| Arnold Vosloo | ... | Odysseus | |
| rest of cast listed alphabetically: | |||
| Mike Antonakos | ... | Christos | |
| Steve Bacic | ... | Eurylochus | |
| JR Bourne | ... | Perimedes | |
| Randal Edwards | ... | Homer | |
| Leah Gibson | ... | Penelope | |
| Sonya Salomaa | ... | Athena | |
| Jeff Sanca | ... | Crewman #3 | |
| Stefanie von Pfetten | ... | Persephone | |
Directed by | |||
| Terry Ingram | |||
Writing credits(in alphabetical order) | ||
| Brook Durham | writer | |
| Kevin Leeson | additional writing | |
Original Music by | |||
| Michael Richard Plowman | |||
Cinematography by | |||
| C. Kim Miles | (director of photography) | ||
Film Editing by | |||
| Gordon Williams | |||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| James Hazell | |||
Costume Design by | |||
| Beverley Wowchuk | |||
Makeup Department | |||
| Jill Corp | .... | key hair stylist | |
| Michelle Grady | .... | makeup effects supervisor | |
| Ryan Nicholson | .... | prosthetic effects designer | |
| Amy Van Wormer | .... | key makeup artist | |
Production Management | |||
| Todd Giroux | .... | post-production manager | |
| Jamie Goehring | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dan Johnston | .... | third assistant director | |
| Kevin Leeson | .... | second assistant director | |
| Kevin Leslie | .... | first assistant director | |
| Brandon Williams | .... | trainee assistant director | |
Art Department | |||
| Jean Brophey | .... | on-set dresser | |
| Bob Carson | .... | lead dresser | |
| Venelin Dinkov | .... | creature conceptual artist | |
| Gail Luining | .... | key decorator | |
| Rowena O'Connor | .... | on-set props | |
| Kim T. Searow | .... | assistant set decorator | |
| Donna Smith | .... | property master | |
| Tamara Susik | .... | assistant property master | |
Sound Department | |||
| Hennie Britton | .... | foley engineer | |
| Derick Cobden | .... | sound supervisor | |
| Judah Getz | .... | adr mixer | |
| Matthew Gionet | .... | sound supervisor | |
| Nacime Goian | .... | sound assistant | |
| Michael Keeping | .... | foley artist | |
| Mario Loubert | .... | sound effects editor | |
| Chris Ove | .... | dialogue editor | |
| Tony Poulsen | .... | boom operator | |
| Vince Renaud | .... | sound re-recording mixer | |
| Jo Rossi | .... | sound re-recording mixer | |
| James Schoening | .... | sound mixer | |
Special Effects by | |||
| David Barkes | .... | special effects coordinator | |
| Colin Decker | .... | special effects assistant | |
| Joel McGowan | .... | special effects first assistant | |
Visual Effects by | |||
| Fredrik Averpil | .... | visual effects supervisor | |
| Ian Cumming | .... | character modeller | |
| Ian Cumming | .... | visual effects supervisor | |
| Scott Dewis | .... | visual effects producer | |
| Lee Gabel | .... | matchmove artist | |
| Jason Hollefreund | .... | modeler | |
| Armen V. Kevorkian | .... | visual effects consultant | |
| Mathias Larserud | .... | digital effects artist | |
| Linus Lindbalk | .... | matte painter | |
| Jacob Svensson | .... | visual effects | |
| Mike Uguccioni | .... | digital compositor | |
| Sean Wheelan | .... | visual effects producer | |
Stunts | |||
| Kirk Caouette | .... | assistant fight choreographer | |
| Jon Kralt | .... | stunt double: JR Bourne | |
| Steven McMichael | .... | fight choreographer | |
| Steven McMichael | .... | stunt coordinator | |
| Vasilescu Valentin | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ed Araquel | .... | still photographer | |
| John Brown | .... | lamp operator | |
| Adam Bunz | .... | best boy grip | |
| Emily Cooper | .... | still photographer | |
| Virgile Dean | .... | rigging grip | |
| Mark Lunn | .... | assistant camera | |
| Riley Pearcy | .... | best boy electric | |
| Craig Powell | .... | camera operator: "a" camera | |
Casting Department | |||
| Eddie Jaszek | .... | casting assistant | |
| Judy Lee | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Jessica Judd | .... | costume set supervisor | |
| Heather Osborne | .... | truck costumer | |
| Ute Porath | .... | leather cutter | |
Editorial Department | |||
| Shelby Gilraine | .... | post-production coordinator | |
| Jason Koroluk | .... | on-line editor | |
| Adam Locke-Norton | .... | assembly editor | |
| Adam Locke-Norton | .... | first assistant editor | |
| Lorne Miess | .... | finishing colorist | |
| Gary Porter | .... | post-production coordinator | |
| Randy Rudland | .... | assistant editor | |
Transportation Department | |||
| Derrick Rodger | .... | driver: cast | |
Other crew | |||
| Trevor Broad | .... | key production assistant | |
| Daniel Froidevuax | .... | production assistant | |
| Adam Gowland | .... | production coordinator | |
| Terry Hayes | .... | location manager | |
| Maria Kozak | .... | production assistant | |
| Annie-Claude Langlois | .... | assistant production coordinator | |
| Paola Lopez | .... | assistant: producer | |
| Christina Ollson | .... | production assistant: prep | |
| Lisa Rerrie | .... | script supervisor | |
| Keith Shaw | .... | story editor | |
| Scooby Vincent | .... | assistant location manager | |
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| Riddles of the Sphinx | X-Men: The Last Stand | The Wind in the Willows | Push | Affinity |
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| News articles | IMDb Sci-Fi section | IMDb UK section |
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It's neither good nor bad, amateurish acting, poor direction with compentent special f/x,weak script/dialogue. Many movies lately just can't seem to get the language of a time period right without adding ridiculous modern dialogue clichés, slangs and what not. I kept waiting for one of them to pull out a cellphone because most the performances were phoned in, for me the beginning was the worse stupid twinkling lights in the background of scenes of them on the ship while long shots with harpies flying over head were of a cloudy twilight sky, so where did the twinkling stars come from....this is just pointing out one of many flaws and of course this ship was filmed in a studio with no water at all, I'm sure of it. If you're a fan of sword and sandal sci-fi adventure with sorcery and magic it only barely acts as an apetizer, a lightly flavored one at that, leaving you wanting terribly that you had The Odyssey starring Armande Assante in your DVD collection because watching all the hours of a rerun would be more satisfying than watching 90 minutes once you remove commercials of this drivel. I had tivo'd and fortunately was able to fastforward some simply painful dialogue moments in order to watch the special f/x. One thing to keep in mind few things shown as Sci-Fi Channel orginals they are really just productions from foreign markets like Canada, BBC, Germany or worse some reckless direct to video producer. Voslo does what he can but with this material its a wasted effort.