| Photos (see all 5 | slideshow) | Videos (see all 3) |
| Nanni Moretti | ... | Pietro Paladini | |
| Valeria Golino | ... | Marta | |
| Alessandro Gassman | ... | Carlo Paladini | |
| Isabella Ferrari | ... | Eleonora Simoncini | |
| Silvio Orlando | ... | Samuele | |
| Blu Di Martino | ... | Claudia Paladini (as Blu Yoshimi) | |
| Hippolyte Girardot | ... | Jean-Claude | |
| Roberto Nobile | ... | Taramanni | |
| Alba Rohrwacher | ... | Annalisa | |
| Manuela Morabito | ... | Maria Grazia | |
| Kasia Smutniak | ... | Jolanda | |
| Beatrice Bruschi | ... | Benedetta | |
| Sara D'Amico | ... | Francesca | |
| Babak Karimi | ... | Mario | |
| Tatiana Lepore | ... | Mamma di Matteo | |
| Anna Gigante | ... | Amica di Maria Grazia | |
| Denis Podalydès | ... | Thierry | |
| Charles Berling | ... | Boesson | |
| Antonella Attili | ... | Gloria | |
| Cloris Brosca | ... | Psicoterapeuta | |
| Valentina Carnelutti | ... | Amica di Maria Grazia | |
| Stefano Guglielmi | ... | Matteo | |
| Nestor Saied | ... | Simoncini | |
| Dina Braschi | ... | Donna anziana | |
| Ester Cavallari | ... | Lara Paladini | |
| Roman Polanski | ... | Steiner | |
| rest of cast listed alphabetically: | |||
| Claudia Alfonso | ... | Ragazza | |
| Roberta Bruni | ... | Gymnastic Coach | |
| Sara D'Amario | ... | La moglie malata | |
| Laura Paolucci | |||
| Francesco Piccolo | |||
| Riccardo | ... | Nebbia - cane di Jolanta | |
| Manuela Solvey | |||
Directed by | |||
| Antonio Luigi Grimaldi | (as Antonello Grimaldi) | ||
Writing credits | ||
| Sandro Veronesi | (book) | |
| Nanni Moretti | writer | |
| Laura Paolucci | writer | |
| Francesco Piccolo | writer | |
Produced by | |||
| Eric Abraham | .... | executive producer | |
| Gianluca Leurini | .... | line producer | |
| Laura Paolucci | .... | delegate producer | |
| Domenico Procacci | .... | producer | |
Original Music by | |||
| Paolo Buonvino | |||
Cinematography by | |||
| Alessandro Pesci | |||
Film Editing by | |||
| Angelo Nicolini | |||
Casting by | |||
| Laura Muccino | |||
Art Direction by | |||
| Giada Calabria | |||
Set Decoration by | |||
| Daniela Manzo | |||
Costume Design by | |||
| Alexandra Toesca | |||
Makeup Department | |||
| Sharin Sabatini | .... | key hair stylist | |
Production Management | |||
| Roberto Leone | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Loredana Conte | .... | assistant director | |
| Ciro Scognamiglio | .... | second assistant director | |
Sound Department | |||
| Gianluca Basili | .... | sound effects editor | |
| Sergio Basili | .... | foley artist | |
| Gaetano Carito | .... | sound | |
| Francesco Cucinelli | .... | sound re-recording mixer | |
| Davide Palmiotto | .... | ProTools operator | |
| Gianluca Stazi | .... | sound editor | |
Special Effects by | |||
| Franco Galiano | .... | special effects supervisor | |
Visual Effects by | |||
| Andrea Baracca | .... | digital artist | |
| Andrea Baracca | .... | digital intermediate supervisor | |
| Sergio Cremasco | .... | digital color timing | |
| Fabrizio Cucinotta | .... | scanning and recording | |
| Pasquale Di Viccaro | .... | digital artist | |
| Marco Geracitano | .... | digital compositor: Proxima | |
| Giulia Infurna | .... | lead compositor | |
| Lorenzo Moneta | .... | main titles design | |
| Adriano Mulè | .... | digital compositor | |
| Claudio Napoli | .... | visual effects producer | |
| Pietro Orlandi | .... | compositor | |
| Emanuele Pescatori | .... | lead cgi artist | |
| Proxima | .... | visual effects | |
| Marco Ruggieri | .... | digital conform | |
| Kristina Russo | .... | visual effects | |
| Paesani Sara | .... | compositor | |
| Giuseppe Squillaci | .... | digital intermediate supervisor: Proxima | |
| Paolo Zeccara | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Federico Conte | .... | gaffer | |
| Chico de Luigi | .... | still photographer | |
| Emiliano Leurini | .... | Steadicam operator | |
| Emiliano Leurini | .... | camera operator: "b" camera | |
| Cristiano Sergioli | .... | technocrane technician | |
Costume and Wardrobe Department | |||
| Caterina Micheli | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Filippo Pintucci | .... | first assistant editor | |
Music Department | |||
| Fabio Venturi | .... | music recordist-mixer | |
Other crew | |||
| Marco Giacometti | .... | production coordinator | |
| Laurence Granec | .... | press attache: France | |
| Gianni A. Graziol | .... | location manager | |
| Karine Menard | .... | press attache: France | |
| Rita Morelli | .... | accountant | |
| Giorgia Passarelli | .... | production coordinator | |
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Can't understand all the fuss about this movie. Yes, the photography is beautiful, but that's about all. Nanni Moretti is very good at playing himself, as usual, no matter what's the name or the role he is given. It's been said that's a movie about the absence of grief: but even to that effect the sense of grief should be somehow, somewhere implied, which it is not in the least. The ending is there just because the movie had to be ended, but it could have happened like that at any point. There is no change or development. Seemingly adult people talk as if they were permanently immature teenagers and a little girl comes out with a typically adult comment on her pairs. Comments upon life, society, corporations, etc., are a sequel of common places typical of talk shows. Would be dramatic sequences seem picked out from fashionable advertising clips and have the same emotional impact. The overrated and over-discussed torrid sex scene is just a softer imitation of hard core platitudes. No doubt there was matter for drama, but apparently the author didn't know how to deal with it: may very well be that, under this viewpoint, the script has been quite truthful to the Veronesi's novel it's been based on.