Camille arrives at the island Ouessant where she was born, to sell the house of her parents. She finds a book of a certain Antoine and starts reading. A story of a stranger is told who came... See full summary »
13th century France. To live, to survive, requires weapons. Which do you choose? Weapons of war, which give the power to punish and kill? Or the sword of knowledge, which gives the power to... See full summary »
Antoine is a social wannabe who drops an elusive aristocrat's name to get into an exclusive party. The name - Jordan - gets him whisked by two burly bodyguards into the office of the host, ... See full summary »
Antoine de Caunes
During a routine autopsy, forensic pathologist Martin Revell finds a key in a suicide victim's stomach. His investigation into the seemingly inanimate object leads to a world of obsession, insanity, and homicide.
Jumping constantly between 2 time periods (1975 and 2007) and at least 3 different groups of characters, "The Key" is mainly an exercise in narrative complexity that does not satisfy very much emotionally. Admittedly there are some very suspenseful and well-done moments (the throat stabbing and the subsequent escape attempt), but in trying to interconnect all the different time periods and story lines, the screenwriters are forced to use a few too many coincidences, most notably at the end, when somehow almost every character ends up at the same hospital at the same time (also, I'm still not sure if the hero gets in so much trouble because he is mistaken for a thief by drug runners, or because of his father's criminal past, or both). The cast is good as usual for a French movie, but the lovely Marie Gillain unfortunately gets stuck with the poorly written character of the obnoxiously nagging wife. All in all, "Le Clef" is an interesting but forgettable experiment. **1/2 out of 4.
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