Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity's escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
Elliot Moore is a high school science teacher who quizzes his class one day about an article in the New York Times. It's about the sudden, mysterious disappearance of bees. Yet again Nature is doing something inexplicable, and whatever science has to say about it will be, in the end, only a theory. Scientists will bring out more theories, but no explanations, when a more urgent dilemma hits the planet. It begins in Central Park. Suddenly and inexplicably, the behavior of everyone in the park changes in a most bizarre and horrible way. Soon, the strange behavior spreads throughout the city and beyond. Elliot, his wife, Alma, and Jess, the young daughter of a friend, will only have theories to guide them where to run and where to hide. But theories may not be enough. Written by
At one point, Elliot talks about primordial bacteria in Australia killing off fishermen. Pyrethrins are a neurotoxin derived from Chrysanthemum plants, specifically those native to Australia. The toxin is commonly found in organic insecticides. Pyrethrins are highly toxic to bees. See more »
When Mrs. Jones bangs her head on the outside of the exterior wall, we see a picture frame bounce around as her head thumps the wall. This is impossible because that wall is stone - approximately 16 to 18 inches thick. The percussion of a human head striking on the exterior cannot transmit to the interior. See more »
I hate this. I want to tell you guys that this was Shyamalan's comeback and that this film is just as terrifying as you've been promised. But, I cannot.
The film starts off actually quite well. Minus some less than stellar acting (in fact, its horrible) and some just as bad dialogue, I really thought that maybe this film could pull it off. Disturbing death scenes ensue.
Then, bring in Mark Wahlberg. What happened to this guy? Nominated for an Oscar for his turn in The Departed, Wahlberg seems like a safe bet, but in actuality, he's playing a role that just isn't made for him. This role was made for someone nicer. Walhberg has been typecast time and time again as the angry and bad-ass guy, and now I see why. He's good at that and god awful at being nice.
No one else is particularly good either. Zoey Deschanel disappoints, John Leguizamo (Everyone in this movie has a name that's difficult to spell), and all of the extras are just as bad. There is not a single moment of good acting in this movie.
And all of that is because of how rushed this film feels. This is one of those movies that it seriously felt like the director was working on a very limited budget and then took the first take for every actor, none of them had a chance to get into their roles (or so I hope).
It's obvious who will get all of the blame for this (M. Night Shyamalan) and it's really too bad. I can't say that the plot is necessarily bad, it isn't, and with maybe one more draft the script would've been good. The faults of this film all land on Night's shoulders though. I hate to say it because I am very much not a hater of his (I love The Sixth Sense, Unbreakable, and Signs) but I'm forced to say I hate this movie. Not so much for how bad it actually is (it's very bad) but because I really had faith in the director. The trailers almost felt promising and Shyamalan (am I even spelling this right?) promised me that I'd walk out shaking. Instead, I was shaking my head in disappointment.
One thing I'd like to add on though, I can tell that they were going for a Hitchcock vibe and the best way I feel that I can describe this is "a very bad version of The Birds." That is all.
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