| Photos (See all 21 | slideshow) | Videos (see all 4) |
| Tannishtha Chatterjee | ... | Nazneen Ahmed | |
| Satish Kaushik | ... | Chanu Ahmed | |
| Christopher Simpson | ... | Karim | |
| Naeema Begum | ... | Rukshana 'Shahna' Ahmed | |
| Lana Rahman | ... | Bibi Ahmed | |
| Lalita Ahmed | ... | Mrs. Islam | |
| Harvey Virdi | ... | Razia | |
| Zafreen | ... | Hasina | |
| Harsh Nayyar | ... | Dr. Azad | |
| Abdul Nlephaz Ali | ... | Tariq | |
| Bijal Chandaria | ... | Shefali | |
| Mohammed Ahsan | ... | Meeting Chairman | |
| Josh Ali | ... | Meeting Secretary | |
| Raha Ahmed | ... | First Speaker at Meeting | |
| Abed Hakim | ... | Second Speaker at Meeting | |
| Ebow Graham | ... | Additional Meeting Man | |
| Khalid Miah | ... | Additional Meeting Man | |
| Andrew Eduardo Godini Reid | ... | Additional Meeting Man | |
| Jean Carnell | ... | Tattooed Woman | |
| Debjani Deb | ... | Young Nazneen | |
| Kusumika Nagar | ... | Young Hasina | |
| Bidyut Das | ... | Abba - Nazneen's dad | |
| Dola Chakraborty | ... | Amma - Nazneen's mom | |
| rest of cast listed alphabetically: | |||
| Barry Newton | ... | Comentator | |
| Bernard Holley | ... | News Reporter (uncredited) | |
Directed by | |||
| Sarah Gavron | |||
Writing credits(in alphabetical order) | ||
| Monica Ali | novel | |
| Laura Jones | ||
| Abi Morgan | ||
Produced by | |||
| Ameenah Ayub Allen | .... | assistant producer (as Ameenah Ayub) | |
| Katherine Butler | .... | associate producer | |
| Chris Collins | .... | producer | |
| Paula Jalfon | .... | executive producer | |
| Alison Owen | .... | producer | |
| Duncan Reid | .... | executive producer | |
| Tessa Ross | .... | executive producer | |
| Andy Stebbing | .... | line producer | |
| Paul Trijbits | .... | executive producer | |
| Faye Ward | .... | associate producer | |
Original Music by | |||
| Jocelyn Pook | |||
Cinematography by | |||
| Robbie Ryan | |||
Film Editing by | |||
| Melanie Oliver | |||
Casting by | |||
| Shaheen Baig | |||
| Loveleen Tandan | |||
Production Design by | |||
| Simon Elliott | |||
Art Direction by | |||
| Suzanne Austin | |||
Costume Design by | |||
| Michael O'Connor | |||
Makeup Department | |||
| Kirstin Chalmers | .... | makeup designer | |
| Tinks Reding | .... | makeup supervisor: additional photography | |
Production Management | |||
| Scott Bassett | .... | production manager: re-shoots | |
| Linda Deacy | .... | post-production supervisor | |
| Vinnie Jassal | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Chris Croucher | .... | third assistant director | |
| Sangeeta Datta | .... | associate director | |
| Jack Ravenscroft | .... | first assistant director | |
| Harriet Worth | .... | second assistant director | |
Art Department | |||
| Harry Cable | .... | standby props | |
| Temple Clark | .... | storyboard artist | |
| Annie Gilhooly | .... | production buyer | |
| Peter Hallam | .... | property master | |
Sound Department | |||
| Stuart Bagshaw | .... | adr recordist | |
| Thom Berryman | .... | adr assistant | |
| Chinna Boapeah | .... | boom operator | |
| Ricky Butt | .... | foley artist | |
| Simon Gershon | .... | supervising sound editor | |
| Dan Green | .... | supervising sound editor | |
| Gareth Llewellyn | .... | adr recordist | |
| Ben Meechan | .... | sound effects editor | |
| Emma Pegram | .... | additional sound re-recording mixer | |
| James Perry | .... | adr recordist | |
| Andy Shelley | .... | sound | |
| Barnaby Smyth | .... | foley supervisor | |
| Jack Stew | .... | foley artist | |
| Andrew Stirk | .... | sound re-recording mixer | |
| Chris Sturmer | .... | sound consultant: dolby | |
| David Turner | .... | sound technical coordinator | |
Special Effects by | |||
| Bernard Newton | .... | special effects | |
Visual Effects by | |||
| Michael Deming | .... | digital film bureau | |
| John Palmer | .... | digital film bureau manager: Scanning and Laser record | |
| Rob Pizzey | .... | digital colourist | |
Camera and Electrical Department | |||
| Ossian Bacon | .... | second assistant camera: "b" camera | |
| Paddy Blake | .... | focus puller: second unit | |
| Andy Cole | .... | best boy | |
| John Colley | .... | gaffer | |
| Sara Deane | .... | clapper loader | |
| Jaime Feliu-Torres | .... | focus puller | |
| Holly Horner | .... | still photographer | |
| David Katznelson | .... | director of photography: second unit | |
| Malcolm McGilchrist | .... | crane grip | |
| Sam Phillips | .... | key grip | |
| Rupert Power | .... | Steadicam operator | |
| Christopher Raphael | .... | still photographer | |
| Terry Robb | .... | electrician | |
| Carolina Schmidtholstein | .... | electrician | |
| John Watters | .... | focus puller: India | |
| Naresh Kaushal | .... | camera trainee (uncredited) | |
Casting Department | |||
| Benjamin Till | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anne T. Delaney | .... | costumer | |
| Shane Kingdon | .... | costume assistant | |
| Poli Kyriacou | .... | costume trainee | |
| Luan Placks | .... | assistant costume designer | |
| John Usher | .... | costume assistant | |
Editorial Department | |||
| Chris Andrews | .... | negative cutter | |
| Kerri Aungle | .... | negative cutter | |
| Julian Currin | .... | assistant editor | |
| Rob Gordon | .... | supervising digital film editor | |
| Emily Greenwood | .... | supervising digital on-line editor | |
| Kate Higham | .... | assistant editor | |
| Kate Mackenzie | .... | assistant editor | |
| Patrick Malone | .... | digital intermediate head of production | |
| Sabine McDonald | .... | negative cutter | |
| Laurent Treherne | .... | digital intermediate technical director | |
Music Department | |||
| Arya Aziminejad | .... | musician | |
| James Bellamy | .... | music editor | |
| Avshalom Caspi | .... | music co-producer | |
| Terry Davies | .... | conductor | |
| Steve Parr | .... | music recordist | |
| Hilary Skewes | .... | musician contractor | |
| David Walter | .... | music editor | |
Transportation Department | |||
| Guy Bostock | .... | vehicle coordinator | |
Other crew | |||
| Andy Brunskill | .... | assistant to producer | |
| Sandra Butterworth | .... | dialogue coach | |
| Neil Calder | .... | completion guarantor: Film Finances Inc. | |
| Jo Cameron Brown | .... | dialect coach | |
| Jon Duncan | .... | production accountant | |
| Thomas Elgood | .... | location manager | |
| Penny Frost | .... | floor runner | |
| Emily Gardner | .... | runner | |
| Uzma Iqbal | .... | assistant to director | |
| Timothy P. Jones | .... | digital imaging | |
| Christina Jules | .... | accountant: Ruby Films | |
| Claudia Kalindjian | .... | unit publicist | |
| Helene Lenszner | .... | location finder | |
| Sylvia Parker | .... | script supervisor | |
| Mona Qureshi | .... | head of development | |
| Andy Scott | .... | production assistant | |
| Jonathan Scott | .... | production coordinator | |
| Helen Varty | .... | assistant to Tessa Ross | |
| Claire Warnes | .... | senior business affairs executive | |
| Rebecca Wolf | .... | assistant accountant | |
| Mel Churcher | .... | acting coach: pre-production (uncredited) | |
Thanks | |||
| Dinesh Anchan | .... | special thanks | |
| Shakil Mohammed | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
From the rice fields in the opening scene to the claustrophobic Brick Lane flat, the powerful cinematography sucks you into this masterfully realized film production. I think Sarah Gavron has given life to an otherwise ordinary novel. The Bangladeshi community was apparently up in arms against the production.However, Mz Gavron has created a film that will convert even the toughest and most immovable heart of "brick" into "mud under your feet". The characters are unforgettable and the acting flawless. Tannishtha Chetterjee delivers a winning performance and carries the film by herself. Satish Kaushik tries to stay true to the caricature of a character that Monica Ali created in her novel but seems to have similar unidimensional personality problems to the character of "George" in "East is East". Overall the film is moving and sensitive. It is a delicious voyeuristic window into the life of an immigrant family and the havoc that is created in the family dynamic and the traditional power structure. You will never walk by another sari-clad woman the same way. Beautiful film. Bravo!