Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Seventeen year-old Kim is the pride and joy of her father Bryan Mills. Bryan is a retired agent who left the Central Intelligence Agency to be near Kim in California. Kim lives with her mother Lenore and her wealthy stepfather Stuart. Kim manages to convince her reluctant father to allow her to travel to Paris with her friend Amanda. When the girls arrive in Paris they share a cab with a stranger named Peter, and Amanda lets it slip that they are alone in Paris. Using this information an Albanian gang of human traffickers kidnaps the girls. Kim barely has time to call her father and give him information. Her father gets to speak briefly to one of the kidnappers and he promises to kill the kidnappers if they do not let his daughter go free. The kidnapper wishes him "good luck," so Bryan Mills travels to Paris to search for his daughter and her friend. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the film, Katie Cassidy's character (Amanda) is nineteen years old and Maggie Grace's character (Kim) is seventeen years old. In real-life, Grace is older than Cassidy by three years. See more »
Bryan's diversion with the small walkie to avoid being caught when the French agents detect his cell phone location cannot work in the way depicted. First off, walkies usually are PTT, so either you can listen or you can talk, but to change from one mode to the other, you need to push a button.
Even if these walkies were to transmit and receive at the same time without hitting a PTT button though, Bryan would have to either dial or pick up the phone before he could start moving to his alternate location. That alternate on the other roof was too far for him to have reached it in the few seconds that pass between the start of the conversation and the first shot of static Bryan with his binoculars. But even if they had shown him on the move rather than observing, the French agents would have known he needed to stay in range of the low-power Walkie for the trick to work, so he could not be more than a few dozen yards away. See more »
Mr. Mills, how are you?
I'm fine. How are you?
Very fine. I suppose you want to see it again?
If you don't mind.
You know where it is.
See more »
I'm still under the influence of this movie, so my comment is likely to be superlative! I went to this movie, knowing that one of the writers and the director were both French, and since I've seen some not-so-impressive movies (almost fell asleep), i was really skeptical.
BUT this one proved to be a great action movie. The best movie to compare with Taken is Hit-man. The idea is somewhat the same (lots of action, shots, flying bullets etc) - though the motive for the actions are not money. But the level of realism, the motivation of the character, the cold blood which moves him on makes this flick a good option to choose when selecting a movie.
Liam Neeson does a great performance, perfectly interpreting his role of a former spy. As he says in one of his lines, he's "retired, but not dead", having an opportunity to show everyone what he knows to do best.
The movie covers a hot topic too, kidnapping young women to force them to prostitute, and all the business this involves. You get to see the kind of people are supporting these arrangements and what it takes for the victims to be there.
Of course, the movie has (very small, almost invisible) drawbacks, like some lines in a wrong language (english instead of french) and some Rambo - stuff, but the overall impression is simple: a strong recommendation!
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