Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
Molly Hartley looks to put her troubled past behind her with a fresh start at a new school, where she sparks with one of the most popular students. But can her secrets stay buried, ... See full summary »
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one that believes he's innocent.
The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
Donnas senior prom is supposed to be the best night of her life, one of magic, beauty, and love. Surrounded by her best friends, she should be safe from the horrors of her dark past. But when the night turns from magic to murder there is only one man who could be responsible, the man she thought was gone forever. Now, Donna and her friends must find a way to escape the sadistic rampage of an obsessed killer, and survive their Prom Night. Written by
Nelson McCormick had done extensive research into proms going as far back as where and when the first prom was ever held in American history in the film, compiling detailed portfolios for the cast and crew, which had an introduction on the origin of the prom and what it represents. However, writer J.S. Cardone, when going over what would be the titular prom with McCormick, ultimately decided on a prom which, apart from the music and dancing of the Bridgeport seniors, was beyond the scale or budget of a standard American prom. See more »
At the beginning of the movie, Donna and her friends get their hair colored at a hair salon. Near the end, later that night, her brunette roots are showing through her blonde hair. See more »
Three years ago... a high school teacher got obsessed with a female student... He went psycho!... He's been in a maximum security prision until three days ago.
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Could be used in horror film school as a textbook example of what not to do...
Good grief I can't even begin to describe how poor this film is. Don't get me wrong, I wasn't expecting much to begin with. Let's face it, a PG-13 slasher flick is pre-destined to be missing the ummm... slashing, so no one should be surprised by the lack of gore. But it was the level of incompetence and cliché on display in all the other aspects of this movie is what really blew me away.
We have a protagonist who is quite simply so completely useless that you find yourself rooting for the bad guy. And here's a turnup for the books... SHE NEVER CHANGES - hence breaking the cardinal rule of basic screen writing - character development. If you think by the end of this film the poor little girl is going to turn around and finally kick some arse then think again.
On top of this, we're handed possibly the least intriguing (and definitely the least scary) killer ever to grace the genre. I'm not joking when I say that Dora the Explorer has scarier villains than this movie.
Finally, because all the potential for tension or gratuity is removed by the inept (and apparently thirteen-year-old) director, what could possibly be left to fill up 2 hours of screen time?
Closets, that's what.
Lots and lots of closets: big closets, small closets, mirrored closets, closets to Narnia, so many damned closets you'll not want to dress yourself for another year. In fact this movie should have just been called "CLOSET", and had a picture of a big scary coathanger on the DVD case. On the back it could have had a photograph of the audience falling asleep and a quote by Roger and Ebert - something to the extent of: "what the f*@! did we just waste our time watching!"
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