Michael Firch is very skilled in computers and he goes to Paris to meet very important persons to discuss a contract. Michael was born on a special astral date. On arriving in Paris, he ... See full summary »
Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now ... See full summary »
13th century France. To live, to survive, requires weapons. Which do you choose? Weapons of war, which give the power to punish and kill? Or the sword of knowledge, which gives the power to... See full summary »
Daniel Moulin goes to New York on a business trip and decides to take advantage of his time in the Big Apple to try and locate the father he never knew. The only thing he has to go on however is an address in the Bronx that is 25 years old.
It tells the story of Yann Kermadec whose dreams suddenly come true when he has to replace the DCNS star skipper at the last minute before the start of the Vendée Globe (a round-the-world ... See full summary »
Antoine is a social wannabe who drops an elusive aristocrat's name to get into an exclusive party. The name - Jordan - gets him whisked by two burly bodyguards into the office of the host, ... See full summary »
Antoine de Caunes
Jumping constantly between 2 time periods (1975 and 2007) and at least 3 different groups of characters, "The Key" is mainly an exercise in narrative complexity that does not satisfy very much emotionally. Admittedly there are some very suspenseful and well-done moments (the throat stabbing and the subsequent escape attempt), but in trying to interconnect all the different time periods and story lines, the screenwriters are forced to use a few too many coincidences, most notably at the end, when somehow almost every character ends up at the same hospital at the same time (also, I'm still not sure if the hero gets in so much trouble because he is mistaken for a thief by drug runners, or because of his father's criminal past, or both). The cast is good as usual for a French movie, but the lovely Marie Gillain unfortunately gets stuck with the poorly written character of the obnoxiously nagging wife. All in all, "Le Clef" is an interesting but forgettable experiment. **1/2 out of 4.
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