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The Year of Getting to Know Us (2008)

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A commitment-phobic man reunites with his estranged, ailing father and comes to terms with his own childhood.



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Cast overview, first billed only:
Armando Acevedo ...
Mexican Caddie
Holland Hayes ...
Golfer #1
Golfer #2
Claire (as Susanne K. Taylor)
Gary Moss ...
Round Man
Perky Woman
Rental Car Guy (as Ethan Smith)
Peggy Sheffield ...


Christopher Rocket is a man devoted to his work but unable to commit to his girlfriend Anne or anything else in his personal life. He returns to his hometown after his estranged father Tom Rocket suffers a stroke. Jane Rocket, his mother, is a central figure in his dysfunctional past. Written by Anonymous

Plot Summary | Add Synopsis


Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

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Release Date:

24 January 2008 (USA)  »

Also Known As:

Eliot Rockett  »

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User Reviews

This film deserves to be in IMDb's Bottom 10
28 January 2008 | by See all my reviews

I saw the world premiere of this film at Sundance and it is seriously one of the five worst films I have seen in my lifetime. During the Q&A (in which the director and entire cast were present), no one in the audience had anything worth saying because the film was so awful. It was a pretty awkward moment.

Considering all of the 10s this film has received, it seems to me that people connected with the film are clearly the ones giving it a rating without considering the quality of the final product. If you honestly think this is a good film, you have no taste when it comes to film-making.

Jimmy Fallon is painfully one dimensional. Lucy Liu is good, but her role has no meat-- it's sad that these are the only parts she is given. Tom Arnold is not an actor and never has been. Sharon Stone is caricaturish. Illeana Douglas and Tony Hale give the best performances, but in minor roles. What most people don't know about this film is that the director cuts back and forth between the present and the past at least twenty times-- an overused technique that not even the most mundane film students resort to these days. This forces Arnold and Stone, who play Fallon's parents, to carry a major portion of the film in the flashbacks.

There is rarely a truthful moment in the film. The script is contrived. The cliché ending can be seen in any below-average Hollywood romantic comedy. I hope this director grows in maturity before he writes or directs another film. He had the budget and resources at his fingertips, but blew his opportunity because he wasn't properly equipped.

Which Sundance programmer allowed this film to be shown? They should be ashamed of themselves. The work speaks for itself and it clearly falls short. I'd hate to think that the programmer was being wooed by the producer's rep or other people behind the film without considering the ramifications of screening something of this quality at Sundance. Is this what Redford's vision has come to?

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