| Elana Drago | ... | Nefertari | |
| William Hope | ... | Charles Wilbour | |
| Nasser Memarzia | ... | Ahmed Abd El Rassoul | |
| Crispin Redman | ... | Emil Brugsch | |
| Darwin Shaw | ... | Mohammed Abd El Rassoul (as Daud Shah) | |
| Boris Terral | ... | Rameses | |
| rest of cast listed alphabetically: | |||
| Brahim Boukhizzou | |||
| Bob Brier | ... | Himself | |
| Brahim Choukri | ... | Brugsch's Batman | |
| Angelique Corthals | ... | Herself | |
| Zahi Hawass | ... | Himself | |
| Mohammed Kacha | ... | Anubis Priest | |
| Abdellah Kloul | ... | Khaemwaset | |
| Erragragui Lakbir | ... | Scribe | |
| Christopher Lee | ... | Narrator | |
| Driss Ouabi | ... | European husband | |
| Laafou Ouadii | ... | Travelling Priest | |
| Mohamen Mehdi Ouazanni | ... | Paser | |
| Nasser Ouji | ... | Heqa Nakht | |
| Patricia Remler | ... | European Lady | |
| Fdila Tabounout | ... | Omm Rassoul | |
Directed by | |||
| Keith Melton | |||
Writing credits(in alphabetical order) | ||
| Arabella Cecil | ||
Produced by | |||
| Arabella Cecil | .... | producer | |
| Myles Connolly | .... | line producer | |
| Greg Eliason | .... | line producer | |
| Hamid Herraf | .... | executive producer | |
| Don Kempf | .... | producer | |
| Steve Kempf | .... | producer | |
Original Music by | |||
| Sam Cardon | |||
Cinematography by | |||
| Reed Smoot | |||
Film Editing by | |||
| Harry B. Miller III | |||
Casting by | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Art Direction by | |||
| Stephen Dobric | |||
| Mahmoud Habashy | |||
| John Zachary | |||
Set Decoration by | |||
| Jessica Anderson | |||
| Simon Wakefield | (uncredited) | ||
Costume Design by | |||
| Lindsay Pugh | |||
Makeup Department | |||
| Khadija Hamdan | .... | key makeup artist: Morocco | |
| Maria Jittou | .... | makeup artist: Morocco | |
| Anny Kim | .... | key makeup artist: LA | |
| Caroline Martini | .... | key makeup artist | |
| Kerin Parfitt | .... | makeup designer | |
Production Management | |||
| Hala Galal | .... | unit manager: Egypt | |
| Rick Gordon | .... | post-production supervisor | |
| Hamid Herraf | .... | unit manager: Morocco | |
| James Manke | .... | post-production manager | |
| Mohammed Mostafa | .... | production manager: Egypt | |
Art Department | |||
| Mohammed Aabbi | .... | prop labor: Morocco | |
| Casey Cannon | .... | lead set dresser | |
| Abdelfattah El Attaoui | .... | prop buyer: Morocco | |
| Abdelaziz El Hlimi | .... | prop labor: Morocco | |
| Kevin Farrell | .... | storyboard artist | |
| Simon Wakefield | .... | property master | |
Sound Department | |||
| Ahmed Adnan | .... | sound mixer: Egypt | |
| Meredith Campbell | .... | contractor | |
| Patrick Flynn | .... | adr mixer | |
| Nick Foley | .... | adr recordist | |
| Ted Hinckley | .... | contractor | |
| Michael L. McDonough | .... | sound designer | |
| Taoufik Mekraz | .... | sound mixer: Morocco | |
| George Meyer | .... | adr mixer | |
| Steve Morris | .... | sound engineer | |
| Ryan Purcell | .... | foley artist | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Karl Rosengren | .... | assistant sound editor | |
| Tony Sereno | .... | sound mix technician | |
| Ted Swanscott | .... | adr mixer | |
Visual Effects by | |||
| Rodrigo Armendariz | .... | compositor: stereoscopic conversion | |
| Johnathan R. Banta | .... | compositor (stereoscopic conversion) | |
| Davina Bilow | .... | digital artist (as Davina Sanchez) | |
| Manuela Schmidt de Souza | .... | visual effects artist | |
| Kathryn Dowler | .... | rotoscope artist | |
| Colin Feist | .... | compositing supervisor: stereoscopic conversion | |
| Derry Frost | .... | head of production | |
| Javier Gallego | .... | rotoscope artist | |
| Lala Ghukasyan | .... | rotoscope artist: stereoscopic conversion | |
| Paul Haman | .... | visual effects (stereoscopic conversion) | |
| Jason Jue | .... | digital compositor | |
| Jason Jue | .... | stereoscopic conversion | |
| Mark A. Lasoff | .... | compositor | |
| Michael F. Le | .... | rotoscope artist | |
| Shira Mandel | .... | rotoscope artist (stereoscopic conversion) | |
| Roger Mocenigo | .... | digital compositor: Amalgamated Pixels | |
| Michael Morreale | .... | visual effects supervisor | |
| Jeremy Nicolaides | .... | stereoscopic supervisor: Sassoon Film Design | |
| Jeremy Oddo | .... | senior animator | |
| Phillip Palousek | .... | manager | |
| Brandon Perlow | .... | modeling and animation | |
| John Pierce | .... | rotoscope supervisor | |
| John Pierce | .... | stereoscopic compositor | |
| Mario Rosales | .... | digital artist (2007) | |
| Abe Saleh | .... | digital artist | |
| Lauren van Houten | .... | animator | |
| Jesse Wolfe | .... | compositor (stereoscopic conversion) | |
Camera and Electrical Department | |||
| Robert Adams | .... | key grip | |
| Allen Dial | .... | best boy electric | |
| Marc Ehrenbold | .... | camera operator | |
| Lahcen Herraf | .... | key grip | |
| Elmaslouhi Mohamed | .... | gaffer | |
| Dennis L. Peterson | .... | gaffer | |
| Dominic Seal | .... | gaffer | |
| Brett Shumway | .... | electrician | |
| Seth Smoot | .... | still photographer | |
| Alan E. Stoddard | .... | electrician | |
Casting Department | |||
| Jordan Bass | .... | casting associate | |
| Lauren Bass | .... | casting: Los Angeles | |
| Brahim Choukri | .... | extras casting director: Morocco | |
| Laurence Gormezano | .... | casting assistant: Paris | |
| Elodie Houndonougbo | .... | casting assistant: Paris | |
| Miloud Jghou | .... | extras casting: Morocco | |
Costume and Wardrobe Department | |||
| Monia Fath Elbab | .... | costume assistant: Egypt | |
Editorial Department | |||
| Raymond Akopyan | .... | editorial supervisor | |
| Wade Bartlett | .... | editorial supervisor | |
| Kent Hayward | .... | assistant editor | |
| Miya Lau | .... | post-production coordinator | |
| Dan Muscarella | .... | color timer | |
Music Department | |||
| Kurt Bestor | .... | conductor | |
| Sam Cardon | .... | music producer | |
| Dan Carlisle | .... | music recording engineer | |
| Yoni Gileadi | .... | electronic music programming | |
| Ted Hinckley | .... | score supervisor | |
| Scott Johnson | .... | music editor | |
| Scott Johnson | .... | music recording engineer | |
| Mike Roskelley | .... | music mixer | |
Other crew | |||
| Amr Abdo | .... | production assistant: Egypt | |
| Azzam Adli | .... | location assistant: Egypt | |
| Said Amidrakh | .... | swing gang: Morocco | |
| Arthur Aufderheide | .... | consultant scholar | |
| Ehab Bahgat | .... | location manager: Egypt | |
| John Baines | .... | consultant scholar: Oriental Institute, Oxford (as Professor John Baines) | |
| Henk Beentje | .... | consultant scholar: Royal Botanical Gardens, Kew (as Dr. Henk Beentje) | |
| Hamed Ait Ben Ali | .... | warden: Morocco | |
| Mohammed Chafki | .... | warden: Morocco | |
| Rosalie David | .... | consultant scholar (as Professor Rosalie David) | |
| Rabii El Bakki | .... | location manager: Morocco | |
| Rabii Elbakki | .... | location manager | |
| Edwin Escalante | .... | quality control manager (as Ed Escalante) | |
| Richard Evershed | .... | consultant scholar (as Professor Richard Evershed) | |
| Younes Falah | .... | swing gang: Morocco | |
| Mohammed Gaber | .... | production assistant: Egypt | |
| Victoria Goodall | .... | production consultant | |
| Khalid Guouram | .... | construction coordinator | |
| Yasmine Hadhoumi | .... | production coordinator: Morocco | |
| Mohammed Hamdy | .... | location assistant: Egypt | |
| Ayman Hussein | .... | production coordinator: Egypt | |
| Mbared Iken | .... | warden: Morocco | |
| Salima Ikram | .... | consultant scholar | |
| Brahim Kabbou | .... | warden: Morocco | |
| Ali Kamadou | .... | warden: Morocco | |
| Mecheal Makram | .... | production secretary: Egypt | |
| Mohammed Mezouari | .... | swing gang: Morocco | |
| Dan Muscarella | .... | hazeltine timer | |
| Ahmed Omar | .... | script supervisor | |
| Ana Luz Porzecanski | .... | consultant scholar (as Dr. Ana Luz Porzecanski) | |
| Abdelatif Regragui | .... | assistant location manager: Morocco | |
| Howard Reid | .... | consultant scholar | |
| Johan Reinhard | .... | consultant scholar | |
| Patricia Remler | .... | consultant scholar | |
| Brian Rogers | .... | production consultant | |
| Abderrahmane Sabili | .... | warden: Morocco | |
| Daniel Salas-Porras | .... | production supervisor | |
| Ahmed Sami | .... | production consultant | |
| Peter Spry-Leverton | .... | consultant scholar | |
| Peter Spry-Leverton | .... | production consultant | |
| Scott Swofford | .... | production consultant | |
| Phat Tran | .... | consultant scholar (as Dr. Phat Tran) | |
| Byron Turk | .... | production assistant: Los Angeles | |
| Adrianna von Hagen | .... | consultant scholar | |
| Ronald S. Wade | .... | consultant scholar: Maryland State Anatomy Board | |
| Spencer Wells | .... | consultant scholar | |
| Helen Whitehouse | .... | consultant scholar: Ashmolean Museum (as Dr. Helen Whitehouse) | |
Thanks | |||
| Nashwa Andel-Kader | .... | special thanks | |
| Vikram Jayanti | .... | special thanks | |
| John Lloyd | .... | special thanks | |
| Chah Mahfouz | .... | special thanks | |
| Agnieszka Moody | .... | special thanks | |
| Isabelle Nobio | .... | special thanks | |
| Andrew Oran | .... | special thanks | |
| Derek Plumbly | .... | special thanks (as Sir Derek Plumbly) | |
| Serena Prest | .... | special thanks | |
| Neris Thomas | .... | special thanks | |
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| Night at the Museum | The Mummy Returns | Raiders of the Lost Ark | Solomon | The Prince of Egypt |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This is a very enjoyable film and an experience which kids, in particular, will find captivating. It successfully gets across the sheer magnificence and sophistication of Ancient Egyptian society; the level of detail is extraordinary and the historical accuracy spot on - a feat which many films sadly fail to achieve. This is thoroughly worth watching, both intellectually and aesthetically. With the upswing of interest in all things Egyptian at the moment, the timing could not be more perfect. If you can get hold of the DVD, The Making of the Mummies, so much the better because it highlights what a feat it was to create this movie, with hundreds and hundreds of extras involved, incredibly harsh weather conditions in the desert and extremely complicated sets to create.