Directed by | |||
| George Lekovic | |||
Writing credits(in alphabetical order) | ||
| Ken Del Vecchio | screenplay | |
| Ken Del Vecchio | story | |
| Brandon Slagle | additional material | |
Produced by | |||
| Mark Belasco | .... | co-executive producer | |
| Louis D'Agostino | .... | co-producer (as Lou D'Agostino) | |
| BJ Davis | .... | executive producer | |
| Christian Del Vecchio | .... | co-producer | |
| Francine Del Vecchio | .... | co-producer | |
| Ken Del Vecchio | .... | producer (as Kenneth Del Vecchio) | |
| Anthony Falco | .... | executive producer | |
| Brooke Lewis | .... | co-executive producer | |
| Mary O'Rourke | .... | line producer | |
| Jeff Quinlan | .... | executive producer | |
| Brandon Slagle | .... | associate producer | |
| Michael Weinstein | .... | associate producer | |
Original Music by | |||
| Jason Snell | |||
Cinematography by | |||
| Jack Lam | |||
| George Lekovic | |||
Film Editing by | |||
| Yasu Inoue | |||
Casting by | |||
| Lawyer Nicholas | |||
Production Design by | |||
| Jana Mattioli | |||
Costume Design by | |||
| Mary O'Rourke | |||
Makeup Department | |||
| Lindsay Hile | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Michael Weinstein | .... | first assistant director | |
Art Department | |||
| Chris R. Notarile | .... | mask designer | |
Sound Department | |||
| Leonardo Leite | .... | sound designer | |
| Michael Sterkin | .... | sound | |
| Ian A. Thompson | .... | sound mixer | |
| Dmitry Volovik | .... | boom operator | |
Special Effects by | |||
| Ben Chester | .... | special effects props | |
| Leigh Radziwon | .... | special effects makeup | |
Camera and Electrical Department | |||
| Michael S. Beckman | .... | key grip | |
| Alexander Engel | .... | key grip | |
| Lawrence Feeley | .... | director of photography: second unit | |
| Kevin Kilcher | .... | additional second assistant camera | |
| George Lekovic | .... | director of photography: Los Angeles | |
| Lucas Loureiro | .... | first assistant camera | |
| William Allen Olsen | .... | best boy | |
| Sean Ranieri | .... | still photographer | |
| Joshua Simpson | .... | electrician | |
| Klara Wahlster | .... | best boy | |
| Ryan Wong | .... | second assistant camera | |
| Paul Yee | .... | gaffer | |
Costume and Wardrobe Department | |||
| Mary O'Rourke | .... | wardrobe coordinator | |
Editorial Department | |||
| Randy Astle | .... | additional editing | |
Music Department | |||
| Brandon Slagle | .... | music supervisor (as zminusx) | |
| Brandon Slagle | .... | singer: original song | |
Transportation Department | |||
| Joey Brasco | .... | driver | |
| Rob Minotoli | .... | driver | |
Thanks | |||
| Brad Fincher | .... | special thanks | |
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| Se7en | So Sweet, So Dead | Taking Lives | The Professional: Golgo 13 | Sin City |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Sometimes you just want to watch a sleazy B movie even if you are warned that it is really low budget. You just want some serial killer sleaze to watch mindlessly.
Lots of naked bodies, aberrant sex, and gore: all combined to make a film that will never see a theater screen, but will make a good slasher film for the aficionados.
Don't look for anything more, because there isn't anything. No great acting, not even good acting. No storyline that makes any real sense. Things just seem to jump all over the place.
Charles Durning will not be adding to his long list of award nominations with his appearance in this film.