An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
The Boys Are Back is a confessional tale of fatherhood. It follows a witty, wisecracking, action-oriented sportswriter who, in the wake of his wife's death, finds himself in a sudden, stultifying state of single parenthood. Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy back into their lives: "just says yes." Raising two boys - a curious six year-old and a rebel teen from a previous marriage -- in a household devoid of feminine influence, and with a lack of rules, life becomes exuberant, instinctual, reckless... and on the constant verge of disaster. The three multi-generational boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up. Written by
this was a very interesting film to watch but by no means gripping. Certainly a lighter role for clive Owen after Duplicity and The International and he is of course faultless in his execution of the role as journalist Joe Carr showing great vulnerability in his relationship with women in general, notably his two wives and then his two sons Arty and Harry who live apart. There are a lot of sensitive moments and much is overplayed, though personally the death of his wife I think is not played enough and the grief of the family seems somewhat hollow to me. Laurel seemed too available and not involved enough in the story and can someone explain what the party was all bout at the house when Joe Carr was away. Who were the uninvited guests and how did they get into the house? Didn't get that at all, not at all! Another film which promises a lot but delivers little, touching on serious family issues but not really addressing them.
4 of 7 people found this review helpful.
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