|Page 1 of 3:||  |
|Index||23 reviews in total|
As i was thrilled by the action, acting and dark side of MARCHAL' s "36", i decided not to miss his next film. there is less action like" Heat" but more reflection and gruesome images, like in SEVEN, if you like. Auteuil and the girl are perfect. you feel for both. you love to hate the baddies as we all did in "36", but it just shows that in the police force, of any nationality by the way, there are some who do their jobs for the right reasons and some who have lost faith, and the notion of good. i loved the ending and i will not spoil it for you. a great plot , 2 to be exact. it is refreshing to watch a film noir as good as,if not better than when they first came out 50 years ago. Auteuil is a great one for those. Depardieu in the next movie again would be the icing on Marchal' s cake.
This movie should not be rated for its plot, or the good guys vs bad
guys, or any other standard used to rate normal movies. This movie is
an homage. An homage to the suffering, the courage and the lives of the
real people on which the story is based.
Every aspect of this film breathes with the same deep respect for what happened. The reality it brings into the room takes your breath away... You cannot watch this movie and escape its grasp.
Daniel Auteuil and everyone else in the cast did their jobs with dignity. They played their roles the way they should be played and the aftertaste is bitter... but filled with reverence.
Watch this movie without reading the plot. Let it happen to you, expect nothing and allow yourself to care.
I'm sure you'll agree; 10 out of 10. Easily.
A couple of years ago, Mr. Marchant delivered 36 Quai Des Orfèvres (basically is the address of the Paris police department); one of the best and most complex cop movies I ever saw; a great film but not perfect. It was not as realistic as I expected; cops were ambitious but no so dirt and the end felt really forced. With MR 73 the realism is all there and if the movie lacks the continuous action of the first one, it improves dramatically aside from a few clichés. The pace however is not Dirty Harry or Lethal Weapon. It is not even Righteous Kill but it is far better than all of them. Based on real and quite tragic events, the story introduces several characters getting related as the events progress. Louis, a drunken and completely finished cop (thanks to tragic family accident and the moral remorse of his own sins). There is a serial killer on the loose (plus other getting out of jail), a few very corrupt cops and a bunch of people more worried on getting rid of problems that to hold the law or protect people. There is not a hint of humor in the movie; in fact it is really terrifying that this tribe of monsters is there to protect us. Giving up more will affect the complex of the narrative. Let's simple state that the end is far more accomplish than the previous movie and the intensity of the situations takes the breath away. A few minutes less could probably had improve the pace, but just because some moments are difficult to bear. Great movie, but aside from the cars there is nothing comparable to American cop movies.
In Marseilles, the discredited and alcoholic Detective Schneider
(Daniel Auteuil) hijacks a bus and forces the bus driver with a gun to
drive him home. He is arrested by the swat force and his washed up
career in the police department practically ends. Schneider is removed
from the investigation of a serial-killer that is committing hideous
crimes against women and assigned to a bureaucratic work in the
night-shift in the precinct. Through glimpses from his recollections,
Schneider recalls the tragic accident that killed his daughter and left
his wife trapped to a bed and life support system. Meanwhile, the sick
criminal Charles Subra (Philippe Nahon), who killed the parents of two
girls many years ago, convinces the probation committee in the prison
that he has found God and is regenerated and may be released. Justine
(Olivia Bonamy), one of the daughters that survived, has never overcome
the trauma of her loss and is worried with the possibility of the
freedom of the criminal. When Schneider discovers the identity of the
serial-killer, he finds also the corruption in the high command of the
police, and he decides to go to his last mission on Earth in his
descent to Hell.
The impressive "MR 73" is a bleak, sordid and realistic detective story from the writer and director Oliver Marchal, who is also the author of "36 Quai des Orfèvres" and "Gangsters". This movie is a dramatic story, describing in a slow pace the descent to Hell of a detective after a tragedy caused by his love affair with a colleague. The police department is filthy and corrupt, and we see that these qualities apparently are worldwide, and not only in Third World countries. The performance of Daniel Auteuil worth an Oscar nomination and the conclusion is the only moment of hope along the whole gruesome tale. My vote is eight.
Title (Brazil): "MR 73 A Última Mussão" ("MR 73 The Last Mission")
*** This review may contain spoilers ***
Do not go for seeing it if you're in the mood to commit suicide; there
would be some work for the undertaker...
This movie would give neurasthenia to a young couple on his weeding day.
The tale of an alcoholic cop whose broken life has led him on the road to perdition. A cop whose the wife is nearly a zombie. A cop with no more friends, except one. A cop who is determined to neutralize, at all cost, a serial killer.
A cop who has nothing more to lose.
Olivier Marchall - ex cop - gives here a masterpiece. Daniel Auteuil is outstanding in the leading character.
It's an awful, terrific story, a nightmarish odyssey for a man on the way to hell.
It reminds me the Hughes Pagan's novels. Pagan is an ex cop himself and a friend of Olivier Marchall.
MR 73 torn me to pieces. I couldn't move a muscle after seeing it.
*** This review may contain spoilers ***
Directed by ex-cop Olivier Marchal as the concluding part of the
trilogy he started with the critically acclaimed GANGSTERS and 36 QUAI
DES ORFEVRES, this promised to be an inside look at the French police
system. At least, that's all I knew when I entered the theater, lured
in by the presence of the ever dependable Daniel Auteuil who may have
compiled the most impressive body of work this side of Depardieu. Had I
known beforehand just how relentlessly downbeat a cinematic experience
this was going to be, it might have scared me off and that would have
been very much my loss
Set in the coastal town of Marseilles, made to look extremely uninviting by the bleached out cinematography of Denis Rouden (a master of atmosphere, as evidenced by his sterling work on Lionel Delplanque's PROMENONS-NOUS DANS LES BOIS and Olivier Megaton's LA SIRENE ROUGE), the narrative incorporates two serial killers one past, one present and their influence on weary, dead-eyed cop Louis Schneider in charge (initially, at least) of both cases. Those expecting a Continental carbon copy of SE7EN however will be disappointed (additional comments prove as much) as this is basically background for Schneider's road to redemption. Careful viewer attention is mandatory to grasp matters that have occurred in the past sometimes only visually alluded to rather than spelled out in dialog and how they not so much influence as downright paralyze the character in the present. Suffice it to say that a furtive fling with co-worker Marie (a subtle portrayal by the hauntingly beautiful Catherine Marchal, hereto best known for extensive TV work) at the exact same time his wife crashed her car on the freeway, reducing her to vegetable and killing their only child, provided him with enough guilt for at least three lifetimes. While his reprehensible and morally corrupt superior Kovalski, played with hiss-able relish by Francis Renaud, works hard to take Schneider of the current murder case, an unwelcome blast from the past will put everything into perspective. After 25 years of incarceration, psychopath Charles Subra (craggy-faced Philippe Nahon in his best performance since Gaspar Noë's SEUL CONTRE TOUS) is about to be released on good behavior, upsetting troubled bartender Justine (gorgeous Olivia Bonamy, unforgettable in the out of left field horror hit ILS, who continues to impress more with each passing film) whose parents he slaughtered before her very eyes. Requiring Schneider's help in bringing the seemingly reformed murderer (who has "found God") to justice, she unwittingly helps pave the way for the demon-plagued policeman to make his peace with the past. Fundamentally decent, he eventually summons up the courage to do the right things, even as rampant corruption and random violence threaten to obliterate his valiant efforts.
With human kindness in such short supply, Marchal still allows for a single ray of hope to shine through at film's end. The fact that he accomplishes this through possibly the most hackneyed of narrative devices (the birth of a baby) and yet manages not to make it come off as such attests to his considerable talents as both filmmaker and story-teller as well as the profound emotional investment audiences have established by then with these emotionally battered characters. The exquisitely elegiac soundtrack by Bruno Coulais, who has clearly been going from strength to strength, beautifully complements the human and religious connotations the movie has built towards. Viewers who complained about the perfunctory exposition in both murder cases actually managed to miss the point the director has gone to such great lengths to make, that even the most adverse of situations can serve to bring out the best in people if this is within their nature, ofttimes unbeknown to even themselves. Though on the surface as noir as noir can be, this may ultimately prove an optimist opus at heart. Just brace yourself passing through. There is light at tunnel's end
*** This review may contain spoilers ***
First I heard about this film in May and since then I was looking
forward to release. And such a long expectation was has justified
itself. If it is said about a film that it is made by the same director
and with practically the same actors as the “36 Quai des Orfèvres”
film, then it can be taken for granted that this particular film is
worth watching. Usually it sounds like pure advertisement, but in the
“MR 73” case the fact that the plot is based on a true story is one of
the key factors of the perception of what is going on on the screen.
For there are scenes of borderline cruelty and they are shot with
extreme naturalism. Though I think such scenes are on their place, and
if they had been excluded, it would have damaged the movie. The rate of
violence is exactly of that level a spectator can expect from the
police drama of such realistic focus. In case Thackeray’s “Vanity Fair”
is a novel without a hero, then “MR 73” can be called a film without a
hero. Of course Schneider can account on certain sympathy, but as a
whole his methods are inadmissible. I do understand his unwillingness
to let Kovalski win laurels, but it is not a proper ground for showing
hackles and putting at stake the safety of the city by violating the
arrest procedure. After all, what is more important – to stop a maniac
or to pay off old scores? Seeing the names of Daniel Auteuil and
Olivier Marchal on a DVD box is a quality guarantee for me. Auteuil’s
acting is magnificent as always. Schneider is a drastic transformation
played brilliantly. Out of his partners I would distinguish Francis
Renaud (Kovalski). He is actually not known well in Russia, but I can
judge by two films - “MR 73” and “Gangsters” also directed by Olivier
Marchal – if there is a need for a real bad, though “bad” is not
exactly the word, probably an ugly, vicious and repulsive cop, then
there is no better candidacy than Francis Renaud. A rare talent, a born
talent I think to play scoundrels. Actually if I wanted, I might find
fault with the screenplay. Say, it is not news that the criminal is
being exposed by the parallel between homicides and the pets found near
the crime scenes. It is rather easy to make a conclusion that a maniac
is someone who has an access to these pets or who at least had an
opportunity to see them. We have already seen this in “Red dragon”, but
let us leave this far-fetched objection. The point is I am inclined to
believe that what happens in “MR 73” took place in reality, so it has
nothing to do with the imaginary events of Thomas Harris books. The
pets that participated in the film, that is the puppy and the cat of
enormous size are so sweet, but is has been said long before that if
there are animal actors they will inevitably outshine the human ones.
Those of “MR 73” were a real treat for spectators, especially the way
Auteuil’s hero communicated with them. What the pets do is converting
the gloomy atmosphere of the film into something a little bit less
With “36 Quai des Orfèvres” being my most favorite police drama, I could not but enjoy “MR 73”, and if you also like the previous Auteuil and Marchal common work, their new film will also find its place among your favorites.
Some movies are saved by their actors.To write that the movie is
derivative is to state the obvious .It borrows from many of the
American thrillers of the nineties ,the inmate (notably) is another
reincarnation of Hannibal. Fortunately,no Clarice,but Justine ,daughter
of his victims ,whose part is the most interesting of the whole
movie.Her commitment to her grandpa is extraordinary and the scene of
the mass for the dead rings true .Her relationship with the hero is
more conventional but the viewer really needed some sunlight breaking
A hero who has perhaps never deserved more to be called anti hero.It takes a lot of nerve ,a lot of genius and a lot of courage to play such a demeaning part of a fallen cop,who smells urine and alcohol ,with an haggard face who seems to have suffered his misfortunes without complain. Daniel Auteuil is ,much more than Depardieu,to the French cinema what Jean Gabin was half a century ago and besides he ages more gracefully .This part and that of Nicole Garcia's "L'Adversaire" are among his finest performances.The only thing that's lacking is a firm strong screenplay.This one is a bit desultory ,but who cares?Auteuil carries the movie on his shoulders ,with fine support by Olivia Bonamy.
Well I stepped into an avalanche,it covered up my soul..... (L.C.)
In grimy Marseilles, drunken disheveled Detective Louis Schneider is
arrested for hijacking a bus. The driver told him to sit down which got
him to pull out his gun. A car accident left his daughter dead and his
wife despondent. He is relegated to work the night shift. Unrepetent
killer Charles Subra is getting probation. Survivor Justine Maxence
approaches arresting detective Schneider from those years ago for help.
There is a serial killer on the loose. There is also a cover-up and
Schneider is hounded to quit.
Daniel Auteuil is acting through his scruffy appearance and his dangling cigarettes. He is so good at being world weary that the movie in general is drained of life. It's all grim and crumbling without any tension. The disjointed storytelling with the constant flashbacks to the same incident gets a bit tiresome. This movie has the moody style but the flow needs to be more compelling. I think I almost like this movie.
*** This review may contain spoilers ***
Olivier Marchal kept his devotees waiting for four years after the great 36, Quai des Orfevres so clearly the main question is, was MR 73 worth the wait. The answer has to be yes. There are, inevitably, overtones from other movies; the detective searching for a serial killer whilst his own wife remains comatose is straight out of The First Deadly Sin in which Sinatra was the cop and Faye Dunaway the comatose wife. Elsewhere we are on newer ground. Where Sinatra's wife had a conventional illness Auteuil's was in a car crash for which he feels such guilt that he is burnt-out, washed-up and a booze hound. Marchal weaves two stories seamlessly - the current serial killer and the one awaiting release from prison, whilst his own wife, Catherine scores heavily as Auteuil's sympathetic boss. Try not to miss it
|Page 1 of 3:||  |
|Plot summary||Ratings||External reviews|
|Parents Guide||Official site||Plot keywords|
|Main details||Your user reviews||Your vote history|