Britpop band Pulp found fame on the world stage in the mid-1990s with anthems including "Common People" and "Disco 2000". Twenty five years and 10 million album sales later, they return to their hometown for their last UK concert.
In the late 70s and early 80s, Los Sures was one of the poorest neighborhoods in New York City. In fact, it had been called the worst ghetto in America. Diego Echeverria's film skillfully ... See full summary »
Patti Smith has always been an astonishingly iconoclastic, performing and visual artist. She's always been the most influential woman, in the Punk rock world. She really helped kick-start this exciting new genre of music, when it was still just a fringe element of the rock scene, in the mid-70s.
Patti also single-handedly crafted a bold new image, of the female rock performer during the 70s. She startled the rock world with her unapologetic, devil-may-care androgynous style. Patti was the first woman in rock, to completely eschew glamor. Her clothes and shoes that she wears, have always been scruffy and disheveled. Her hair is scraggly, and she has a long, homely face. She is the complete personification, of what Punk rock is all about-brash, gritty, daring, and wickedly avant-guard.
This documentary highlights Patti's exceptional achievements as a visual artist, poet, and Punk rock icon. Her personal life is completely laid open for the viewer. Patti is shown at her childhood home in a humble working class neighborhood, visiting her parents. Patti's two children also appear in this film, and she shows how proud she is of her family. The viewer plainly realizes that instead of being a decadent rock star, Patti Smith is a warm, caring, and sharply intelligent human being.
This film has an arty visual style, which dovetails perfectly, with Patti Smith's status as a dedicated artist and performer. At times, the film drags on a bit. And there's a morose quality, underlying the film too. This factor is brought on mainly by Patti's intense focus, on the deaths of her spouse Fred, brother Todd, and friend Robert Mapplethorpe. It was obviously cathartic for Patti to discuss the sense of anguish that she feels, about the deaths of those she cared deeply about. That in itself is positive, but it dominated the film a bit too much.
For those who are not yet familiar with Patti Smith, seeing this film is a good way to acquaint yourself with her, and her legendary accomplishments as an artist/musician. Now in her early 60s, Patti Smith still reigns supreme, as the Godmother of Punk rock.
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