| Sidney Kirkpatrick | ... | Himself | |
| Jennifer Niven | ... | Herself | |
| Brandon D. Hogan | ... | Himself (as Brandon K. Hogan) | |
| Gloria Stuart | ... | Herself | |
| Duncan St. James | ... | Himself | |
| Marc Wanamaker | ... | Himself | |
| Charles Higham | ... | Himself | |
| Betty Lasky | ... | Herself | |
| Johnny Grant | ... | Himself | |
| Laurie Jacobson | ... | Herself | |
| William Desmond Taylor | ... | Himself (archive footage) | |
| Bruce Long | ... | Himself | |
| Mabel Normand | ... | Various Characters (archive footage) | |
| Mary Miles Minter | ... | Herself (archive footage) | |
| Olive Thomas | ... | Herself (archive footage) | |
| Mary Pickford | ... | Herself (archive footage) | |
| Raul Moreno | ... | Himself | |
| Ellen Strain | ... | Herself | |
| Will Hays | ... | Himself (archive footage) | |
| rest of cast listed alphabetically: | |||
| Roscoe 'Fatty' Arbuckle | ... | Various Characters (archive footage) (uncredited) | |
| Nicolas Cage | ... | Himself (archive footage) (uncredited) | |
| Charles Chaplin | ... | The Little Tramp (archive footage) (uncredited) | |
| Claudette Colbert | ... | Ellie Andrews (archive footage) (uncredited) | |
| Joan Crawford | ... | (archive footage) (uncredited) | |
| Bette Davis | ... | (archive footage) (uncredited) | |
| Ellen DeGeneres | ... | Herself (archive footage) (uncredited) | |
| Robert Downey Jr. | ... | (archive footage) (uncredited) | |
| Douglas Fairbanks | ... | (archive footage) (uncredited) | |
| Clark Gable | ... | Peter Warne (archive footage) (uncredited) | |
| John Gilbert | ... | (archive footage) (uncredited) | |
| Cary Grant | ... | (archive footage) (uncredited) | |
| Anne Heche | ... | Herself (archive footage) (uncredited) | |
| Katharine Hepburn | ... | (archive footage) (uncredited) | |
| Al Jolson | ... | Jack Robin (archive footage) (uncredited) | |
| Steve Martin | ... | Himself (archive footage) (uncredited) | |
| Gwyneth Paltrow | ... | Herself (archive footage) (uncredited) | |
| O.J. Simpson | ... | Himself (archive footage) (uncredited) | |
| Gloria Swanson | ... | Norma Desmond (archive footage) (uncredited) | |
| Spencer Tracy | ... | (archive footage) (uncredited) | |
| Episode Crew |
Directed by | |||
| Scott Colthorp | (recreations director) | ||
Writing credits | ||
| Zak Weisfeld | (writer) & | |
| Geoffrey Proud | (writer) | |
Produced by | |||
| Maryellen Cox | .... | executive producer: A&E Network (as MaryEllen Cox) | |
| Deborah Dawkins | .... | producer | |
| Mary Helen Glover | .... | recreations producer | |
| Stephen Land | .... | executive producer | |
| Jude Gerard Prest | .... | additional field producer (as Jude Prest) | |
| Geoffrey Proud | .... | executive producer | |
| Cindy Robinson | .... | additional field producer | |
| Zak Weisfeld | .... | supervising producer | |
Original Music by | |||
| Brian Langsbard | |||
Cinematography by | |||
| David McCauley | (director of photography) (as Dave McCauley) | ||
Film Editing by | |||
| Carolyn Gay | |||
| Brad Kurtz | |||
Art Department | |||
| J.L. Bean | .... | graphic artist | |
| Ed Richardson | .... | graphic artist | |
Sound Department | |||
| Tom Backus | .... | sound designer | |
| Tom Backus | .... | sound mixer | |
| David Brow | .... | voiceover recordist | |
| Alex Ramos-Ariansen | .... | location sound | |
Other crew | |||
| Bruce Long | .... | archive courtesy of | |
| Justina McClellan | .... | production assistant | |
| Trisha McCoy | .... | project accountant | |
| Michael Rogers | .... | archive researcher | |
| Robert Twilley | .... | archive researcher | |
| Michelle Weiss | .... | production assistant | |
Thanks | |||
| Charles Higham | .... | special thanks | |
| Bruce Long | .... | special thanks | |
| Ray Long | .... | special thanks | |
| Vincent Sherman | .... | special thanks | |
| Mike Sutherland | .... | special thanks | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Alan Gratz | writer | |
Produced by | |||
| Michael Hart | .... | producer (2004) | |
| David Lane | .... | associate producer | |
| David Madison | .... | producer (2004) | |
| Mike Mart | .... | producer (2004) | |
| Melissa May | .... | producer (2004) | |
| Brian O'Connor | .... | associate producer (2004) | |
| Victoria Raschke | .... | associate producer (2003) | |
| David Wallach | .... | producer (2003) | |
Original Music by | |||
| Justin Melland | |||
Film Editing by | |||
| Daniel Callis | |||
Visual Effects by | |||
| James P. Hilton | .... | visual effects | |
Camera and Electrical Department | |||
| James P. Hilton | .... | grip | |
Other crew | |||
| Maryellen Cox | .... | production executive (2003) | |
| Sara Huddleston | .... | series coordinator | |
| Ryan Moran | .... | production assistant | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Crime section |
| IMDb USA section |
Old Hollywood: Silent Stars, Deadly Secrets (2007)
*** (out of 4)
This episode of the "City Confidential" series takes a look at the silent era of Hollywood and the various troubles they tried to keep their stars from getting into. The documentary starts off talking about how the movies ended up moving from New York to Hollywood and we get a brief history of some of the stars and the problems they were facing. The documentary also goes into detail how certain groups in America were getting fed up with the sex, drugs and violence in the city. All of this leads to the main story, which was the death of director William Desmond Taylor. He was found murdered in his home, shot to death, and just minutes after actress Mabel Normand had left. Many people thought it might have been her but others pointed the finger at an ex-friend while the most possible person was either Mary Miles Minter or her mother. The documentary, for the most part at least, is pretty good at giving people the basic details of the story. I thought the most interesting parts of the film were the things dealing with the death of the director and why it might have possibly happened. The weakest aspect of the film is how much time it spends talking about how dark Hollywood is. I don't mind a little of this being thrown it but it just takes up too much space when the more interesting story was the death of Taylor. If you're unfamiliar with the story then there's some nice information here but it still could have been much better.