A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to ... See full summary »
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
It's 1964, St. Nicholas in the Bronx. A charismatic priest, Father Flynn, is trying to upend the school's strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier, the iron-gloved Principal who believes in the power of fear-based discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James, a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequences. Written by
Let me start by saying that I wasn't bored for one second and that it is always fascinating to see great actors chewing the scenery. Meryl Streep is one of my heroes she will always be be here something happened. Her performance is devoid of highs and/or lows. She goes through it in second gear. I had hoped for a performance of the Louise Fletcher as Nurse Ratchet with a pleasant almost benign exterior but a monstrous center and Philip Seymour Hoffman, another great, doesn't project any kind of sexual vibe so the sexual allegations may work on a stage play but not on the screen. The part needed a John Garfield. On top of that, there is something missing on the structure of the story. We're taken through two acts but the third act is missing. I didn't believe in that ending it felt to come out of left field. So yes, I was entertained but dissatisfied.
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