Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity's escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
Elliot Moore is a high school science teacher who quizzes his class one day about an article in the New York Times. It's about the sudden, mysterious disappearance of bees. Yet again Nature is doing something inexplicable, and whatever science has to say about it will be, in the end, only a theory. Scientists will bring out more theories, but no explanations, when a more urgent dilemma hits the planet. It begins in Central Park. Suddenly and inexplicably, the behavior of everyone in the park changes in a most bizarre and horrible way. Soon, the strange behavior spreads throughout the city and beyond. Elliot, his wife, Alma, and Jess, the young daughter of a friend, will only have theories to guide them where to run and where to hide. But theories may not be enough. Written by
At one point, Elliot talks about primordial bacteria in Australia killing off fishermen. Pyrethrins are a neurotoxin derived from Chrysanthemum plants, specifically those native to Australia. The toxin is commonly found in organic insecticides. Pyrethrins are highly toxic to bees. See more »
Julian is sitting in the front passenger seat of the Jeep and is not wearing a seat belt. When the driver speeds into the tree, two people fly out of the front windshield--neither of which are Julian. Not only is this preposterous, given that Julian didn't have a seat belt on, but this also means that someone behind him flew through him to fly out of the windshield. See more »
Allow me to provide some background information on my relationship with the films of M. Night Shyamalan: I adored "The Sixth Sense" and still think of it as one of the best films of 1999 and one of the best supernatural thrillers in ages. "Unbreakable" was a fascinating take on the superhero genre. I loved parts of "Signs" to bits and consider the sequence in the basement towards the end of the film one of the finest examples of suspenseful build-up in recent film history. I even liked "The Village" and could easily dismiss "Lady in the Water" as a mere misfire. I was greatly anticipating "The Happening", especially as it seemed to be echoing one of my favorite guilty pleasures- the paranoid 70's sci-fi thriller.
Let's get one thing out of the way- "The Happening" is unbelievably, impossibly, ridiculously, hilariously, inconceivably bad. Normally I would refuse to rate any film that had any good scenes or that was well-directed less than four out of ten, but "The Happening" has to have one of the worst scripts among recent big-budget Hollywood films. It's absolutely shocking how retarded the logic behind this is and how poor so much of the dialogue is. This script began as "The Green Effect", a tremendously poor (trust me, I read parts of it) script by Shyamalan that was soundly rejected and eventually reworked into "The Happening". Having seen the critical reaction to "The Happening" prior to going into the film I found myself pleasantly surprised by basically the first thirty, forty minutes of the film. It was nothing special but it had something going for it, Shyamalan's direction was top-notch, and Wahlberg was playing the sort of goofy science teacher I'd loved (and loved to hate on occasion) in high school.
Then the descent began. The bulk of this film is some of the most hilariously awful crap produced by a talented filmmaker since Schaffner's "Sphinx". Shyamalan, who was using close-ups and steadicam shots to frankly brilliant effect early on, begins to use the same shots to comical effect. There is one painfully, painfully long close-up of Mark Wahlberg pleading for time to think and then calling for his group to 'keep ahead of the wind' that is up there with Nicolas Cage in "The Wicker Man" in terms of hilariously awful acting. That scene may very well be the turning point in the film, with Wahlberg's acting becoming more ridiculous by the second, culminating in a performance that essentially wipes from memory all his tremendous recent achievements as an actor. I don't blame Wahlberg for this, I blame Shyamalan. Wahlberg claims Shyamalan tried to force him into real paranoia so his performance would work better. What happens here (no pun intended) is that Wahlberg ends up looking amazingly uncomfortable for the last hour of this thing and struggles to deliver any reasonable line deliveries.
Okay, I do have to credit Zooey Deschanel for making this movie watchable. Besides being amazingly, ridiculously gorgeous she is a fine actress and creates a sympathetic character (and a fairly well-drawn one at that- one of the few pros in Shyamalan's script). There's also the score: oh my it's gorgeous. Seriously, ignore this film and just buy the score CD by James Newton Howard- it's brilliant.
"The Happening" starts out well but ends up being an absolute embarrassment. I was prepared for a mediocre offering- perhaps a misguided effort such as "Lady in the Water". I was not expecting a disaster on the level of "The Happening". Its last forty minutes and especially its last ten minutes or so are among the worst I have seen in a long time.
Have you ever wondered if it was possible for a film to go from enjoyable to absolutely horrendous in the space of ten or fifteen minutes? "The Happening" is proof that it can, pardon the (intentional) pun, happen.
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