Seventeen year-old Kim is the pride and joy of her father Bryan Mills. Bryan is a retired agent who left the Central Intelligence Agency to be near Kim in California. Kim lives with her mother Lenore and her wealthy stepfather Stuart. Kim manages to convince her reluctant father to allow her to travel to Paris with her friend Amanda. When the girls arrive in Paris they share a cab with a stranger named Peter, and Amanda lets it slip that they are alone in Paris. Using this information an Albanian gang of human traffickers kidnaps the girls. Kim barely has time to call her father and give him information. Her father gets to speak briefly to one of the kidnappers and he promises to kill the kidnappers if they do not let his daughter go free. The kidnapper wishes him "good luck," so Bryan Mills travels to Paris to search for his daughter and her friend. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Doing this film propelled Famke Janssen to take action in the real fight against corruption. She now serves as the Goodwill Ambassador for the United Nations Office against Drugs and Crime. See more »
When Bryan listens to the recording of his daughter on the airplane, the recording starts when his daughter says "They've got her", which would have been when his daughter was in the bathroom. Bryan originally started the recording after his daughter was under the bed in the bedroom, so the recording wouldn't include that part. It also would've recorded Bryan's voice, which was not on the recording. See more »
Mr. Mills, how are you?
I'm fine. How are you?
Very fine. I suppose you want to see it again?
If you don't mind.
You know where it is.
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Wow - I had already read reviews of this movie, and with the writer being one of my favourite directors, Luc Besson, I just had to go see this movie as soon as possible...
I was not disappointed... I'm not sure if this was intentional but there were no trailers before the movie, so being thrown strait into the film unexpectedly with people whispering "is this it then ?" only helping build up some initial tension and excitement.
The film starts nicely, but with overtones of spy thrillers like "Day of the Jackal" coming to mind. Neeson seems a bit pityful at the start, but soon overturns that impression with a taste of his handywork after around ten minutes of the thriller.
Then, before you know it, it's over. 93 minutes, gone in a blur of fighting, fear, chasing and excitement at serious pace. The artwork and direction is nicely done, giving you the feeling of being the one attacking and the chair squirming feeling of being the poor gits who get annihilated in almost every way possible.
It was one of those films that I wanted to applause after the film, I actually clapped about three times, but no-one joined in... too afraid of being the only two people clapping I suppose...
Neeson was great, and I can't wait to see the movie many more times. I only gave it 9 out of 10, as it was too short ! The film could have been easily stretched to 2 hours in my opinion, with some more development and intimacy with the characters. But I guess this may have not made it so exciting... still, well worth the money to see this in the big screen.
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