| Photos (See all 127 | slideshow) | Videos (see all 15) |
| Natalie Portman | ... | Nina Sayers / The Swan Queen | |
| Mila Kunis | ... | Lily / The Black Swan | |
| Vincent Cassel | ... | Thomas Leroy / The Gentleman | |
| Barbara Hershey | ... | Erica Sayers / The Queen | |
| Winona Ryder | ... | Beth Macintyre / The Dying Swan | |
| Benjamin Millepied | ... | David / The Prince | |
| Ksenia Solo | ... | Veronica / Little Swan | |
| Kristina Anapau | ... | Galina / Little Swan | |
| Janet Montgomery | ... | Madeline / Little Swan | |
| Sebastian Stan | ... | Andrew / Suitor | |
| Toby Hemingway | ... | Tom / Suitor | |
| Sergio Torrado | ... | Sergio / Rothbart | |
| Mark Margolis | ... | Mr. Fithian / Patron | |
| Tina Sloan | ... | Mrs. Fithian / Patron | |
| Abraham Aronofsky | ... | Mr. Stein / Patron (as Abe Aronofsky) | |
| Charlotte Aronofsky | ... | Mrs. Stein / Patron | |
| Marcia Jean Kurtz | ... | Costumer Georgina | |
| Shaun O'Hagan | ... | Stage Manager Sebastian | |
| Chris Gartin | ... | Sexy Waiter Scott | |
| Deborah Offner | ... | Administrator Susie | |
| Stanley B. Herman | ... | Uncle Hank | |
| Michelle Rodriguez Nouel | ... | Physical Therapist | |
| Kurt Froman | ... | Understudy for Siegfried | |
| Marty Krzywonos | ... | Conductor | |
| Leslie Lyles | ... | Nurse | |
| John Epperson | ... | Jaded Piano Player | |
| Arkadiy Figlin | ... | Piano Player | |
| Tim Fain | ... | Violin Player (as Timothy Fain) | |
| Sarah Lane | ... | Lady in the Lane | |
| Liam Flaherty | ... | Man in Stall | |
| Patrick Heusinger | ... | Rich Gent | |
| Marina Stavitskaya | ... | Ballet Mistress | |
| Olga Kostritzky | ... | Ballet Mistress | |
| Christine Redpath | ... | Ballet Mistress | |
| Alexandra Damiani | ... | Ballet Mistress | |
| Rebecca Azenberg | ... | Corps De Ballet | |
| Laura Bowman | ... | Corps De Ballet | |
| Holly L. Fusco | ... | Corps De Ballet | |
| Abigail Mentzer | ... | Corps De Ballet | |
| Barette Vance | ... | Corps De Ballet | |
| Lillian di Piazza | ... | Corps De Ballet (as Lillian Di Piazza) | |
| Megan Dickinson | ... | Corps De Ballet | |
| Jessy Hendrickson | ... | Corps De Ballet | |
| Geneviève Lebean | ... | Corps De Ballet | |
| Rachel Jambois | ... | Corps De Ballet | |
| Ryoko Sadoshima | ... | Corps De Ballet | |
| Kaia A. Tack | ... | Corps De Ballet | |
| Lauren Fadeley | ... | Corps De Ballet | |
| Sarah Hay | ... | Corps De Ballet | |
| Adrianna de Svastich | ... | Corps De Ballet (as Adrianna De Svastich) | |
| Jamie Wolf | ... | Corps De Ballet | |
| Carrie Lee Riggins | ... | Corps De Ballet | |
| Gina Artese | ... | Corps De Ballet | |
| rest of cast listed alphabetically: | |||
| Anne Bergstedt | ... | Dancer (uncredited) | |
| Alyson Cambridge | ... | Dancer (uncredited) | |
| Andrew Daly | ... | Ballet Dancer (uncredited) | |
| Rhona Fox | ... | Socialite (uncredited) | |
| Dj Jess | ... | DJ (uncredited) | |
| Daralina Komar | ... | Ballet Dancer (uncredited) | |
| Tim Lacatena | ... | Ballet Dancer (uncredited) | |
| Meredith Miles | ... | Featured Ballerina (uncredited) | |
| Todd Miller | ... | Subway Rider (uncredited) | |
| Carmella Stolyar | ... | Assistant Stage Manager (uncredited) | |
Directed by | |||
| Darren Aronofsky | |||
Writing credits(WGA) | ||
| Mark Heyman | (screenplay) and | |
| Andres Heinz | (screenplay) (as Andrés Heinz) and | |
| John J. McLaughlin | (screenplay) (as John McLaughlin) | |
| Andres Heinz | (story) (as Andrés Heinz) | |
Produced by | |||
| Jon Avnet | .... | executive producer | |
| Brad Fischer | .... | executive producer (as Bradley J. Fischer) | |
| Scott Franklin | .... | producer | |
| Jerry Fruchtman | .... | co-producer (as Gerald Fruchtman) | |
| Peter Fruchtman | .... | executive producer | |
| Rose Garnett | .... | associate producer | |
| Ari Handel | .... | executive producer | |
| Mike Medavoy | .... | producer | |
| Arnold Messer | .... | producer (as Arnold W. Messer) | |
| Brian Oliver | .... | producer | |
| Joseph P. Reidy | .... | co-producer (as Joseph Reidy) | |
| Jennifer Roth | .... | executive producer | |
| Rick Schwartz | .... | executive producer | |
| Tyler Thompson | .... | executive producer | |
| David Thwaites | .... | executive producer | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Matthew Libatique | (director of photography) | ||
Film Editing by | |||
| Andrew Weisblum | |||
Casting by | |||
| Mary Vernieu | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| David Stein | |||
Set Decoration by | |||
| Tora Peterson | |||
Costume Design by | |||
| Amy Westcott | |||
Makeup Department | |||
| Judy Chin | .... | makeup designer | |
| Marjorie Durand | .... | makeup department head (as Margie Durand) | |
| Valerie Gladstone-Appel | .... | additional hair stylist (as Valerie Gladstone) | |
| Dierdre Harris | .... | additional hair stylist | |
| Emma Jacobs | .... | special effects makeup assistant | |
| Angela Johnson | .... | additional makeup artist (as Angela L. Johnson) | |
| Chris Kelly | .... | special effects makeup assistant | |
| Todd Kleitsch | .... | key makeup artist | |
| Mary Hedges Lampert | .... | key hair stylist (as Mary Lampert) | |
| Paul LeBlanc | .... | hair designer | |
| Michael Marino | .... | prosthetic makeup designer (as Mike Marino) | |
| Geordie Sheffer | .... | hair department head | |
| Hayes Villandry | .... | silicone specialist (as Hayes Vilandry) | |
| Carla White | .... | additional makeup artist | |
| Diana Choi | .... | special makeup effects artist (uncredited) | |
| Christen Edwards | .... | special makeup crew (uncredited) | |
| Jeong-Hwa Fonkalsrud | .... | additional makeup artist (uncredited) | |
| Rachel Geary | .... | additional makeup (uncredited) | |
| Christina Grant | .... | makeup artist (uncredited) | |
| Michael Maddi | .... | makeup crew (uncredited) | |
| Katherine O'Donnell | .... | additional makeup artist (uncredited) | |
| Cassandra Saulter | .... | makeup artist (uncredited) | |
| Susan Schectar | .... | additional hairstylist (uncredited) | |
Production Management | |||
| Gabrielle Mahon | .... | production supervisor | |
| Jeff Robinson | .... | post-production supervisor | |
| Jennifer Roth | .... | unit production manager | |
Art Department | |||
| Ama Ampadu | .... | set intern | |
| Aimee Athnos | .... | art department production assistant | |
| Jasmine E. Ballou | .... | assistant property master (as Jasmine Ballou) | |
| Alyssa Boffoli | .... | set intern (as Alyssa Frankel) | |
| Nancy Branton | .... | scenic | |
| Tim Chung | .... | art department intern | |
| Daniel Fisher | .... | property master | |
| David Scott Gagnon | .... | leadman (as Scott Gagnon) | |
| William Garvey | .... | best boy construction grip | |
| Scott Girshek | .... | art department intern | |
| Daniel Hahn | .... | art department intern | |
| Mary Heilmann | .... | artwork: 303 Gallery | |
| Caroline Irons | .... | scenic | |
| Miriam Johnson | .... | art department coordinator | |
| Derrick Kardos | .... | graphic artist | |
| Karen Kilimnik | .... | artwork: 303 Gallery | |
| Daniel D. Kirsch | .... | construction foreman | |
| Hank Liebeskind | .... | set dresser | |
| Chris Wolfgang Mauch | .... | storyboard artist | |
| Nick Mauss | .... | artwork: 303 Gallery (as Nick Maus) | |
| Skeet McAuley | .... | artwork: courtesy of Skeet Mcauley | |
| Don Nace | .... | scenic | |
| Max Nissenholtz | .... | camera scenic artist | |
| Bob Provenzano | .... | set dress foreman (as Bobby Provenzano) | |
| Jeffrey Rollins | .... | on-set dresser (as Jeff Rollins) | |
| Ernie Sandidge | .... | scenic foreman | |
| Max Sherwood | .... | assistant property master | |
| Dominic Sidhu | .... | fine art advisor | |
| Noreen Souza-Bailey | .... | construction production assistant (as Noreen E. Souza-Bailey) | |
| Wolf-Dieter Stoeffelmeier | .... | scenic (as Wolfe Dieter) | |
| Greg Sullivan | .... | charge scenic | |
| Richard Tenewitz | .... | construction coordinator | |
| Andrew M. Velechenko | .... | key carpenter (as Andrew Velenchenko) | |
| Ian Zdatny | .... | scenic foreman | |
| Michael Cory | .... | props (uncredited) | |
| John Davis | .... | storyboard artist (uncredited) | |
| Nicole De Luca | .... | art intern (uncredited) | |
| Todd Giresi | .... | carpenter (uncredited) | |
| Robert Ludemann | .... | additional graphic artist: props (uncredited) | |
| Tim Zydel | .... | additional on-set dresser (uncredited) | |
Sound Department | |||
| Coll Anderson | .... | sound effects recordist | |
| Steve Baine | .... | foley artist | |
| Krissopher Chevannes | .... | adr recordist (as Kris Chevannes) | |
| Brian Emrich | .... | sound designer | |
| Nelson Ferreira | .... | sound effects recordist | |
| Dror Gescheit | .... | sound recordist (as Drew Gescheit) | |
| Anguibe Guindo | .... | boom person | |
| Gina Gyles | .... | foley assistant (as Gina Wark) | |
| Jonathan E. Hatton | .... | theatrical house sound | |
| Craig Henighan | .... | sound designer | |
| Craig Henighan | .... | sound re-recording mixer | |
| Craig Henighan | .... | supervising sound editor | |
| Harry Higgins | .... | sound recordist | |
| Ken Ishii | .... | production sound mixer | |
| Bobby Johanson | .... | adr mixer | |
| Avi Laniado | .... | sound mix engineer | |
| Wayne Lemmer | .... | sound effects editor | |
| Brendan Jamieson O'Brien | .... | additional boom person (as Brendan O'Brien) | |
| Joe Origlieri | .... | cable person | |
| Peter Persaud | .... | foley recordist | |
| Jill Purdy | .... | supervising adr editor | |
| Jill Purdy | .... | supervising dialogue editor | |
| Seth Tallman | .... | additional boom person | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Sean Byrne | .... | post-production sound (uncredited) | |
| Alfonso Calvo | .... | dubbing re-recording mixer (uncredited) | |
| Alan Freedman | .... | adr mixer (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Benjamin Lecuyer | .... | adr engineer (uncredited) | |
| Jordan O'Neill | .... | Datasat sound mastering engineer (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
| Andy Stallabrass | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Michael Bird | .... | special effects technician | |
| Conrad V. Brink Jr. | .... | special effects coordinator (as Conrad Brink) | |
| Roland Blancaflor | .... | special effects technician (uncredited) | |
| Kevin Carter | .... | special effects contact lenses (uncredited) | |
| Tim Rossiter | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Ulysses Argetta | .... | digital compositor: Look Effects | |
| Adam Avitabile | .... | flame artist: Look Effects | |
| Colleen Bachman | .... | visual effects producer | |
| Derek Bird | .... | digital compositor: Look Effects | |
| Alex Boothby | .... | visual effects compositor | |
| Seth Brower | .... | digital compositor: Look Effects | |
| Cyntia Büll | .... | digital compositor: Look Effects (as Cyntia Buell) | |
| Michael Capton | .... | 3d supervisor: Look Effects | |
| Christian Cardona | .... | digital compositor: Look Effects | |
| Ryan Chatel | .... | roto/paint: Look Effects | |
| Manda Cheung | .... | digital compositor: Look Effects | |
| Leslie Chung | .... | digital compositor: Look Effects | |
| James Coleman | .... | data management: Look Effects | |
| Michael Collins | .... | 2d supervisor: Look Effects | |
| Jeremy Dawson | .... | main and end titles designed by | |
| Michael Degtjarewsky | .... | digital compositor: Look Effects | |
| Steve Dellerson | .... | visual effects executive producer: Look Effects | |
| Mark S. Driscoll | .... | president: Look Effects (as Mark Driscoll) | |
| Henrik Fett | .... | additional visual effects supervisor: Look Effects | |
| Kelly Fischer | .... | digital compositor: Look Effects (as Kelly Fisher) | |
| Chris Flynn | .... | digital compositor: Look Effects | |
| Carl Frytz | .... | 3D artist: Look Effects | |
| David Geoghegan | .... | flame artist: Look Effects (as David Geoghagen) | |
| Buddy Gheen | .... | digital compositor: Look Effects | |
| Jim Gorman | .... | digital compositor: Look Effects | |
| Brad Kalinoski | .... | 2d supervisor: Look Effects | |
| Joanie Karnowski | .... | 3D artist: Look Effects | |
| Danny S. Kim | .... | digital compositor: Look Effects (as Danny Kim) | |
| Darren Kiner | .... | 3D artist: Look Effects | |
| Jeff Kryvicky | .... | main and end titles designed by | |
| Matt Kushner | .... | visual effects coordinator: Look Effects | |
| Keith Lackey | .... | 3D artist: Look Effects | |
| Jessica Lai | .... | 3D artist: Look Effects (as Jessica Y.C. Lai) | |
| Brett Landon | .... | visual effects compositor | |
| Eric Leverenz | .... | digital imaging | |
| Ray Lewis | .... | manipulated and designed by: club images | |
| Shawn Lipowski | .... | 3D artist: Look Effects | |
| Manuel Llamas | .... | digital compositor: Look Effects | |
| Jose E. Lopez | .... | roto/paint: Look Effects (as Jose Lopez) | |
| Eric Luszcz | .... | digital imaging | |
| John Mangia | .... | digital compositor: Look Effects | |
| Martin McGreevy | .... | roto/paint: Look Effects (as Martin Mcgreevy) | |
| Morgan Miller | .... | digital imaging | |
| Daniel Molina | .... | digital compositor: Look Effects | |
| Jodie Moore | .... | visual effects producer (as Jodie Brown) | |
| Sk Nguyen | .... | visual effects coordinator: Look Effects | |
| Maureen Nixon | .... | digital compositor: Look Effects | |
| Joseph Oberle | .... | digital compositor: Look Effects | |
| Michael Oliver | .... | data management: Look Effects | |
| Migs Rustia | .... | visual effects editor: Look Effects | |
| Gabriel Sanchez | .... | flame artist: Look Effects | |
| Dan Schrecker | .... | visual effects supervisor | |
| York N. Schueller | .... | 3D artist: Look Effects (as York Schueller) | |
| Greg M. Silverman | .... | digital compositor: Look Effects (as Greg Silverman) | |
| Jason Snea | .... | visual effects compositor | |
| Katherine Soares | .... | digital compositor: Look Effects (as Katherine Filtrani) | |
| Paul Stemmer | .... | visual effects editor: Look Effects | |
| Andrew Still | .... | data manager | |
| Antonello Stornelli | .... | 3D artist: Look Effects (as Antonello Stornello) | |
| David Sudd | .... | 3D artist: Look Effects | |
| Ben Sumner | .... | digital compositor: Look Effects | |
| Niko Tavernise | .... | visual effects coordinator: Look Effects | |
| Melinka Thompson-Godoy | .... | additional visual effects producer: Look Effects | |
| Jay Tilin | .... | visual effects artist | |
| Tina Wallace | .... | roto/paint: Look Effects | |
| Chris 'Pinkus' Wesselman | .... | digital compositor: Look Effects (as Chris Wesselman) | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Brent Whitmore | .... | visual effects compositor | |
| Melissa Widup | .... | roto/paint: Look Effects (as Melissa Widdup) | |
| Trey Freeman | .... | digital artist (uncredited) | |
| Fred J. Julito | .... | visual effects artist (uncredited) | |
| John Kilkenny | .... | visual effects executive (uncredited) | |
| Lewis Kofsky | .... | motion capture producer (uncredited) | |
| Aaron Newman | .... | concept illustrator (uncredited) | |
| Guillaume Renberg | .... | motion control operator (uncredited) | |
| Aaron Sims | .... | concept artist (uncredited) | |
| Wilson Tang | .... | digital restoration (uncredited) | |
Stunts | |||
| Jared Burke | .... | assistant stunt coordinator | |
| Barbara Christie | .... | stunts | |
| Douglas Crosby | .... | stunt coordinator | |
| Sarah Lane | .... | stunts | |
| Lisa Ann Murphy | .... | stunts | |
| Abby Nelson | .... | stunts | |
| Kimberly Prosa | .... | stunts | |
| Maria Riccetto | .... | stunts | |
| Jen Weissenberg | .... | assistant stunt coordinator | |
| Natalie Jean | .... | stunts (uncredited) | |
| Sarah Lane | .... | stunt double: Natalie Portman (uncredited) | |
| Abby Nelson | .... | stunt double: Natalie Portman (uncredited) | |
| Kimberly Prosa | .... | stunt double: Natalie Portman (uncredited) | |
Camera and Electrical Department | |||
| Tony Arnaud | .... | best boy grip | |
| Gerard Bourcier | .... | theatrical house flyman | |
| Shaka Brookes | .... | company grip | |
| Duane Chan-Shue | .... | company electric | |
| Joseph V. Cicio | .... | camera operator (as Joseph Cicio) | |
| Rashad Clinton | .... | company grip | |
| Stephen Consentino | .... | camera operator | |
| Lamont Crawford | .... | key grip | |
| Nick Cupkovic | .... | generator operator (as Nicholas Cupkovic) | |
| Gavin Curran | .... | rigging gaffer | |
| Benjamin D'Andrea | .... | dolly grip | |
| Jonathan Dahan | .... | company grip | |
| Devin Donegan | .... | video assist | |
| Kris Enos | .... | second assistant camera | |
| Morris Flam | .... | gaffer (as Mo Flam) | |
| Jim Galvin | .... | dimmer board operator | |
| Samuel A. Gonzalez Jr. | .... | company electric (as Samuel Gonzalez Jr.) | |
| Jeff Gottesfeld | .... | theatrical house flyman | |
| Craig Paul Harris | .... | theatrical follow spot operator (as Craig P. Harris) | |
| Brent Hirn | .... | rigging best boy grip | |
| Kenneth Hopkins | .... | photographer | |
| Danielle Krudy | .... | camera intern | |
| Michael A. Leo | .... | generator operator | |
| Lorne MacDougall | .... | theatrical chief lighting (as Lorne Mac Dougall) | |
| Jim Manzione | .... | theatrical follow spot operator (as James J. Manzione) | |
| Frida Marzouk | .... | company electric | |
| Dave McAllister | .... | company grip (as David McAllister) | |
| Kevin McCarthy | .... | theatrical house flyman (as Kevin Mccarthy) | |
| Jim McCullagh | .... | theatrical follow spot operator (as James F. Mccullagh) | |
| Louis Petraglia | .... | best boy rigging electric | |
| Kabkeo Phothivongsa | .... | company electric (as Kabkeo 'Ozzie' Phothivongsa) | |
| Ryan Rodriguez | .... | company electric (as Ryan A. Rodriguez) | |
| Lloyd Rothschild | .... | theatrical dimmer board operator | |
| Kwmae Sandy | .... | best boy electric (as Kumae R. Sandy) | |
| Andrew Schmetterling | .... | additional video assist | |
| Joseph Sciretta | .... | construction electric (as Joe Sciretta) | |
| Eve Strickman | .... | film loader | |
| Niko Tavernise | .... | still photographer | |
| Nicky 'Nuckles' Vaccaro | .... | rigging key grip (as Nick Vaccaro) | |
| John Velez | .... | gaffer (as John G. Velez) | |
| Aurelia Winborn | .... | first assistant camera (as Aurelia J. Winborn) | |
| Jeffrey Wondsel | .... | theatrical house flyman | |
| John Alcantara | .... | lighting technician (uncredited) | |
| David M. Carr | .... | grip (uncredited) | |
| Luis Contreras | .... | lighting technician (uncredited) | |
| Fred J. Julito | .... | camera operator (uncredited) | |
| Asie Kid | .... | electrician (uncredited) | |
| Patrick Lowry | .... | rigging grip (uncredited) | |
Casting Department | |||
| Dann Fink | .... | voice casting | |
| Adam Goldman | .... | background casting assistant | |
| Ann Goulder | .... | casting: New York | |
| Lindsay Graham | .... | casting associate | |
| Brandon Hemmerling | .... | casting assistant | |
| Gayle Keller | .... | casting: New York | |
| Jennifer Sabel | .... | background casting (as Sabel) | |
| Grant Wilfley | .... | background casting | |
| Bruce Winant | .... | voice casting | |
Costume and Wardrobe Department | |||
| Aurora Andrews | .... | wardrobe production assistant | |
| Nina Cinelli | .... | set costumer | |
| Jessica Held | .... | wardrobe intern | |
| Rebecca Hofherr | .... | assistant costume designer | |
| Jennifer Ingram | .... | costume supervisor | |
| Angela Mirabella | .... | set costumer | |
| Kate Mulleavy | .... | designer: ballet costumes, Rodarte | |
| Laura Mulleavy | .... | designer: ballet costumes, Rodarte | |
| Nicci Schinman | .... | set costumer | |
| Amanda Sroka | .... | additional set costumer | |
| David Turk | .... | additional set costumer | |
| Ariel White | .... | wardrobe intern | |
| Jared B. Leese | .... | specialty costumes (uncredited) | |
Editorial Department | |||
| Kent Blocher | .... | first assistant editor | |
| Dana Bloder | .... | digital intermediate producer | |
| Zuzana Bochar | .... | apprentice editor (as Zana Bochar) | |
| Sam Daley | .... | colorist: dailies | |
| Kristyn DiPane | .... | dailies project manager (as Kristyn Dipane) | |
| Jessica Elvin | .... | digital intermediate editor | |
| Andreas Fehrle | .... | apprentice editor | |
| Eric Glatt | .... | post-production assistant | |
| Charles Herzfeld | .... | post facility supervisor | |
| Irene Kassow | .... | assistant editor | |
| Richie Roefaro | .... | dailies advisor: Canon 7D | |
| Tim Stipan | .... | digital intermediate colorist | |
| Kevin Vale | .... | digital intermediate project manager | |
| Victoria Anderson | .... | colorist assistant (uncredited) | |
| Pete Conlin | .... | post production (uncredited) | |
| Jonathan Hoffman | .... | post production (uncredited) | |
| Trevor Joyce | .... | digital cinema producer (uncredited) | |
| Fred J. Julito | .... | additional editor (uncredited) | |
| Jeffrey Leiser | .... | colorist assistant (uncredited) | |
| Lee Wimer | .... | color timer (uncredited) | |
Music Department | |||
| Nancy Allen | .... | music editor | |
| Christopher Benstead | .... | music consultant (as Chris Benstead) | |
| Jim Black | .... | music supervisor | |
| John Bradbury | .... | musician: solo violin | |
| Simon Chamberlain | .... | musician: piano | |
| Fiona Cruickshank | .... | assistant engineer | |
| Matt Dunkley | .... | adaptor: music from "Swan Lake" | |
| Matt Dunkley | .... | arranger: music from "Swan Lake" | |
| Matt Dunkley | .... | score conductor | |
| Matt Dunkley | .... | score orchestrator | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Mick Gormaley | .... | associate music editor | |
| Isobel Griffiths | .... | score contractor | |
| Gabe Hilfer | .... | music supervisor | |
| Mary-Anne Hobbs | .... | recording artist liaison (as Mary Anne Hobbs) | |
| Clint Mansell | .... | adaptor: music from "Swan Lake" | |
| Clint Mansell | .... | arranger: music from "Swan Lake" | |
| Charlotte Matthews | .... | assistant score orchestra contractor | |
| Adam Miller | .... | assistant engineer | |
| David G. Russell | .... | midi preparation (as David Russell) | |
| David G. Russell | .... | score preparation (as David Russell) | |
| Jill Streater | .... | score preparation | |
| Pyotr Ilyich Tchaikovsky | .... | composer: music from "Swan Lake" | |
| Nigel Wiesehan | .... | musician: guitar viol | |
| Rolf Wilson | .... | musician: solo violin | |
| Mark Berrow | .... | musician: violin (uncredited) | |
| Chris Clad | .... | musician: violin (uncredited) | |
| Chris Cozens | .... | music: digital orchestral timings (uncredited) | |
| Tim Fain | .... | musician: violin soloist (uncredited) | |
| Patrick Houlihan | .... | music executive (uncredited) | |
| Richey Rynkowski | .... | orchestrator assistant (uncredited) | |
| Bruce White | .... | viola (uncredited) | |
| Jonathan Williams | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Peter Clores | .... | transportation co-captain (as Peter J. Clores) | |
| Steven R. Hammond | .... | transportation captain (as Steven Hammond) | |
| Christina Schaich | .... | transportation office manager | |
Other crew | |||
| Eugen Ahl-Klopsch | .... | additional production assistant | |
| Robert Apuzzo | .... | location intern (as Rob Apuzzo) | |
| Jodi Arneson | .... | assistant production coordinator | |
| Teddy Au | .... | production accountant | |
| Jackie Bernon | .... | walkie production assistant | |
| Alexandra Blacker | .... | trainer: Mr. Kunis | |
| Mary Helen Bowers | .... | trainer: Ms. Portman | |
| Zara Burdett | .... | paperwork production assistant | |
| Maurice Cabrera | .... | parking coordinator | |
| Mitchell Cassel | .... | contact lens consultant (as Dr. Mitchell Cassel) | |
| Wendy Cohen | .... | product placement coordinator | |
| Mike Costello | .... | security supervisor | |
| Angela Cutrone | .... | additional production assistant | |
| Sam Day | .... | production intern | |
| Loreen Domijan | .... | theatrical stage manager | |
| Deirdre Donohue | .... | second assistant accountant | |
| Megan Fairchild | .... | ballet consultant | |
| David Farr | .... | first assistant accountant | |
| Lindsay Feldman | .... | production coordinator | |
| Scott Ferlisi | .... | location assistant | |
| Gavin Fitzpatrick | .... | ballet consultant | |
| Megan Foerster | .... | location scout | |
| Alex Footman | .... | production intern | |
| Jennifer Zolten Freed | .... | post-production accountant: Trevanna Post (as Jennifer Freed) | |
| Kurt Froman | .... | associate choreographer | |
| Jessie Gant | .... | post-production accountant: Trevanna Post | |
| Trish Gray | .... | location scout | |
| Orit Greenberg | .... | location scout | |
| Mallory Groff | .... | production intern | |
| Eva Hannon | .... | location intern | |
| Francesca Harper | .... | ballet consultant | |
| Rob Harris | .... | unit publicist | |
| Jon Kauffman | .... | assistant: Darren Aronofsky | |
| Julie Kent | .... | ballet consultant | |
| Vernice Klier | .... | personal coach: Mr. Cassel (as Vernice Klier-Moskowitz) | |
| Olga Kostritzky | .... | on-set ballet consultant | |
| Ronnie Kupferwasser | .... | location manager | |
| Michael B. Lewis | .... | production secretary (as M. Baldwin Lewis) | |
| Ben Lusthaus | .... | office production assistant | |
| James McGuinness | .... | unit production assistant | |
| Ashley Melone | .... | ballet coordinator | |
| Ali Mendes | .... | assistant to producers (as Alexandra Mendes) | |
| Grit Menzzer | .... | assistant: Ms. Portman | |
| Benjamin Millepied | .... | ballet choreographer | |
| Soren Miltich | .... | first team production assistant | |
| Gillian Murphy | .... | ballet consultant | |
| Georgina Parkinson | .... | head trainer | |
| Tiler Peck | .... | ballet consultant | |
| Anthony Pettine | .... | script supervisor | |
| Alexander Phillips | .... | production intern (as Alex Phillips) | |
| Peter Pyun | .... | location assistant | |
| Jennifer Roberts | .... | background production assistant | |
| Kerry Roberts | .... | payroll accountant | |
| Michael Sheridan | .... | liaison: Pennsylvania Ballet | |
| Jock Soto | .... | male trainer | |
| Marina Stavitskaya | .... | trainer | |
| Daniel Tresca | .... | assistant location manager (as Dan Tresca) | |
| Pandora Vanderpump-Todd | .... | assistant: Mr. Medavoy and Mr. Messer | |
| Heather Watts | .... | ballet consultant | |
| Alex Wilson | .... | assistant: Mr. Franklin | |
| Liz Adams | .... | production assistant (uncredited) | |
| Tyler Atkinson | .... | digital distribution (uncredited) | |
| Adam Ballesteros | .... | assistant: David Thwaites (uncredited) | |
| Scott Bowers | .... | staff production assistant (uncredited) | |
| Allison Brownmoore | .... | motion designer: Cross Creek Pictures (uncredited) | |
| Christina Chow | .... | production assistant (uncredited) | |
| Karen Gehres | .... | producer: EPK (uncredited) | |
| Adam Gibbs | .... | production assistant (uncredited) | |
| Jeff Joslin | .... | stand-in (uncredited) | |
| Clara Kim | .... | assistant to producer (uncredited) | |
| Ross Miller | .... | insurance (uncredited) | |
| Chris Miskiewicz | .... | stand-in: John Epperson (uncredited) | |
| Eric Papa | .... | location scout (uncredited) | |
| Ivan Paric | .... | additional production assistant (uncredited) | |
| Benjamin R. Reder | .... | production legal counsel (uncredited) | |
| Peter Pamela Rose | .... | adr loop group (uncredited) | |
| Howard Samuelsohn | .... | dialect coach (uncredited) | |
| Ian M. Stratford | .... | financial counsel (uncredited) | |
| Robert Velo | .... | production financing (uncredited) | |
| Sally Winters | .... | adr loop group (uncredited) | |
| Spencer Wong | .... | assistant: Brad Fischer (uncredited) | |
|
|
|
|
|
| 2LDK | Eyes Wide Shut | Enter the Void | So Sweet, So Dead | The Cat o' Nine Tails |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I was lucky enough to see this at the Austin Film Festival and was absolutely blow away.
Aronofsky is, in many ways, like Nick Cave. You know going in that you are going to get something gritty, raw, and real. You know that, even if it's good, it's going to be hard to process. But when he gets a hold of something, really gets a hold of it, you won't be able to look away, no matter how hard it is to watch. He is a singular filmmaker in the regard that he can create something that is both visceral and cerebral at the same time. Others can do this, but few as well. What he does is never hollow, shallow, or empty, it is always dense, deep, and rich with everything that makes film great.
"Black Swan" is no exception. In many ways this is the most Aronofsky of his films. His style is spot on and works exquisitely with the world he is presenting. It's surprising because he normally shows the dirty, gritty, and ugly places, where as everything in this film is clean and polished. But don't let that fool you, he saved the dirt and grit for the characters. It's remarkable that the man who was able to show the sensitive, and vulnerable side of a wrestler is also able to show the brutal and hard side of a ballerina? For starters, this film looks amazing. The production design, specifically the use of black and white in contrast (don't spend time looking for this, it's everywhere and you will miss something if you do) does it's job without feeling invasive. The lighting is brilliant, as is the staging of the dance scenes. I'm still stunned that the same eye that brought the grainy subway bathroom of "Pi" to life is the same eye that brings all this rich and beautiful color so clearly to the screen.
He also does a brilliant job of creating the world that these characters inhabit. This film reminded me of all the terrible parts of my theater days. The backstabbing, the trash talking, and the two faced nature of that world is portrayed with a deft and brilliant touch. There is a constant fear that you are one mistake away from losing not only your part, but your future parts as well. You feel like you are a part of this world, that he pressure of it is part of your world.
The camera work is great, if a little typical of Aronofsky at times (we see the backs of heads quite a bit, it works, but you see it a lot), but it is very affective. The somewhat jittery, close hand-held shots are perfect and pull you deeper into this world than may be comfortable.
Then there are the name performances. Of the name actors you mostly get what you expect. Portman, Cassel, Hershey, and Rider are outstanding. The only real shock, for me anyway, is Mila Kunis. I know her as Jackie from "That 70's Show," and nothing else. She damned near steals the show. That's right, in a move where she shares screen with Natalie Portman, AND Vincent Cassel she is able to not only hold her own, but walk away with some scenes. The interplay between her wild, unrestrained Lilly, and Portman's frightened, tightly wound Nina creates a brilliant external tension to match, and at times overpower, the internal tension that lies at the very core of Nina.
I have been a fan of Aronofsky's work since I saw "Pi" on it's original theatrical run ( I think I was the only person in the theater for that midnight show), and he has yet to disappoint. He has a definite point of view and a thematic core that runs through his work. Thematically, this is in keeping with most of Aronofsky's work. It's about control and the loss of that control. What happens when a perfectionist control freak is in a position where she HAS to let go of that control? What takes over when she does let go? In typical fashion, Aronofsky shows us that sometimes in striving to get what we want, we risk losing a part of us that we may never be able to get back, and don't realize how desperately we need.
Read more from me at www.thefilmthugs.com