| Photos (See all 12 | slideshow) | Videos (see all 5) |
| Izzy Diaz | ... | Angel Salazar | |
| Rob Devaney | ... | Lawyer McCoy | |
| Ty Jones | ... | Master Sergeant Sweet | |
| Anas Wellman | ... | Soldier (as Anas 'Tipsy' Wellman) | |
| Mike Figueroa | ... | Sergeant Jim Vasquez | |
| Yanal Kassay | ... | Soldier | |
| Dhiaa Khalil | ... | Soldier | |
| Kel O'Neill | ... | Gabe Blix / Criminal Investigation Agent #2 | |
| Daniel Stewart Sherman | ... | B.B. Rush | |
| Patrick Carroll | ... | Reno Flake | |
| Qazi Freihat | ... | Hadi | |
| Adel Odai | ... | Interpreter | |
| Helen Zamel | ... | Date Girl | |
| Hiyam Abdel Karim | ... | Pregnant Woman | |
| Issam Shamary | ... | Pregnant Woman's Brother | |
| Shukraya Maran | ... | Young Screaming Woman | |
| Sahar Alloul | ... | Arab News Reporter | |
| Happy Anderson | ... | Battalion Commander / Prosecutor (as Eric 'Happy' Anderson) | |
| Mazen Zoubi | ... | Company Commander | |
| Zahra Zubaidi | ... | Farah | |
| Sabrine Munther | ... | Farah's Little Sister | |
| Shatha Haddad | ... | Embedded Journalist | |
| Karima Attayey | ... | Farah's Mother | |
| Suhail Abdel Hussein | ... | Farah's Father | |
| Hameed Sahi | ... | Farah's Grandfather | |
| Bridget Barkan | ... | Judy McCoy | |
| Ohad Knoller | ... | Army Psychiatrist | |
| Paul O'Brien | ... | McCoy's Father (as Paul O'Brian) | |
| Paul Hijazin | ... | English Newscaster | |
| Jafar Zoubi | ... | ATV Anchorman | |
| Nick Seeley | ... | Criminal Investigation Agent #1 | |
| Don McKellar | ... | Criminal Investigator (voice) | |
| Abigail Savage | ... | Tattooed Kid | |
| Andrew Cullen | ... | Buddy #1 | |
| Francois Caillaud | ... | Buddy #2 (as François Caillaud) | |
| Lara Atalla | ... | Buddy #3 | |
| Julie Thiery | ... | 'Barrage' Narrator |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Brian De Palma | (written by) | |
Produced by | |||
| Laird Adamson | .... | co-executive producer | |
| Mark Cuban | .... | executive producer | |
| Jason Kliot | .... | producer | |
| Christopher Matson | .... | associate producer | |
| Gretchen McGowan | .... | co-executive producer | |
| Eric Schwab | .... | co-producer | |
| Stephen Traynor | .... | line producer | |
| Simone Urdl | .... | producer | |
| Joana Vicente | .... | producer | |
| Todd Wagner | .... | executive producer | |
| Jennifer Weiss | .... | producer | |
Cinematography by | |||
| Jonathon Cliff | (director of photography) | ||
Film Editing by | |||
| Bill Pankow | |||
Casting by | |||
| Billy Hopkins | |||
| Paul Schnee | |||
Production Design by | |||
| Phillip Barker | |||
Art Direction by | |||
| Michael Diner | |||
Set Decoration by | |||
| Rana Abboot | |||
Costume Design by | |||
| Jamila Aladdin | |||
Makeup Department | |||
| Tamer Alsalaita | .... | assistant hair stylist | |
| Tamer Alsalaita | .... | assistant makeup artist | |
| Laurence Laufer | .... | tattoo artist | |
| Adrien Morot | .... | special makeup effects artist | |
| Orly Ronen | .... | key hair stylist | |
| Orly Ronen | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Francois Caillaud | .... | key second assistant director | |
| Tamir Naber | .... | third assistant director | |
| Travis Rehwaldt | .... | second third assistant director | |
| Eric Schwab | .... | second unit director | |
| John M. Tyson | .... | first assistant director | |
Art Department | |||
| Rime Al-Jabr | .... | scenic painter | |
| Amin Charif El Masri | .... | lead set dresser | |
| Sana'a Jaber | .... | set dresser | |
| Samy Keilani | .... | construction coordinator | |
| John Moran | .... | graphic designer | |
| Martha Sparrow | .... | assistant art director | |
| Lana Tettlock | .... | key scenic painter | |
| Paul Vernon | .... | property master | |
| Samir Zaidan | .... | scenic painter | |
| Nasser Zoubi | .... | assistant property master | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Todd Beckett | .... | sound re-recording mixer | |
| Scott Delaney | .... | conform editor | |
| Keith Elliott | .... | sound re-recording mixer | |
| Paula Fairfield | .... | sound designer | |
| Paula Fairfield | .... | supervising sound editor | |
| Jamie Gould | .... | sound re-recording assistant | |
| Gina Gyles | .... | foley assistant | |
| Colin McLellan | .... | adr recordist | |
| Carla Murray | .... | sound effects designer | |
| Carla Murray | .... | sound effects editor | |
| Jason Perreira | .... | sound re-recording assistant | |
| Peter Persaud | .... | foley recordist | |
| Jan Petrov | .... | adr recordist | |
| Jill Purdy | .... | supervising dialogue and adr editor | |
| John J. Thomson | .... | sound mixer | |
| Alan Zielonko | .... | boom operator | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| David Harris | .... | special effects supervisor | |
| Graham Hills | .... | senior special effects technician | |
Visual Effects by | |||
| Rob Gyorgy | .... | digital effects artist | |
Stunts | |||
| Steve Griffin | .... | stunt coordinator | |
Animation Department | |||
| William Cameron | .... | animator: titles | |
| Timothy Peel | .... | playback animator | |
Casting Department | |||
| Lara Atalla | .... | casting: Jordan | |
| David H. Kramer | .... | adr voice casting | |
| George Naouri | .... | casting assistant | |
Editorial Department | |||
| Louis Casado | .... | color timer | |
| Patrick Duchesne | .... | digital intermediate project manager (as Pat Duchesne) | |
| Jim Fleming | .... | digital film colorist | |
| Rob Gyorgy | .... | DI editor | |
| Matt Thompson | .... | digital media coordinator | |
| Alex Yalakidis | .... | assistant editor | |
Music Department | |||
| Kevin Banks | .... | music editor | |
| Stephanie Diaz-Matos | .... | music supervisor | |
| Jim Dunbar | .... | music supervisor | |
| Randall Poster | .... | music supervisor | |
Transportation Department | |||
| Adel Adawi | .... | transportation captain | |
| Omar Ayesh | .... | transportation co-captain | |
Thanks | |||
| Stewart Aziz | .... | special thanks | |
| Maxine Bailey | .... | special thanks | |
| George David | .... | thanks | |
| John DeBoer | .... | special thanks | |
| Atom Egoyan | .... | special thanks | |
| Luc Montpellier | .... | special thanks | |
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| Machete | The Hurt Locker | Munich | The Professional: Golgo 13 | Kick-Ass |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
The thing we know for sure about de Palma is that there are no accidental or unintentional images, cuts, camera angles or words in his movies. What looks rough was intended to look rough. What looks like a careless frame was there to look careless. This film, like "Hi Mom" & "Greetings" (and even "Get to Know Your Rabbit) is not part of the Hollywood so many "reviewers" leaving their drivel in IMDb (aka the un-united statesmen) are either railing against or rallying behind.
As far as I could tell, this was a look at the world through De Palma's own Snake-eyes - via a camera, and a script HE wrote. It doesn't take a rocket scientist to know that a view of the world from his camera will not look like anybody else's, and most surely won't be subject to anybody else's rules or political agenda.
Back in the day when Martin Scorsese made "The Last Temptation of Christ," I got cornered next to a conversation of religious conservatives who were ranting about the "Jews who control of Hollywood" being behind Scorsese's film. I had to laugh -- and did. They all turned to look at me like I was next in line for the noose -- and so I pointed out that Scorsese was New York Italian Catholic -- and had contemplated the priesthood. And that he'd made so much money and reputation points for studios that no studio, executive, or other influencing body could or would try to influence or control the content of his films.
So again, there's a laugh here if you think De Palma is the tool of any studio, influential group, or left-wing agenda. The truth is, each filmmaker has a point of view that is their own - - or at least the ones who make the films we want to see.
And -- if you think Hollywood -- that herd of cats who make the entertainment which may well be our last exportable natural resource -- is wrangled into the lock-step of an agenda other than making money and making entertainment, then you've obviously never met a writer, an actor, a musician, an artist, a computer nerd, a designer, a makeup artist, a stunt coordinator, or an agent. As a group, the only thing they have in common is lust for MAKING. Individually -- their beliefs are as varied as Tom Cruise and Tom Waits. And their personal agendas may sometimes reach the light in the projector -- or the flash of paparazzi cameras -- or the blare of a talk show microphone.
But the statements made in these point-of-view films are artworks giving voice and image to the mind of the artist. Like Guerneca, Rhapsody in Blue, or Oliver Twist -- art is not just entertainment, beauty, or cleverness -- it is the expression of a personal agenda by its very nature. Artists are meliorists. They believe they can, and that they have the right, to change the world.
so get over yourselves. It's not a plot. It's free speech. And Brian De Palma has always been enamored of not so much speaking his mind -- as filming his mind.