Misleadingly titled, but enjoyable kung fu comedy most notable for the only screen appearance of Liu Jui Yi. Elder sister of Liu Chi Liang, their father Liu Zhan was himself a martial disciple of Lam Sai-wing. Historically, Lam Sai-wing's sifu was none other than the legendary Huang Fei Hong.
So, in essence you have in this family a group of martial descendants portraying the same arts and moral philosophy on film that their forebears became historically famous for embodying themselves in regards to the real historical events of previous decades. A set of circumstances completely unprecedented in global cinema, and never repeated.
This instance, however, is a minor film without Liu Chia Liang as director or choreographer. Instead, you do get Liu Jui Yi putting son Liu Chia Yung through his paces alongside Liu clan protégé Kara Hui Ying Hung. Despite the title, the female leads are not the major focus of the film, however.
Instead, we get choreographer Chan Dik Hak in granny glasses and a hippie headband wielding an iron comb alongside a group of crooked Tibetan doctors. They take in a naive Liu Chia Yung, but find him out when he fails to aid their scheme of creating their own patients by beating up crowds of strangers in the market and then handing out discount healthcare coupons.
Yung is saved by Kara Hui Ying Hung, who lives with choreographer Huang Ha, (doing his best Yuen Siu Tien impression) and the aforementioned Liu Jui Yi. Yung's mother is an exponent of the Leper's Fist, a style which not surprisingly resembles the leopard fist style of Hung Gar.
*******************WARNING: SPOILER AHEAD*****************************
So, following the usual market and tea house bouts, we get a big weapons fight with Chan Dik Hak's iron comb, Yung wielding twin dao and staves, Tibetans with fans and various less exotic weapons. Finally, Yung by accident incorporates jiang shi (hopping vampire) movements into the Leper style, which proves to be the key to victory.
I'd possibly fault director Law Chi for not letting the ladies shine, and the film suffers as a result. Hui Ying Hung would soon go on to spectacular comedic turns in Liu Chia Liang's My Young Auntie and Lady Is The Boss. It's just a shame that such comedic and martial timing is not given more free rein here.
So, in essence you have in this family a group of martial descendants portraying the same arts and moral philosophy on film that their forebears became historically famous for embodying themselves in regards to the real historical events of previous decades. A set of circumstances completely unprecedented in global cinema, and never repeated.
This instance, however, is a minor film without Liu Chia Liang as director or choreographer. Instead, you do get Liu Jui Yi putting son Liu Chia Yung through his paces alongside Liu clan protégé Kara Hui Ying Hung. Despite the title, the female leads are not the major focus of the film, however.
Instead, we get choreographer Chan Dik Hak in granny glasses and a hippie headband wielding an iron comb alongside a group of crooked Tibetan doctors. They take in a naive Liu Chia Yung, but find him out when he fails to aid their scheme of creating their own patients by beating up crowds of strangers in the market and then handing out discount healthcare coupons.
Yung is saved by Kara Hui Ying Hung, who lives with choreographer Huang Ha, (doing his best Yuen Siu Tien impression) and the aforementioned Liu Jui Yi. Yung's mother is an exponent of the Leper's Fist, a style which not surprisingly resembles the leopard fist style of Hung Gar.
*******************WARNING: SPOILER AHEAD*****************************
So, following the usual market and tea house bouts, we get a big weapons fight with Chan Dik Hak's iron comb, Yung wielding twin dao and staves, Tibetans with fans and various less exotic weapons. Finally, Yung by accident incorporates jiang shi (hopping vampire) movements into the Leper style, which proves to be the key to victory.
I'd possibly fault director Law Chi for not letting the ladies shine, and the film suffers as a result. Hui Ying Hung would soon go on to spectacular comedic turns in Liu Chia Liang's My Young Auntie and Lady Is The Boss. It's just a shame that such comedic and martial timing is not given more free rein here.