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Directed by | |||
| Neil LaBute | |||
Writing credits(WGA) | ||
| David Loughery | (screenplay) and | |
| Howard Korder | (screenplay) | |
| David Loughery | (story) | |
Produced by | |||
| John Cameron | .... | executive producer | |
| Jeffrey Graup | .... | executive producer (as Jeff Graup) | |
| James Lassiter | .... | producer | |
| David Loughery | .... | executive producer | |
| Joe Pichirallo | .... | executive producer | |
| Will Smith | .... | producer | |
| Orin Woinsky | .... | co-producer | |
Original Music by | |||
| Jeff Danna | |||
| Mychael Danna | |||
Cinematography by | |||
| Rogier Stoffers | |||
Film Editing by | |||
| Joel Plotch | |||
Casting by | |||
| Heidi Levitt | |||
Production Design by | |||
| Bruton Jones | |||
Art Direction by | |||
| Paul Sonski | |||
| Thomas T. Taylor | (as Tom Taylor) | ||
Set Decoration by | |||
| Don Diers | |||
Costume Design by | |||
| Lynette Meyer | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup department head (as Allan Apone) | |
| Marc Boyle | .... | hair stylist | |
| Susie DeLeon | .... | additional hair stylist | |
| Barry R. Koper | .... | makeup artist | |
| Rhonda O'Neal | .... | key hair stylist | |
| Lygia Orta | .... | additional makeup artist | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson (as Robert Stevenson) | |
| Linda Stevenson-Khan | .... | hair stylist | |
| Sara Vaughn | .... | key makeup artist | |
| Linda Villalobos | .... | hair department head | |
| Adam Brandy | .... | key makeup artist (uncredited) | |
Production Management | |||
| Eric Bergman | .... | post-production supervisor | |
| John Cameron | .... | unit production manager | |
| Karen Ruth Getchell | .... | production supervisor | |
| Bill Wohlken | .... | production organization | |
Second Unit Director or Assistant Director | |||
| Albert Cho | .... | first assistant director | |
| Peter Dress | .... | second assistant director | |
| Renee Hill | .... | second second assistant director | |
| Donald Murphy | .... | first assistant director | |
| Marc Newland | .... | day player second second assistant director | |
Art Department | |||
| Will Blount | .... | property master | |
| Mick Cukurs | .... | set designer | |
| Jay Dupuy | .... | plaster department head | |
| Meg Harker | .... | art department coordinator | |
| Todd Harris | .... | storyboard artist | |
| Michael A. Heath | .... | prop paperwork | |
| Lyle Maves | .... | plasterer | |
| Bob Renna | .... | set dec buyer | |
| Jon Reynolds | .... | art department production assistant | |
| Eric S. Saperstein | .... | paint supervisor | |
| Andre Sowards | .... | props | |
| Kenneth Turek | .... | leadman | |
Sound Department | |||
| Bill W. Benton | .... | sound re-recording mixer | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| David A. Cohen | .... | supervising adr editor | |
| Ronald Eng | .... | supervising sound editor | |
| Dana LeBlanc Frankley | .... | first assistant sound editor | |
| Vincent Guisetti | .... | foley artist | |
| Pamela Kahn | .... | foley artist | |
| Howard London | .... | adr mixer | |
| Lee Orloff | .... | production sound mixer | |
| Willard Overstreet | .... | supervising foley editor | |
| Fred Peck III | .... | sound re-recordist | |
| Kyle Rochlin | .... | foley mixer | |
| Philip A. Schwartz | .... | second boom operator | |
| Philip A. Schwartz | .... | utility sound | |
| Robert Troy | .... | dialogue editor | |
| Steve Tushar | .... | sound effects editor | |
Special Effects by | |||
| John C. Hartigan | .... | special effects coordinator | |
Visual Effects by | |||
| Richard Alonso | .... | computer graphics | |
| Sean Amlaner | .... | digital compositor: Zoic Studios | |
| Raoul Bolognini | .... | visual effects producer | |
| Erin Clark | .... | visual effects | |
| Sean Coonce | .... | digital compositor: Zoic Studios | |
| An H. Dang | .... | technical consultant | |
| Dick Edwards | .... | visual effects supervisor: Invisible Effects | |
| Rocco Passionino | .... | visual effects supervisor | |
| Dawrath Phoue | .... | rotoscope artist: Zoic Studios | |
| Bryan Shepperd | .... | digital artist | |
| Sean Tompkins | .... | visual effects coordinator | |
| Mark Fletcher | .... | screen graphics designer (uncredited) | |
Stunts | |||
| Ben Bray | .... | stunt coordinator | |
| Dartenea Bryant | .... | stunt double: Kerry Washington | |
| Richard Epper | .... | stunts | |
| Toby Holguin | .... | stunt double: Jay Hernandez | |
| Tony Lazzara | .... | stunts | |
| Jimmy Ortega | .... | stunts | |
| Peewee Piemonte | .... | stunts (as Richard Piemonte) | |
| Denney Pierce | .... | stunts | |
| Tanoai Reed | .... | stunts | |
| Buddy Sosthand | .... | stunt double: Samuel L. Jackson | |
| Frank Torres | .... | stunts | |
| Thom Williams | .... | stunt double: Keith Loneker | |
| Jeff Wolfe | .... | stunt double: Patrick Wilson | |
Casting Department | |||
| Kyle Burch | .... | extras casting assistant | |
| Lisa Essary | .... | casting associate | |
| Lauren Fernandes | .... | casting associate | |
| Rich King | .... | extras casting | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Anita Louise Brown | .... | set costumer | |
| Amelia Buhrman | .... | set costumer | |
| Carrie Dacre | .... | costume department assistant | |
| Bridgitte Ferry | .... | set costumer | |
| Stacy Horn | .... | costume supervisor | |
| Askia Won-Ling Jacob | .... | costumer: Mr. Jackson (as Askia Jacob) | |
| Kimberly Johnson | .... | key costumer | |
| Lorie Shew | .... | additional costumer | |
Editorial Department | |||
| Annie Arnette | .... | editorial assistant | |
| Keith Brachmann | .... | additional editor | |
| Scott Gregory | .... | digital film colorist | |
| Harry Muller | .... | color timer | |
| Darin Wooldridge | .... | additional digital colorist: Technicolor | |
Music Department | |||
| Susie Bench | .... | score preparation | |
| Brad Haehnel | .... | score mixer | |
| Pilar McCurry | .... | music supervisor | |
| Jen Monnar | .... | music editor | |
| Amritha Vaz | .... | music assistant (as Amritha Fernandes Bakshi) | |
Transportation Department | |||
| Roy Beville | .... | driver | |
| Gregory Dultz | .... | driver | |
| Edward Lassak | .... | transportation co-captain | |
| Doug S. MacLean | .... | driver | |
| Jeremy Morgan | .... | transportation captain | |
| James Nordberg | .... | driver generator operator | |
| William R. Peck | .... | driver | |
| Irv Press | .... | generator operator/driver | |
| Timothy P. Ryan Jr. | .... | driver | |
| Sean Shepherd | .... | production driver | |
| Noel Edwin Silva | .... | driver | |
| Jerry Smith | .... | transportation coordinator | |
| Andy Spilkoman | .... | driver | |
| David Torgerson | .... | driver: honeywagon | |
| Luther Trotter | .... | driver: Patrick Wilson | |
| Jay Wylie | .... | transportation co-captain | |
| Marcus Wynnycky | .... | transportation coordinator | |
Other crew | |||
| Christian Abella | .... | production staff | |
| Holly Brown | .... | assistant: Mr. Pichirallo | |
| Joe Burns | .... | key assistant location manager | |
| Angel Cook | .... | set production assistant | |
| Paulette Dauber | .... | unit publicist | |
| Beth Diamond | .... | assistant: Ms. Washington | |
| Marcel Donea | .... | stand-in: Abel Turner | |
| D.R. Farquharson | .... | project manager: Deluxe Digital Cinema | |
| Chase Fein | .... | production intern | |
| Enrique Figueroa | .... | office production assistant | |
| Kevin Funston | .... | location manager | |
| Matthew J. Gannon | .... | set assistant | |
| Jillian Giacomini | .... | script supervisor | |
| Gary Glushon | .... | assistant: Mr. Lassiter | |
| Teresa Gonzalez | .... | office production assistant | |
| Tim Harms | .... | assistant: Mr. LaBute | |
| Steve Irwin | .... | computer/video playback supervisor | |
| Valerie Johnson | .... | set production assistant | |
| Jennifer Kennedy | .... | key assistant location manager | |
| Mike MacCuish | .... | key second assistant accountant | |
| Terrence Martin | .... | production coordinator | |
| Volney McFarlin | .... | assistant: Mr. Jackson | |
| George Mims | .... | stand-in | |
| Daniel A. Parker | .... | production secretary | |
| Paul Pawlowski | .... | post-production accountant | |
| Kirsten Robinson | .... | additional script supervisor (as Kirsten Pope) | |
| Chris Romberg | .... | production accountant | |
| Taylor Saxon | .... | key medic | |
| Stacy Solomon | .... | assistant production office coordinator | |
| Linda Stanley | .... | studio teacher | |
| Mike Suh | .... | accounting clerk | |
| Duffy Taylor | .... | assistant location manager | |
| Luther Trotter | .... | assistant: Patrick Wilson | |
| Clinton Trucks | .... | assistant: Mr. Cameron | |
| Ryan Whan | .... | first assistant accountant | |
| Amy Denning Winfrey | .... | payroll accountant | |
| Michael Zamboni | .... | key assistant location manager | |
| Christina Hwang | .... | title producer (uncredited) | |
Thanks | |||
| Craig White | .... | special thanks | |
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STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Chris (Patrick Wilson) and Lisa (Kerry Washington) are a young, mixed race couple who have brought their first house in a nice little suburb in Los Angeles. However, one of their neighbours is strict single father and veteran police officer Abel Turner (Samuel L. Jackson) who is one of a few who takes oddly to their inter-racial coupling and who is also carrying his own demons. As he becomes increasingly aggressive and anti-social towards them, it plunges them all into a deadly game which could destroy all their lives.
This suburban thriller by Neil LaBute appeared out of nowhere towards the end of last year with little in the way of publicity. But it's made an impression on a lot of other critics and I was pleasantly surprised too. It's an old fashioned sort of thriller, in the vein of films like Pacific Heights with Michael Keaton or Single White Female, that of the warped stranger who starts to interfere psychotically with the lead characters. Blissfully free of any modern fast cuts or flashy editing, it takes you back to a time when thrillers had a dash of inspiration and flair.
As the man carrying the film, Samuel L. Jackson turns in an excellent performance as the protagonist of the tale, constantly giving his victims flourishes of false hope then unnervingly reverting back to his unpleasantness and conceitedness. This may not make it the most pleasant of films to watch, but the film never lets up on the suspense and keeps you hooked till the end, eager for a revelation of what motivates Jackson's hatred and how it will impact on his victims and what it will drive them to do. ****