie more than makes up for it, including the teddy boy clothing, zombie gore and classic comic book style framing with actual illustrated comic panels used in place of montages for the plot links. The cast is also very impressive including the Oscar winning Faye Dunaway as Lieutenant McKenzie , the one armed American cop partnered with detective sergeant Miller played by Mark Benton who had her flown in to catch a rockabilly serial killer in the dark decrepit environment of a modern Welsh city which lends itself well to the horror genre. There are some great one-liners and amusing Monty pythonesque blood squirting wounds that provide the comic relief from the rampaging zombie teddy boy murderer Johnny Taylor, whose insane mother played by Liz Smith (Royle Family) is the best part of the film.
15 of 23 people found this review helpful.
Was this review helpful to you?