Though it's been some twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.
John is taken on a murder-fueled ride by a mysterious stranger that transforms the weak-willed, disillusioned husband and father into a desperate hero willing to go to any length to protect his family.
Samuel L. Jackson,
Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
Three brothers reunite at a remote cabin in the woods, when beckoned by their father. The brothers are left to deal with the dark secrets and demons that have haunted them their whole lives... See full summary »
Scott Michael Campbell
In California, the Caucasian Chris Mattson and his African-American wife Lisa Mattson move to a house in a gated community. The racist and dysfunctional next-door neighbor is the abusive LAPD Officer Abel Turner who feels uncomfortable with the relationship of the newcomers and transforms their lives into Hell on Earth. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A very well made psycho-thriller that stands at the top of a sub-genre kick-started by Adrian Lyne's FATAL ATTRACTION in 1987. LAKEVIEW TERRACE features Samuel L. Jackson in riveting form as the main antagonist, a character who's not only the neighbour-from-hell but a cop-from-hell too (imagine this guy on the beat with Ray Liotta's character from UNLAWFUL ENTRY!). LAKEVIEW TERRACE sidesteps cliché throughout arguably until the climax, anyway and delivers plenty of suspense and thrills in its story of a racist-with-a-twist this time it's Jackson who's the racist, a guy who hates whites.
Patrick Wilson and Kerry Washington are somewhat bland modern actors, but the quality of the scripts drives them to give fairly good turns here. The film belongs to Jackson in the end, though, and he keeps us watching through thick and thin. Realism is often swept aside in these types of production (I'm thinking of you, PACIFIC HEIGHTS) but not so here. Neil LaBute has made some awful films (in fact his one before this was the dire Nicolas Cage remake THE WICKER MAN) but Lakeview Terrace is an unexpected delight a high-calibre piece of professional filmmaking that never disappoints.
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