Hawaii, Oslo is the story of a handful of people who cross each other's path without necessarily knowing each other, during the hottest day of the year, in Oslo. We follow Frode and Milla. ... See full summary »
Trond Espen Seim,
Jan Gunnar Røise,
Evy Kasseth Røsten
Jonas and Emir are members of a criminal gang of 14-15 year-olds in Oslo. Emir has slight brain-damage after being beaten by his father as a 5-year-old, and Jonas' biggest problem is ... See full summary »
When his mother, who has sheltered him his entire 40 years, dies, Elling, a sensitive, would-be poet, is sent to live in a state institution. There he meets Kjell Bjarne, a gentle giant and... See full summary »
Per Christian Ellefsen,
Marit Pia Jacobsen
Jernanger is a tale about the tempered Eivind who isn't scared of anything- except love. Eivind, lives aboard a boat in the South of Norway. The boat lies low and lopsided in the water. ... See full summary »
Pål Sverre Hagen,
Hans Petter Hansen
Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women - and a snitch. His son has a fiancé. Her family doesn't approve ... See full summary »
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Ellen Dorrit Petersen,
A man convicted in his teens for killing a child is released on parole. He finds work as a church organist and develops a rewarding relationship with a priest and her young son. However, his caring for the boy catches the attention of his old victim's mother, bringing to the surface her bad memories and unanswered questions. This draws them both into troubled waters, having to learn when to hold on and when to let go. Written by
Jan Thomas Hansen (Pål Sverre Hagen) is in prison for killing a child during his teens. He is released on parole and finds work as a church organist. He befriends the priest Anna and her young son. His victim's mother Agnes (Trine Dyrholm) accidentally spots him in the church as his troubled past resurfaces to cause chaos.
It has a slow plodding pace for most of the movie. The lead is playing the quiet character very close to the vest. It doesn't allow much tension into the first half of the movie. When Agnes is put into the movie, it is a bit of ticking clock for the audience as we wait for the inevitable confrontation. The first half already lays out what is going to happen in much of the second half. Maybe it went one step too far by telling us that the boy goes missing. Nevertheless there is a realism in the performances by both leads. The movie gets much more fascinating with the two characters on the same screen.
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