In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
It's Harlem 1987. Sixteen year old Claireece Jones - who goes by her middle name Precious - is an illiterate, overweight black girl. She is pregnant with her second child, both children fathered by her biological father, who has continually raped her since she was a child, but who she doesn't see otherwise. Her infant daughter, Mongo - such named since she has Down Syndrome - lives with Precious' grandmother. Precious lives with her mother Mary, who abuses Precious both physically and emotionally. Mary does nothing but smoke, watch television and collect welfare through fraud (as she doesn't ever look for a job) and believes that education does nothing for Precious, who she would rather also collect welfare if only to bring money into the household. To escape her life, Precious often daydreams of herself in glamorous situations. Because of her current pregnancy, Precious' principal transfers her into an alternative school. In dealing with the school's sympathetic teacher Miss Blu Rain... Written by
Holds the record for averaging US$100,000 per screen in fewer than 50 US theaters. See more »
During the scene where Mariah Carey's character attempts to bring together Precious and her mom Mary, you see the front of Mariah's pocketbook. A few minutes later, when the camera pans back and forth, you see the back of Mariah's pocketbook (the purse changes positions). See more »
Clareece 'Precious' Jones:
My name is Clareece "Precious" Jones. I wish I had a light-skinned boyfriend with real nice hair. And I wanna be on the cover of a magazine. But first I wanna be in one of them BET videos. Momma said I can't dance. Plus, she said who wants to see my big ass dancing, anyhow?
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The Most Stereotypical Movie Ever (spoilers ahead)
First and foremost I want to say that I am not disrespecting the people that organized this film or the actors. They are doing what they gotta do I guess. I do believe some people in this movie have talent, but it's not being expressed.
It seem like black cinema has reached an all time low. This is the most stereotypical movie to come out since "Birth Of A Nation" but yet it's embraced by the black community for one and Hollywood seems to be OK with it. Why? Is it because it represents every stereotype out there about black people. My aunt enjoyed this movie while my father and I were the only ones who realized how offensive this was.
This movie is about a young, fat, extra dark, illiterate, welfare, woman who loves chicken,is getting molested by her father,and has two kids. Is this all black filmmakers can do today? We come off as monolithic because we're always falling into the bag every time. I can watch the news every day and see these representations of black people. And this is suppose to be inspirational? Anyone could of made this movie. The script literally seemed like the whole movie was improvised. If the girl precious drops a crumb on the floor her mother literally goes into 100% ghetto mode. "You ain't sh*t you fat b****. That's why nobody wants your fat, black a**.You fat ugly b**** you ain't never gonna be nothing in life". I wish I was exaggerating but I'm not. We've got to get beyond promoting ignorance. And it wouldn't be as bad if we saw a balance in black cinema, but this is all we're seeing.
But on the other hand the black audience embraced it. But when a positive movie like "The Great Debaters" or "The Miracle at St. Anna" come out we don't support it. Let's wake up and see a wider view of what black people are capable of and stop supporting everything that's a stereotype.
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