Directed by | |||
| Rowan Woods | |||
Writing credits(WGA) | ||
| Roy Freirich | (written by) | |
Original Music by | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Eric Alan Edwards | |||
Film Editing by | |||
| Meg Reticker | |||
Casting by | |||
| Nicole Abellera | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Max Biscoe | |||
Set Decoration by | |||
| Maria Nay | |||
Costume Design by | |||
| Mary Claire Hannan | |||
Makeup Department | |||
| Roxy D'Alonzo | .... | makeup artist | |
| Tia Dantzler | .... | makeup artist: Ms. Hudson | |
| Julie Kristy | .... | makeup artist | |
| Bryn E. Leetch | .... | hair stylist (as Bryn Leetch) | |
| Susan Jennifer Lipson | .... | hair creator: Kate Beckinsale (as Susan Lipson) | |
| Susan Jennifer Lipson | .... | hair designer: Kate Beckinsale (as Susan Lipson) | |
| Tasheara Smith | .... | hair stylist: Ms. Hudson | |
| Mike Smithson | .... | makeup department head | |
| Vasilios Tanis | .... | makeup artist: Ms. Beckinsale | |
| Joy Zapata | .... | hair department head | |
Production Management | |||
| Craig Ayers | .... | production supervisor | |
| John J. Kelly | .... | unit production manager | |
| Tim Pedegana | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Brinton Bryan | .... | second second assistant director | |
| Katie Carroll | .... | second assistant director | |
| Donald Murphy | .... | first assistant director | |
Art Department | |||
| Anthony Aguilar | .... | propmaker | |
| Todd Daniels | .... | assistant property master | |
| Roger Dertinger | .... | property master | |
| Eduardo H. Esparza | .... | construction coordinator | |
| Joseph Fedo | .... | set decoration buyer | |
| Michael Goto | .... | medical props | |
| Leighanne Haddock | .... | buyer | |
| Sherman Kew | .... | art department coordinator | |
| Darren Patnode | .... | on-set dresser | |
| Joel Prihoda | .... | leadman | |
| Miles S. Richman | .... | sign writer | |
| Jason A. Thomas | .... | set dresser | |
Sound Department | |||
| Matthew C. Beville | .... | adr mixer | |
| Kyle Billingsley | .... | foley mixer | |
| Steve Blazewick | .... | boom operator | |
| Barney Cabral | .... | supervising sound editor | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Chris David | .... | sound re-recording mixer | |
| Rickley W. Dumm | .... | supervising sound editor | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| Gregg Frazier | .... | second boom operator | |
| Shawn Holden | .... | production sound mixer | |
| Jon Klein | .... | boom operator | |
| Jay Petach | .... | adr recordist: Cincinnati | |
| Perry Robertson | .... | sound editor | |
| Gabriel J. Serrano | .... | sound recordist | |
| Eric Thompson | .... | adr mixer | |
| Richard Van Dyke | .... | production sound mixer | |
| Kevin Zimmerman | .... | first assistant sound editor | |
Visual Effects by | |||
| Mai Suzuki | .... | digital restoration artist | |
Stunts | |||
| Jeff Danoff | .... | stunt rigger | |
| Toby Holguin | .... | stunts | |
Camera and Electrical Department | |||
| Ryan L. Brown | .... | second assistant camera | |
| Jon Callesen | .... | best boy electric | |
| Ted Caloroso | .... | camera operator: "a" camera | |
| Ryan Copeland | .... | set lighting technician | |
| Dan Coplan | .... | camera operator | |
| Rob Givens | .... | second assistant camera | |
| Brady Gurley | .... | lighting technician | |
| Josh Ingalls | .... | grip | |
| Morgan Jenkins | .... | second assistant camera | |
| Nicholas Klein | .... | best boy grip | |
| Keith Morgan | .... | chief lighting technician | |
| Louis Normandin | .... | film loader | |
| Lisa Origlieri | .... | second assistant camera | |
| Dan Preiser | .... | grip | |
| Abel Soto | .... | dolly grip | |
| Mariana Sánchez de Antuñano | .... | first assistant camera: "a" camera | |
| Daniel Tkaczyk | .... | additional lighting technician | |
| Bela Trutz | .... | camera operator | |
| Chuck Zlotnick | .... | still photographer | |
Casting Department | |||
| Joanne Bloom | .... | casting associate | |
| Joe Cappelletti | .... | adr voice casting | |
| Leslie Woo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jacqueline Aronson | .... | costume supervisor | |
| Kathryn L. Bucher | .... | costume production assistant | |
| Teri Farris | .... | wardrobe assistant: Morongo Casino | |
| Amy Haffner | .... | set costumer | |
| April Krueger | .... | set costumer | |
| Sierra Robinson | .... | costume production assistant | |
| Kanani Wolf | .... | set costumer | |
Editorial Department | |||
| Siggy Ferstl | .... | digital intermediate colorist | |
| Todd Kolker | .... | post-production coordinator | |
| Mato | .... | color timer | |
| Ken O'Keefe | .... | first assistant editor | |
| Leroy Wolf | .... | color timer | |
Music Department | |||
| Matt Aberle | .... | music supervisor | |
| Christine Bergren | .... | music legal and clearance | |
| Johnny Caruso | .... | music editor | |
| Daniel Coe | .... | score preparation | |
| Chris Fogel | .... | music mixer | |
| Chris Fogel | .... | music recordist | |
| James Fogel | .... | assistant score engineer | |
| Marcelo Zarvos | .... | musician: piano, harmonium | |
| Daniel Coe | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Bob Cope | .... | driver | |
| William Cope | .... | driver | |
| Cody Lies | .... | driver | |
| Jason Messersmith | .... | driver | |
| Richard Norton | .... | driver | |
| Harry Zabounian | .... | transportation coordinator | |
Thanks | |||
| Michael Goto | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
"Winged Creatures" wants very much to make A Statement about modern life: the interconnectedness of human beings, the devastation wrought by random shootings that have become an unfortunate cliché in American communities, and the shock waves that erupt from the epicenter of these violent acts. Fragmentation can be an effective storytelling device for this kind of drama, and "Winged Creatures" has some impressive predecessors. Despite the movie's imitative efforts, however, "Crash" it ain't.
"Creatures" follows the aftermath of an act of anonymous violence in an anonymous diner full of anonymous people in an anonymous working class neighborhood. Writer Roy Freirich and director Rowan Woods want to draw us in with Everyness of their characters: Clara, a young, single-mom waitress (Kate Beckinsdale); Charlie, a middle-aged man (Forest Whitaker) with more serious matters on his mind than trying to get Clara to do her job; Anne and Jimmy, two young friends (Dakota Fanning, Josh Hutcherson) who cower under a table when the shooting starts; Dr. Laraby, an emergency room physician (Guy Pearce) who decides to find out what it really means to play God.
All of this is familiar territory. Handled well, films of this nature engage us with recurring "A- ha!" moments and sparks of true insight into the human condition. Unfortunately, "Winged Creatures" never quite reaches those heights. The back stories are unimaginative and sometimes contradictory. Motivation for Pearce's doctor is hinted at, but never concretized, making his personal about-face downright baffling. Instead of graceful complexity, "Winged Creatures" settles for clunky symbolism that has all the depth of a coat of paint and the subtlety of a jackhammer.
I wantedand triedto like this movie. I enjoy films that ask me to follow a cat's-cradle maze of intertwining stories. I think that pop culture is uniquely qualified to help us forget about the banality of evil and reignite our tendency to care when bad things happen to good people. And the "Winged Creatures" cast, including Jeanne Tripplehorn, Embeth Davidtz, Jennifer Hudson, and Jackie Earle Haley in supporting roles, is talented and deserves material that showcases its diverse strengths. Despite my best efforts, however, I simply couldn't overlook the weaknesses in the script and direction. Ultimately, "Winged Creatures" never gets off the ground.