What is going on here?!? French director, Michel Blanc (as Himself), just doesn't understand why his life is suddenly falling apart. This nightmarish comedy-thriller is all about identity. ... See full summary »
During Gorbatchov's perestroika, Archer Sloan, a Chicago student, visits Moscow while the Soviet Union is changing from Communist to Wild West capitalist society. Purely by bad luck, he ... See full summary »
Nanni Moretti directs himself playing himself in this wry look at life. Presented in three chapters, Moretti uses the experiences of traveling on his motor-scooter, cruising with his friend... See full summary »
Cesare Botero (Nanni Moretti) is a young minister well-known to be corrupted and corrupter. He is looking for an appropriate spokesman. He finds the right person in Prof. Luciano Sandulli (... See full summary »
Pietro is a successful businessman with a wife and a daughter. One day he helps his brother save two women from drowning at the beach. When he returns home he finds that his wife has died. Now Pietro has to take care of his daughter, Claudia. When he drives her to school soon after, he decides to wait for her all day in front of the school, and soon that's what he does every day. He eats at the nearby café, gets to know the people who come by and follows from afar the fusion developments at work. Pietro's brother expects him to snap out of it, but who will snap first? Written by
Peter Brandt Nielsen
Can't understand all the fuss about this movie. Yes, the photography is beautiful, but that's about all. Nanni Moretti is very good at playing himself, as usual, no matter what's the name or the role he is given. It's been said that's a movie about the absence of grief: but even to that effect the sense of grief should be somehow, somewhere implied, which it is not in the least. The ending is there just because the movie had to be ended, but it could have happened like that at any point. There is no change or development. Seemingly adult people talk as if they were permanently immature teenagers and a little girl comes out with a typically adult comment on her pairs. Comments upon life, society, corporations, etc., are a sequel of common places typical of talk shows. Would be dramatic sequences seem picked out from fashionable advertising clips and have the same emotional impact. The overrated and over-discussed torrid sex scene is just a softer imitation of hard core platitudes. No doubt there was matter for drama, but apparently the author didn't know how to deal with it: may very well be that, under this viewpoint, the script has been quite truthful to the Veronesi's novel it's been based on.
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