ODYSSEUS, The Warrior King, has been away from Ithaca for twenty years. The first ten he spent fighting the Trojan War; the last ten he spent fighting to get home. Among his adventures is ...
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An astronomer and a cryptographer uncover a series of ancient tunnels, unwittingly unleashing a deadly Sphinx. In order to trap the Sphinx back in its tomb and stop impending destruction, ... See full summary »
This lavish small-screen adaptation of Homer's ancient epic--replete with Maltese and Turkish locations, state-of-the-art special effects, and many bronzed muscles gleaming with sweat--... See full summary »
Ruled by King Augustin, Carpia is a peaceful kingdom in a world inhabited by dragons and knights. The land's serenity is unexpectedly shattered by a Fire Dragon that spreads almighty fear and death amongst the kingdom's innocent people.
ODYSSEUS, The Warrior King, has been away from Ithaca for twenty years. The first ten he spent fighting the Trojan War; the last ten he spent fighting to get home. Among his adventures is the tale Homer felt was too horrific to tell; the missing book of The Odyssey known as... THE ISLE OF THE MISTS. Written by
Reel One Entertainment
I didn't think SciFi Channel could broadcast a worse myth-&-monster movie than MINOTAUR. I was wrong.
It's okay to make a movie on the cheap; not everyone has access to a big budget, and amazing things can be done with a little imagination and talent. But there's very little of those commodities here. Acting is at a high school level. Direction is worse. Dialogue is trite. Scenes lurch from one dull monster attack to another, with occasional babe (er, goddess) interludes to break the monotony. The goddesses look and sound as it they're reading cue cards at a second-rate beauty contest.
Why must the makers of such movies mess with Greek myth, about which they clearly know (and care) nothing? Here, Homer the tale-teller appears as part of Odysseus's crew. That's an okay idea. Except this Homer (played by the worst actor of the lot, which is saying something) scribbles notes (with a feather quill!) and fawns over the heroes like an embedded reporter in Iraq. Legend tells us that Homer was blind, and recited his stories from memory. There is great power in that idea, a hearkening back to a prehistoric, preliterate age of traveling bards and oral tradition.
A magical movie could be made about Odysseus, and Homer, but this is not it.
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