Directed by | |||
| Charles Matthau | |||
Writing credits(in alphabetical order) | ||
| Elmore Leonard | novel | |
| Charles Matthau | adaptation | |
Produced by | |||
| Ross Angel | .... | co-executive producer | |
| Harvey Band | .... | co-executive producer | |
| Steven Berez | .... | executive producer (as Steven M. Berez) | |
| Charley Cabrera | .... | associate producer | |
| Adrienne Camille | .... | associate producer | |
| Robert Cantrell | .... | executive producer | |
| Richard David | .... | associate producer | |
| George Eyde | .... | executive producer | |
| Lou Eyde | .... | executive producer | |
| Nathaniel Eyde | .... | executive producer | |
| Lee Greenberg | .... | executive producer | |
| Dan Keston | .... | co-executive producer | |
| Sean Kohnen | .... | co-executive producer | |
| Timothy Leonard | .... | associate producer | |
| Charles Matthau | .... | producer | |
| Sharayah Mitchell | .... | associate producer | |
| Judd Rubin | .... | co-producer | |
| Max Shepherd | .... | associate producer | |
| Will Stiles | .... | co-executive producer | |
| Christina Varotsis | .... | line producer | |
| Donald Zuckerman | .... | executive producer | |
Original Music by | |||
| Joseph LoDuca | |||
Cinematography by | |||
| John J. Connor | |||
Film Editing by | |||
| William Steinkamp | |||
Casting by | |||
| Allison Bader | |||
| Nancy Nayor | |||
Production Design by | |||
| Tom Southwell | |||
Set Decoration by | |||
| Selina van den Brink | |||
Costume Design by | |||
| Ingrid Ferrin | |||
Makeup Department | |||
| Catherine Childers | .... | department head hair stylist | |
| Emilie Cockels | .... | key hair stylist | |
| Mia Collie | .... | hair stylist | |
| Elizabeth Cortez | .... | additional hair stylist | |
| Elisabeth Fry | .... | makeup department head | |
| Bianca Hodge | .... | additional make-up artist | |
| Jayne Laube | .... | makeup artist | |
| Jon Lieckfelt | .... | hair stylist | |
| Dawn Mattocks | .... | key makeup artist | |
| Leslie Ann Paterra | .... | key makeup artist | |
| John Tarro | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Greg Brautigan | .... | second assistant director | |
| Todd Havern | .... | second second assistant director | |
| Jonathan Giles Zimmerman | .... | first assistant director | |
Sound Department | |||
| Ron Ayers | .... | boom operator | |
| Cary Clark | .... | technical support | |
| Gary Coppola | .... | supervising sound re-recording mixer | |
| Shaun Cunningham | .... | foley mixer | |
| Laird Fryer | .... | adr mixer | |
| Laird Fryer | .... | foley editor | |
| Neal Garon | .... | sound utility | |
| Trevor Jolly | .... | sound supervisor | |
| Dan Kremer | .... | adr mixer | |
| Eric Maldin | .... | adr mixer | |
| Michael Perricone | .... | additional sound design | |
| Justin Van Hout | .... | assistant adr recordist | |
| Beau Williams | .... | sound mixer | |
Special Effects by | |||
| Gary Strobel | .... | special effects technician | |
| Jacob Stros | .... | special effects technician | |
Visual Effects by | |||
| Brandon Bartlett | .... | visual effects plate supervisor | |
| John Bowers | .... | compositing supervisor | |
| David Burton | .... | visual effects supervisor | |
| Bradley Gaines | .... | compositor: With A Twist Studio | |
| Jamison Scott Goei | .... | visual effects supervisor | |
| Pam Hammarlund | .... | visual effects producer | |
| Matt Nowacki | .... | digital artist: With a Twist Studio | |
| Frank Synowicz | .... | visual effects artist | |
| Jason Ullrich | .... | compositor | |
Stunts | |||
| Christian Litke | .... | stunts | |
| Tom Lowell | .... | stunt coordinator | |
| Scott Philyaw | .... | stunt rigger | |
| Amber Whelan | .... | stunt double: Sabina Gadecki | |
| Ryan Young | .... | stunts | |
Camera and Electrical Department | |||
| Mark David Adler | .... | key video assist | |
| John P. Chittick | .... | grip | |
| Marc Christie | .... | key grip | |
| Nick Cutway | .... | second assistant camera: b camera | |
| Tommy Daguanno | .... | dolly grip: "a" camera | |
| Michael Dzialowski | .... | first assistant camera | |
| Joe Elrom | .... | digital imaging technician | |
| John Farr | .... | gaffer | |
| David Favenyesi | .... | electrician | |
| Brian Kelly | .... | electrician | |
| Sean T. Kelly | .... | best boy grip | |
| Kevin Kennedy | .... | key grip | |
| Devin Laster | .... | cosmos lab technician | |
| Brent Mata | .... | additional dit | |
| Chris McLeod | .... | additional electrician | |
| Ryan Joseph Moran | .... | grip | |
| Randy Nolen | .... | camera operator: "a" camera | |
| Bryan Papierski | .... | assistant camera | |
| Sara Plano | .... | additional digital imaging technician | |
| Trevor Rios | .... | "a" camera second assistant | |
| Chris Ritter | .... | electrician | |
| Kim C. Simms | .... | still photographer | |
| Keith Wandrei | .... | "b" camera dolly grip | |
| John Wendling | .... | electric best boy | |
Casting Department | |||
| Michael J. Babcock | .... | extras casting assistant | |
| Elizabeth Brown | .... | casting intern | |
| Joe Cappelletti | .... | adr voice casting | |
| Ryan Hill | .... | extras casting | |
| Jon Huybrecht | .... | casting intern | |
| Kathy Mooney | .... | casting director: Michigan | |
| Lindsey Weissmueller | .... | casting associate (as Lindsey Samilian) | |
Costume and Wardrobe Department | |||
| Kate Abraham | .... | key set costumer (as Kate Bennett) | |
| Suzanne Hanna | .... | tailor | |
| Kimberly Leitz-McCauley | .... | set costumer | |
| Brittany Pask | .... | costume supervisor | |
| Sabra Temple | .... | key costumer | |
| Malgosia Wojtkowski | .... | costume intern | |
Editorial Department | |||
| Gregg Garvin | .... | digital intermediate colorist | |
| Lee Grubin | .... | first assistant editor | |
Music Department | |||
| Gina Amador | .... | music supervisor | |
| Scott Davidson | .... | music engineer | |
| Darrell Hall | .... | music editor | |
| Joseph LoDuca | .... | music producer | |
| Lise Richardson | .... | music editor | |
Transportation Department | |||
| Rob Bailey | .... | driver | |
| Collin Butrum | .... | transportation coordinator | |
| William Hissong | .... | driver | |
| Jonathon Isom | .... | transportation captain | |
| Ken Kupchick | .... | driver | |
| David Labutte | .... | driver: wardrobe | |
| David Labutte | .... | picture car coordinator | |
| Robert Middendorff | .... | driver | |
| Billy Neckrock | .... | driver | |
Thanks | |||
| Melody Djavadi | .... | special thanks | |
| Sam Eigen | .... | special thanks | |
| Fred Pauzar | .... | special thanks | |
| Jerry Stanecki | .... | thanks | |
| Brian Sweet | .... | special thanks | |
|
|
|
|
|
| Grosse Pointe Blank | The Secret of Treasure Island | Touch of Evil | The Dancer Upstairs | Death Wish |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Writer Elmore Leonard has delivered some interesting characters over the years, but up until now it was really only Quentin Tarantino's Jackie Brown and Barry Sonnenfield's Get Shorty that really successfully brought them to life. The latest attempt to bring another Leonard novel to life comes in the form of Freaky Deaky featuring a great cast including Christian Slater, Crispin Glover, Billy Burke, Michael Jai White, Bill Duke and Andy Dick, but does it deliver the strange and unique qualities needed to bring his characters and world to life?
Freaky Deaky follows an ex-bomb squad officer who is thrust into an investigation filled with rape, revenge, and explosives during circa 1974. At first this film feels like its going to be a complete mess, but then something happens and it sucks you right into this ridiculous world. This is mostly due to the creative and interesting characters that populate this 1970's universe. As the story moves forward each character is seemingly given their own time to shine to help bring this quirky dark comedy to life. The story is a bit all over the place, but works fairly well to due to these quirky strange characters and the bizarre story they are thrust into.
This is far from a perfect movie and there are some moments that just seem out of place or forced, but for the most part it works pretty well. If you are a fan of any of the other Leonard films then you will most likely enjoy this one as well as it comes across s thought it's the same universe. If nothing else, the strange relationship between Michael Jai White and Crispin Glover's characters is worth this whole move.