Nanni Moretti directs himself playing himself in this wry look at life. Presented in three chapters, Moretti uses the experiences of traveling on his motor-scooter, cruising with his friend... See full summary »
Nanni Moretti takes a comic look at the ebbs and flows of his life as he becomes a father for the first time. He struggles with distractions while trying to make a documentary of the Italian national elections.
Ultimo giorno di scuola in un Istituto superiore romano ed ultime interrogazioni prima degli scrutini finali. Inoltre, bisogna festeggiare un'anziana insegnante che va in pensione. Gli ... See full summary »
Don Giulio, giovane prete romano, ritorna a casa dopo essere stato parroco in un'isola del Mar Tirreno ed è destinato ad una chiesa di periferia. A Roma egli ritrova i genitori, la sorella ... See full summary »
Ferruccio De Ceresa,
When her father, Giancarlo is transferred to Rome from the small country town of Montalto Di Castro, Caterina, a 12 years old girl, will discover her new classmates, a totally new world, an... See full summary »
Pietro is a successful businessman with a wife and a daughter. One day he helps his brother save two women from drowning at the beach. When he returns home he finds that his wife has died. Now Pietro has to take care of his daughter, Claudia. When he drives her to school soon after, he decides to wait for her all day in front of the school, and soon that's what he does every day. He eats at the nearby café, gets to know the people who come by and follows from afar the fusion developments at work. Pietro's brother expects him to snap out of it, but who will snap first? Written by
Peter Brandt Nielsen
Nanni Moretti (playing the role of an experienced TV executive) at some point says: "...Take care about Italian cinema? Yes, of course. It's everyone's priority!". It's not the first time that filmmakers mix art and reality and this time the result fits perfectly. "Caos calmo" has a simple but intriguing plot. Most of the movie takes place around a bench in a park but there's nothing surreal (A part probably from a spicy sex scene...) and it never looses rhythm or credibility. If you like Moretti's movies you're gonna love it but you'll be much more interested if you are wishing to see a fresh and sweet'n'sour story. Despite a mournful start (The death of a mother/wife) Grimaldi tries not to show us tears or desperation. We see a huge number of hugs instead and a large amount of children (The bench is in front of a school). We see sunny days and professionals on their break, enforcing the "human" aspect of every character. The film is never raw as it's never too soft. I think that next time Grimaldi should be allowed to push a little bit more in order to find his own mark.
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