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Crossing Over (2009)

6.8
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Ratings: 6.8/10 from 17,797 users   Metascore: 38/100
Reviews: 71 user | 105 critic | 31 from Metacritic.com

Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »

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Title: Crossing Over (2009)

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Cast

Cast overview, first billed only:
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Claire Sheperd
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Taslima Jahangir
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Special Agent Phadkar
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Yong Kim
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Zahra Baraheri (as Melody Khazae)
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Farid Baraheri
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Sanjar Baraheri
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Minoo Baraheri
Naila Azad ...
Rokeya Jahangir
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Storyline

Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the asylum and green card process, work-site enforcement, naturalization, the office of counter terrorism and the clash of cultures. Written by Wayne Kramer

Plot Summary | Plot Synopsis

Taglines:

Every day thousands of people illegally cross our borders... only one thing stands in their way. America.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for pervasive language, some strong violence and sexuality/nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

26 February 2009 (Bahrain)  »

Also Known As:

A szabadság határai  »

Filming Locations:

 »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$77,370 (USA) (27 February 2009)

Gross:

$454,149 (USA) (17 April 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Wayne Kramer's original cut was 140 minutes long, but despite having the right to final cut, this film's producer agreed to be involved in editing the film down to two hours when Harvey Weinstein allegedly threatened to release the film straight to DVD, and bypass theatrical altogether (Kramer had nothing to do with the re-editing). See more »

Goofs

In Gavin's interview scene, the immigration officer relies on the Rabbi's opinion. The garb and the accent of the Rabbi suggest he is a European Orthodox (probably Lubavich), yet in the end he gives Gavin a card, saying he should come to Temple Bet Sholom. "Temple Bet Sholom" is typically a name for splinter Reform congregations, whose rabbis are mostly American- or Canadian-born (therefore no accent), and wear contemporary clothes. See more »

Quotes

[in order to convince the immigration adjudicator that he is entitled to receive Green Card, Gavin is requested to demonstrate his familiarity with the Jewish religion by reciting "Kaddish" prayer - a Jewish prayer, most of it Aramic. Since the atheist Gavin has little knowledge of Jewish religion, he recites instead a mishmash of prayers, blessings, hymns and non-religious songs in Hebrew]
Gavin Kossef: Baruch ata, Adonay, melech haolam...
[= Blessed are you, Lord, King of the universe]
Gavin Kossef: Hevenu shalom alechem....
[...]
See more »

Connections

References Shrek the Third (2007) See more »

Soundtracks

Feraghi (Acoustic)
Written by Azam Ali, Ramin Torkian (as Loga Ramin Torkian), Carmen Rizzo
Performed by Niyaz
Courtesy of Six Degrees Records
By Arrangement with Ocean Park Music Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Nutshell Review: Crossing Over
10 April 2009 | by (Singapore) – See all my reviews

Like Crash, Fast Food Nation and Babel before it, Crossing Over consists of multiple story lines bound together by a common theme examined, sometimes with just a few characters straddling across the narrative threads to link them up explicitly. Writer-director Wayne Kramer examines the issues behind the illegal immigrant problem in USA who are either trying to lay low in avoiding the law, or trying their best to gain legal residency with each experiencing different challenges that lie ahead in their quest.

And it's quite ambitious for Kramer to try and pull off no less than seven parallel threads in the film, which to a certain extent I felt was largely successful, despite some being almost peripheral if not for the presence of a recognized star. Anchored by Harrison Ford as Max Brogan, an Immigration and Customs Enforcement (ICE) agent, the film weaves in and out of the different threads without feeling too forced, or the need for some compulsory and carefully designed moments to link the stories up intricately. Sometimes like the six degrees of separation, the film captures the fact that we don't have full details of that web of links, and it will feel very artificial if everyone knew everyone else, or if one event would impact severely on another.

In any case, each of the story lines were engaging enough, some employing deep emotions to argue their case, while others even had to build to a crescendo of all out action, such as a supermarket shootout (one of the nicely executed ones I've seen). There's an illegal Mexican woman (a very short role by Alice Braga) who begs Ford's Max to look after her young son in the care of unfriendly relatives, a Jewish musician (Jim Sturgess) who's waiting to qualify for residency and willing to do just anything to get there, his Australian girlfriend (Alice Eve) and Hollywood actress wannabe who had granted 2 months worth of on-demand sexual favours to an Immigration official (Ray Liotta) in exchange for a green card, whose wife (Ashley Judd) wants to adopt a child placed in a detention centre, who meets an Iranian girl (Summer Bishil whose essay failed to condemn the terrorists of 9/11 and gotten her and her family into hot soup. Then there's a Korean family who is waiting to be naturalized whose eldest son got involved with thugs (ala Gran Torino rites of passage style), and another ICE agent (Cliff Curtis) whose family cannot stand their estranged sister whom they feel is a disgrace of their values, tradition and custom by adopting the lifestyle of Americans, yet strangely ironic as they too pursue to be American citizens.

Phew, and all this with a little murder mystery thrown into the mix as well. It's about how one aspires to live in a country, yet uncompromising in one's position to adopt and adapt to the new environment. Which brings about some xenophobia, especially if one's too different from the rest, and things are made worst with the citizens unwilling to understand and lend assistance in assimilation to a new country and its idiosyncrasies.

But what seemed to be a common theme here, is how power can be either used to do what's probably morally right, versus abusing it for personal gain. Given three of the lead characters here are law enforcement or in responsible positions in government agencies, it's easy to abuse privilege, and it's nothing new too, even in local context, where sexual favours get traded for leniency or the closing of an eye pertaining to illegal workers, or those here without the proper papers. And since the law is fixed (and sometimes perverse by those who interpret it), and justice blind, I suppose there are times we may be compelled to lend a hand to a stranger out of nothing but on humanitarian grounds, in doing what's right and decent for a fellow human being.

Crossing Over presents many of such situations and while it may be a mixed bag in its narrative, it certainly pushes the right buttons with its star-studded ensemble cast in making the audience think about, empathize with, and examine if the issues presented could have existed in the local context, with similar challenges in the treatment of those who are illegal immigrants.


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