Tad is a celebrity archeologist and adventurer just like his hero Max Mordon... in his dreams! In reality, Tad is a Chicago construction worker. One day, however, he is mistaken for a real ... See full summary »
Ten-year-old Arthur, in a bid to save his grandfather's house from being demolished, goes looking for some much-fabled hidden treasure in the land of the Minimoys, a tiny people living in harmony with nature.
The world has become a vast conglomerate of islands of varying size and shape. This babbling universe is mainly populated with ruthless rogues, surly peasants and illiterate, petty lords. Their main concerns revolve around two fundamental rules: Eat and don't get eaten. For this new world has become infested with a terrible plague: omnipresent, monstrously famished, mutant creatures, are wreaking havoc - They are known as the Dragons. Gwizdo and Lian-Chu are two dragon hunters, but are a long way from being among the best. Their only real talents: the size of the hulking brute with the heart of gold, Lian-Chu, and Gwizdo's talent for scams of all and any shape or form. Their sole ambition: to buy a little farm where they can relax and raise mussels, a creature that is a lot less unpleasant and difficult to hunt down than dragons. A few islands away rises the fortress of Lord Arnold. Arnold has a problem: he's living in terror at the thought of the return of World Eater, that horrible ... Written by
There is an 'Easter Egg' near the beginning, after Zoé is saved from the Jim Bobs by Lian-Chu and Gwizdo is relating the exploits of 'Sir' Lian-Chu in order to convince Zoé to hire them, and Gwizdo says "Wham, bam, thank you ma'am!" This is American adult slang for a 'quickie' or a brief sexual encounter, and inappropriate in an animated movie intended for young audiences. See more »
[with reference to jaws]
"Were going to need a bigger island"
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My first impression would be this is Beowulf only with all the good bits of fighting Grendel and dragons intact, making it one thrill ride from start to end. Written by Frederic Lanoir and Arthur Qwak, the two of them had created a fantastical landscape that becomes a character in itself within their story, with its ever changing environment made up of small spheres of land floating around, which can either be wastelands, or globes of greenery.
The story's a simple one, which tells of a land which is cowering in the expectation of a mighty dragon's unwanted visit to plunder and destroy, and the resident knights have all but been annihilated. Enter the king's granddaughter Zoe (Marie Drion) who gathers Lian-Chu (Vincent Lindon), a huge brute with immense strength but truly a gentle giant, and his partner-in-arms Gwizdo (Patrick Timsit), who balances the partnership with his cunning brain. Lian-Chu and Gwizdo (together with their pet creature which too proudly spews incipient fires) share a common dream of owning a farm land and spending idyllic days tending to their farm animals in retirement, but in order to do that comes the requirement of being financially free, hence their career in monster-extermination which doesn't exactly pay off.
That's basically the whole gist of it, but what makes this film a spectacle, is its CG graphics, which is solidly rich, detailed, and an eye-popping marvel to behold. It has some wonderfully crafted set action pieces that were painstakingly designed to draw you into the thick of the action,, and during those fight sequences, there's nary a boring moment. Photo-realistic moments of non-existent landscapes make you put aside the fantasy of make-belief, and it's easy to be in awe of the landscape which goes beyond the usual three-suns and a kaleidoscope of flying thingamajigs (here's having at you George!) And I couldn't get enough of the finale battle as well, though the usual brick-bats will find some fault at the indestructibility of the principle characters.
I guess this film had opened my eyes that there are many more computer-animated companies out there around the world that have quality in their product to match that of Pixar's. And this is definitely a movie that the local filmmakers of Zodiac: The Race Begins and Legend of the Sea can learn from to keep the story effectively simple, and let your moving artwork do all the talking. Definitely highly recommended!
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