Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity's escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
Elliot Moore is a high school science teacher who quizzes his class one day about an article in the New York Times. It's about the sudden, mysterious disappearance of bees. Yet again Nature is doing something inexplicable, and whatever science has to say about it will be, in the end, only a theory. Scientists will bring out more theories, but no explanations, when a more urgent dilemma hits the planet. It begins in Central Park. Suddenly and inexplicably, the behavior of everyone in the park changes in a most bizarre and horrible way. Soon, the strange behavior spreads throughout the city and beyond. Elliot, his wife, Alma, and Jess, the young daughter of a friend, will only have theories to guide them where to run and where to hide. But theories may not be enough. Written by
In a deleted scene, Elliot and Alma have a fight, then make up. This scene was intended to serve as the movie's introduction. The filmmakers removed it so the audience could learn about the couple's issues as the narrative unfolded. The scene appears on the DVD. See more »
The characters board a train to Harrisburg from Amtrak 30th Street Station. Amtrak's Keystone line runs to Harrisburg, but the characters are on a SEPTA train, which does not. See more »
Let me preface these comments by saying that I am a major Night fan. I look forward to news of his next project and love the stories of his supposed total control over his movies and carte blanche from the studios. If those stories are true, I have a feeling that era will be ending for Night with the release of The Happening. I ignored all the pre-release press I could before going to see this movie. I read none of the reviews, but one word I did catch was "uninspired." Unfortunately, that one word describes this movie perfectly. In the first ten minutes of the movie, I thought it was due to the acting and that maybe Mark Wahlberg was miscast. However, after another ten minutes I realized it wasn't the actors; it was the extremely lame script. Without giving away any details, this is a disaster film where the disaster "happening" starts with the first scene of the movie. Unfortunately, no suspense builds and there is absolutely no sense of dread or panic on screen and so none translates to the audience. Surprising, since the 21st century has provided us with too many occasions to study how we react in times of disaster, whether by nature or terrorism. It's as if Night ignored all this when writing the story. The characters sleepwalk through the scenes (and, no, it's not a symptom of "the happening") with no believable sense of the horrible events taking place. Granted, we don't need to see people running around in circles screaming and crying, but people do not stand in small groups after a disaster calmly taking turns talking one at a time. Without sharing in any of the horror that the characters are suppose to be experiencing, the film is a total bore for the audience and the source of "the happening" is laughable when revealed. I found myself repeatedly checking my watch, saying, "I can't believe how bad this is" not something I'd expect to do in a Night movie. Looking around the theater, I could tell others were sharing the same feelings. Most were scrolling through emails or texting on their phones.
During the movie, since I wasn't paying much attention to the screen, I started thinking that there might be a good reason why most filmmakers do not have total control over their films. When they do, they can reach a point that it seems Night may have reached, where they say, "I'm going to make people scared when the wind blows" and actually believe themselves. Maybe other producers or execs can step in at that point and bring the filmmaker back to reality. I'm not giving up on Night, but I'll feel better if his next film is not "Written, Produced and Directed by M. Night Shyamalan."
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