In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
It's Harlem 1987. Sixteen year old Claireece Jones - who goes by her middle name Precious - is an illiterate, overweight black girl. She is pregnant with her second child, both children fathered by her biological father, who has continually raped her since she was a child, but who she doesn't see otherwise. Her infant daughter, Mongo - such named since she has Down Syndrome - lives with Precious' grandmother. Precious lives with her mother Mary, who abuses Precious both physically and emotionally. Mary does nothing but smoke, watch television and collect welfare through fraud (as she doesn't ever look for a job) and believes that education does nothing for Precious, who she would rather also collect welfare if only to bring money into the household. To escape her life, Precious often daydreams of herself in glamorous situations. Because of her current pregnancy, Precious' principal transfers her into an alternative school. In dealing with the school's sympathetic teacher Miss Blu Rain... Written by
Gabourey Sidibe read the novel Push years before when her mother, singer Alice Tan Ridley, was approached to play the role of Mary in an earlier production that never came to fruition. See more »
When Prescious is meeting with Mrs. Weiss for the first time, it appears that Mrs. Weiss is wearing only one earing on her right ear. See more »
Clareece 'Precious' Jones:
My name is Clareece "Precious" Jones. I wish I had a light-skinned boyfriend with real nice hair. And I wanna be on the cover of a magazine. But first I wanna be in one of them BET videos. Momma said I can't dance. Plus, she said who wants to see my big ass dancing, anyhow?
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Come into My House
Written by Queen Latifah (as Dana Owens) and Mark James
Performed by Queen Latifah
Courtesy of Tommy Boy Records
By Arrangement with Warner Music Group Film & TV Licensing See more »
The Most Stereotypical Movie Ever (spoilers ahead)
First and foremost I want to say that I am not disrespecting the people that organized this film or the actors. They are doing what they gotta do I guess. I do believe some people in this movie have talent, but it's not being expressed.
It seem like black cinema has reached an all time low. This is the most stereotypical movie to come out since "Birth Of A Nation" but yet it's embraced by the black community for one and Hollywood seems to be OK with it. Why? Is it because it represents every stereotype out there about black people. My aunt enjoyed this movie while my father and I were the only ones who realized how offensive this was.
This movie is about a young, fat, extra dark, illiterate, welfare, woman who loves chicken,is getting molested by her father,and has two kids. Is this all black filmmakers can do today? We come off as monolithic because we're always falling into the bag every time. I can watch the news every day and see these representations of black people. And this is suppose to be inspirational? Anyone could of made this movie. The script literally seemed like the whole movie was improvised. If the girl precious drops a crumb on the floor her mother literally goes into 100% ghetto mode. "You ain't sh*t you fat b****. That's why nobody wants your fat, black a**.You fat ugly b**** you ain't never gonna be nothing in life". I wish I was exaggerating but I'm not. We've got to get beyond promoting ignorance. And it wouldn't be as bad if we saw a balance in black cinema, but this is all we're seeing.
But on the other hand the black audience embraced it. But when a positive movie like "The Great Debaters" or "The Miracle at St. Anna" come out we don't support it. Let's wake up and see a wider view of what black people are capable of and stop supporting everything that's a stereotype.
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