A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Evelyn Salt is a CIA agent and highly respected by all, including her boss, Ted Winter. Out of the blue, a Russian spy walks into their offices and offers a vital piece of information: the President of Russia will be assassinated during his forthcoming visit to New York City to attend the funeral of the recently deceased U.S. Vice President. The name of the assassin: Evelyn Salt. Concerned about the safety of her husband, who she cannot contact, she goes on the run. Winter refuses to accept that she is a mole or a double agent but her actions begin to raise doubts. Just who is Evelyn Salt and what is she planning? Written by
Shipped to theaters under the code names "Cover Up" and "Red Square". See more »
Even though the CIA building has empty floors as security buffer zone, with elaborate sealing-off techniques, the window on the stairwell between the floors is neither bulletproof nor blocked with iron bars. See more »
[being dragged out and tied down]
Please let me go home. Please, I'm not who you think I am. I'm really not who you think I am. Please. Please, I'm not a spy.
You are a spy!
I'm not a spy. Please let me go home.
I am not a spy! I am a business woman. I work for Rink Petroleum and Gas. Please call them. I work for Rink Petroleum!
You are here to sabotage our nuclear ambitions. Yes?
[water tube being forced into her mouth]
I am not a spy! I am not a spy!
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I enjoyed this flick - it's a satisfying thriller with nonstop action, and Jolie does it proud. I would like to say that I'm surprised by all the negative reviews, all of which seem to take offense at the various "illogical" and "unrealistic" aspects of the film. These same folks no doubt LOVE films like Star Wars and Pirates of the Caribbean, films of the fairy tale genre with license to dismiss realism altogether. Not that there's anything wrong with that. But it is too bad they can't appreciate a fine little thriller like this that just fudges with reality a bit. Almost every James Bond film was at least as silly as this film, but I loved all them too, as did most of the world. Maybe these picky folks are just a bunch of chauvinistic men and jealous women. I say let them eat cake.
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