Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »
Based on Martin McGartland's shocking real life story. Martin is a young lad from west Belfast in the late 1980s who is recruited by the British Police to spy on the IRA. He works his way ... See full summary »
Rock star from the late 60's assumed dead in a car wreck, returns from the grave to promote a new band, the members of Cutting Edge, who have been lured to the rock star's Gothic mansion ... See full summary »
The film is about half-documentary, half-comedy about a kid who is thought to be the top snowboarder in the world until the day he gets put in jail. When released, he's picked up by all the... See full summary »
Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the asylum and green card process, work-site enforcement, naturalization, the office of counter terrorism and the clash of cultures. Written by
Director Wayne Kramer's original cut was 140 minutes long, but despite having the right to final cut, this film's producer agreed to be involved in editing the film down to two hours when Harvey Weinstein allegedly threatened to release the film straight to DVD, and bypass theatrical altogether (Kramer had nothing to do with the re-editing). See more »
In Gavin's interview scene, the immigration officer relies on the Rabbi's opinion. The garb and the accent of the Rabbi suggest he is a European Orthodox (probably Lubavich), yet in the end he gives Gavin a card, saying he should come to Temple Bet Sholom. "Temple Bet Sholom" is typically a name for splinter Reform congregations, whose rabbis are mostly American- or Canadian-born (therefore no accent), and wear contemporary clothes. See more »
What do you want me to do?
San Pedro ICE Processing Agent:
Look, it's not my problem.
All I'm asking, Stevens, is did the old man get seen to? He was sweating and shaking when I put him on the bus. He said his arm felt numb.
San Pedro ICE Processing Agent:
Jesus Christ, Brogan, everything is a humanitarian crisis with you. You've signed off on more orders of recognizance than the rest of your unit combined.
Don't give me that shit. The man's about to have a goddamn heart attack. I want him seen to.
See more »
This ensemble multi-ethnic cast turns in solid performances in this formulaic treatment of the everyday dramas faced by the hard working folks at Immigration and Customs Enforcement. Mexican, Chinese, Palestinian, Australian and Persian plots carom off each other like Olympic Billiards as Harrison Ford, (whose obviously impending retirement is thankfully never mentioned), his heart bleeding from frame one to the credits, leads a solitary existence in an apartment at what has to be the Alimony Arms Hotel. There is no attempt to patch over the Crash/Babel formula; the film embraces it and comes up with some fine set pieces like a gripping intervention (Cliff Curtis and Justin Chon) during a convenience store robbery/shootout. The aerial views of L.A. will make natives want to freeze-frame future DVDs to ID where we are. The climax (NO SPOILER) is played against an attenuated rendering of the National Anthem and packs a punch. Unfortunately, there has to be another five minutes of Tying Up Loose Ends. Does it sound like I didn't like this much? On the contrary, it was 113 minutes well spent and shouldn't have been relegated to the Purgatory of February. April, maybe?
80 of 109 people found this review helpful.
Was this review helpful to you?