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The Legend of Tarzan (2016)

PG-13 | | Action, Adventure, Drama | 1 July 2016 (USA)
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Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

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(screenplay by), (screenplay by) | 3 more credits »
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Cast

Cast overview, first billed only:
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Christian Stevens ...
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Sidney Ralitsoele ...
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Kimanga
Ashley Byam ...
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Adam Ganne ...
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Aleksandar Mikic ...
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Storyline

Following his parents' death in Africa, John Clayton has been be raised by an ape, was known by the name Tarzan, but eventually left Africa and for his parents' home in England, along with the woman he fell in love with and married, Jane Porter. He is asked by Belgian King Leopold to go to Africa to see what he has done there to help the country. Initially, he refuses. But an American, George Washington Williams, wants him to accept so he can accompany him. He says that Leopold might be committing all sorts of atrocities to achieve his goal, like slavery. Clayton agrees and his wife insists that she accompany him because she misses Africa. When they arrive, a man named Rom, who works for Leopold, attacks their village and captures Tarzan and Jane. With Washington's help he escapes and sets out to rescue Jane by going across the jungle. Washington joins him despite being told that he might not make it. Written by w

Plot Summary | Plot Synopsis

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Human. Nature. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of action and violence, some sensuality and brief rude dialogue | See all certifications »

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Details

Official Sites:

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Release Date:

1 July 2016 (USA)  »

Also Known As:

Tarzan  »

Box Office

Budget:

$180,000,000 (estimated)

Opening Weekend:

$38,527,856 (USA) (3 July 2016)

Gross:

$126,643,061 (USA)
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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Alexander Skarsgård conceived his characterization very much as that of a superhero. He said, "I see Tarzan as the original superhero. But he doesn't need a cape, or gadgets, or a mutation, to be bad-ass. His superpower lies in his fists. It's about what's a human being capable of physically. It's someone who learns to work with the jungle, and not against it. Producer David Barron concurred, saying, "I do see this as a superhero movie. He has great physical prowess, and his senses are finely tuned, as a result of his upbringing." See more »

Goofs

When John, the tribesman and George are at the top of the bluff, George is sat with his rifle slung across his back as he gestures behind him into the jungle. When he pushed to his feet his rifle is suddenly in his hand. See more »

Quotes

[first lines]
Captain Moulle: Mr. Rom.
Leon Rom: [looking up at stone] Opar! We found it.
Belgian Soldier: Captain Moulle?
Captain Moulle: Form your lines...
Belgian Soldier: [the gatling gun is rolled forward] Maxim ready, sir!
Captain Moulle: Steady... Wait... Fire!
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Connections

Version of Tarzan in Manhattan (1989) See more »

Soundtracks

BABA BABA SHI BABA
Traditional
Arranged by JOSH PONTE, GEORGE FIAWOO, SUNNY NWACHUKWU, TANIA NWACHUKWU & ROSE ALOKE
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User Reviews

 
(heavy sigh) It's OK, but it could have been great
10 July 2016 | by (North America) – See all my reviews

The core Tarzan story is not only iconic, it speaks to something deep within us. It is at the same time the ultimate Romance and the ultimate Action tale. It is no coincidence that, almost a century ago, when young Hollywood looked to find a franchise for its new "talkie" motion pictures, they turned to the Tarzan tale, and spawned a franchise so successful that it literally outlived the shelf life of its star.

In my lifetime I have seen well over a dozen versions, retellings and re-imaginings of the Tarzan story. I have no doubt that after I am gone, producers and writers will continue to be attracted to it and continue to "make their bones" by bending it to their unique style.

That said, this one is not especially good. After a great opening scene, there is the filmic equivalent of "dead air" for about 35 minutes and when the script does finally get in gear it stumbles and falls, subject to a wildly disjointed narrative and equally bizarre editing.

Alexander Skarsgård has been impressive in other films (a race driver, a superhero) and I think with different material and a different director he could have connected. Christoph Waltz and Sam Jackson remain two of the most over-exposed stars in Hollywood and, good as they are, they are running out of clever ways to play the same character over and over. And over. And over.


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