In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
It's 1964, St. Nicholas in the Bronx. A charismatic priest, Father Flynn, is trying to upend the school's strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier, the iron-gloved Principal who believes in the power of fear-based discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James, a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequences. Written by
Jimmy Hurley is based on John Patrick Shanley. Everything that he does at the beginning of the movie are the same things Shanley did as a boy. See more »
A boy is caught listening to a World Series Game. The leaves had fallen off the trees, which generally doesn't happen until mid-to-late November. The 1964 World Series took place in early October. See more »
Wow! Incredible performances from Meryl Streep and Philip Seymore Hoffman. Mesmerizing intensity from Streep as the nun seeking to find Hoffman guilty of a sin he may or may not have committed. Amy Adams gives a sincere performance as the nun who sets the ball rolling with her suspicions that Hoffman may have molested a black student. The scenes between Streep and Hoffman crackle with intelligence and frightening intensity. Streep, as the unrelenting figure of justice, determined at any cost to destroy Hoffman, is terrifying and unrelenting. Hoffman gives a performance less restrained and mannered than the one he gave in Capote (and won the Oscar for) and boy, does he ever deserve to have won a second one for this outing. An absolute knockout, nuanced and convincing in every way. What a masterful performance! John Patrick Shanley's script is riveting from start to finish. If anyone has any doubts about watching this movie due to the theme then put those doubts aside as the writing and acting are without doubt amongst the finest ever committed to film. A superb piece of work.
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