A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In California, the Caucasian Chris Mattson and his African-American wife Lisa Mattson move to a house in a gated community. The racist and dysfunctional next-door neighbor is the abusive LAPD Officer Abel Turner who feels uncomfortable with the relationship of the newcomers and transforms their lives into Hell on Earth. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Lakeview Terrace is the name of the area where Rodney King was beaten by L.A. police officers in 1991. The movie references his name and the famous line "Can't we all just get along?" See more »
At the end, an ambulance appears with the sign "Los Angeles County Fire Department." In real life, the Los Angeles County Fire Department contracts with private companies for medical transport. See more »
No, No, No Part 2
Written by Mary Brown, Robert Fusari, Calvin Gaines, Vincent Herbert, Barry White
Performed by Destiny's Child (featuring Wyclef Jean)
Courtesy of Columbia Records
By Arrangement with Sony BMG Music Entertainment
Contains a sample of "Strange Games & Things"
Performed by Barry White
Sample courtesy of The Island Def Jam Music Group
Under License from Universal Music Enterprises See more »
Probably the first movie about racism that doesn't just spout tired clichés.
We've all heard the "racism is evil!" thing preached, preached again, and then preached again. We get it: racism is bad. I'm not racist. I don't know anyone who is racist. Why does every single movie have to remind us of something we teach our children before they're old enough to talk? After I watched Hairspray and Be Kind Rewind in the past year alone, I officially had enough. And not only me. At the time, my best friend, who was born and raised in Africa then moved to the US, said the same thing: why can't movies just stop beating a pointless, dead, blood horse? If someone is racist, I doubt a movie is going to change their mind. Then, out of nowhere, Lakeview Terrace comes along and defies every cliché you thought you knew about racism movies. And that is really all I have to say about the topic: thank God that someone, anyone, in Hollywood gets that we're sick of being force-fed clichés. Why is Lakeview Terrace cliché-defying? It focuses on the gray aria of racism, not black-and-white. It focuses on racism held by blacks, not by whites. It veers so far from the "racism is evil!" standpoint, and makes you make up your own mind about the over-the-top plot and who was right, who was wrong. It's been so long since Hollywood actually let the audience make up their own mind, this is like a breath of fresh air.
Lakeview Terrace is labeled as a thriller, which is half true. The first half builds up the social boundaries of real life, testing them, and then building them up stronger. It doesn't jump straight to action, but soaks you in reality before plunging into the over-the-top ending. When the action starts, near the ending, it is really worth the weight because it has you in a state of social tension. Anyone who says this isn't realistic doesn't understand realistic human behavior. Even in the most outrageous parts of the film, there was not a single thing done by anyone that was hard for me to believe could happen in real life. Maybe that's because I have a lot of cops in my family, or maybe it's because I'm just more tuned into reality than the optimistic-happy-"Humans are perfect!" people that are reviewing this film and calling it unrealistic.
The directing, writing, and technical details are all fine. They're not artistic or "find cinema", but they're done in a way that makes the film work. The acting from Samuel L. Jackson is flawless. The casting from certain other characters is a little off, but it works out in the end.
Overall, I liked Lakeview Terrace a lot. I'm the kind of person who loves thrillers, but as I said, this really isn't a thriller as much as a drama with a thriller-like ending and some thriller-like scenes scattered throughout. It's a nice break from the unintelligent mess that has become an anti-racism subgenre, and a nice break from the intense hardcore horror and action movies I enjoy watching. With that said, it didn't bore me, which really surprised me. Lakeview Terrace isn't perfect, it's not a work of art, but it's intelligent. I found it very much worth watching.
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