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Evangerion shin gekijôban: Jo (2007)

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The fate of the world is threatened by seemingly monstrous entities known as Angels. NERV is an organisation set up to counter this threat and it is up to young pilots to protect Earth but exactly what are the real motives behind NERV?

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(screenplay), (screenplay)
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Cast

Credited cast:
Megumi Ogata ...
Shinji Ikari (voice)
Megumi Hayashibara ...
Kotono Mitsuishi ...
Yuriko Yamaguchi ...
Ritsuko Akagi (voice)
Akira Ishida ...
Kaworu Nagisa (voice)
Fumihiko Tachiki ...
Gendô Ikari (voice)
Motomu Kiyokawa ...
Kozo Fuyutsuki (voice)
Miki Nagasawa ...
Maya Ibuki (voice)
Takehito Koyasu ...
Shigeru Aoba (voice)
Hiro Yuuki ...
Makoto Hyuga (voice) (as Hiro Yuki)
Tomokazu Seki ...
Toji Suzuhara (voice)
Tetsuya Iwanaga ...
Kensuke Aida (voice)
Junko Iwao ...
Hikari Horaki (voice)
Mugihito ...
Kiel Lorenz (voice)
Rest of cast listed alphabetically:
Maeghan Albach ...
Additional Voices (voice)
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Storyline

The fate of the world is threatened by seemingly monstrous entities known as Angels. NERV is an organisation set up to counter this threat and it is up to young pilots to protect Earth but exactly what are the real motives behind NERV?

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for action violence and some nudity | See all certifications »

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Details

Country:

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Release Date:

1 September 2007 (Japan)  »

Also Known As:

Neon Gensis: Evangelion 1.01 You Are (Not) Alone  »

Filming Locations:


Box Office

Opening Weekend:

$4,505 (USA) (17 July 2009)

Gross:

$23,401 (USA) (4 September 2009)
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Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

| (extended cut)

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

EASTER EGG: Shinji's ID card number is NCC:1701A, the hull number of the Starship Enterprise in Star Trek IV-VI. See more »

Connections

Remake of Shin Seiki Evangerion (1995) See more »

Soundtracks

Beautiful World
Written by Hikaru Utada
Performed by Hikaru Utada
Courtesy of EMI Music Japan
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User Reviews

 
For Those Who Will Discover It For the Very First Time
22 July 2009 | by (San Francisco) – See all my reviews

Evangelion 1.0 You Are (Not) Alone permeates limitless possibilities and pathways in a story so connective and universal yet shakes the foundations of the genres on which it stands on so much a new and profound experience emerges from its daring. Young Shinji Ikari arrives in Tokyo-3, a city rebuilt after a cataclysmic event called Second Impact that shed the world of half the human population, to meet and work for his estranged father. It turns out he only wants his son now to pilot a giant humanoid machine named Evangelion Unit 01 made to stop unknown beings referred to as Angels from eradicating the rest of humanity. Shinji is shocked and broken hearted but nonetheless agrees to pilot it. The question he now asks is why?

Evangelion 1.0 wants to know the answer. Besides saving humanity from eminent destruction, what does Shinji want, desire, need or even get from piloting such a contraption? Praise from the world? Respect? Purpose? His father's love? As Shinji begs for the answer to these questions the city befalls attacks by Angels that serve more than just an excuse for action scenes. When the Angels attack Shinji sees the sides of people around him he never saw before. It forces him and the others around him to understand their relationship to one another.

One of these is Shinji's follow pilot Rei Ayanami, a cool and collected girl who spends better part of the movie giving a ponderous stare into space more or less oblivious to those around her. When she does react she hardly seems to understand her own feelings. Shinji asks her why she pilots an Evangelion and her answer is as simple and contemplative as the movie.

The film is the first in a planned production of four films that re-imagine the 90s series Neon Genesis Evangelion. One of the most remarkable things about this movie is how easily the episodes translate into the arch of a feature length film. Despite that the movie is as much if not more so for viewers who have never seen the series. The movie itself refines certain points left unclear in the original show, making this version more clear and understandable for old and new viewers alike.

Though the final film in the set of four promises a completely new end to the story, old fans will find the first movie very familiar. However old fans who pay close attention to certain scenes in this movie will learn that the film does more than retell the story and in the process may redefine two of the most overused formats ever in the history of cinema.


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