A pseudo-documentary edited from the home movies of serial killers Wayne & Andrea Montgomery, presenting a look into their quiet, suburban lives...as well as the graphic & disturbing details of their horrific crimes.
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Justin Thomas Billings
Justin Thomas Billings
Koji Shiraishi is interested in strange indiscriminate murder at a sightseeing resort. He goes behind the camera to investigate the circumstances surrounding strange occurrences and interview the survivors.
Wayne Montgomery was Delaware's most prolific serial killer. From 1986-1989, he was responsible for the deaths of countless people, while maintaining a quiet suburban life with his wife Andrea. In 1989, he took an extended hiatus from his work to settle down and help raise a family. In 2006, Wayne decided to come out of retirement to continue his life's work, with Andrea now joining him in his craft. The grisly details of Wayne and Andrea's horrific crimes were captured by Wayne's video camera, a sick, twisted way to relive the experience again and again. Hundreds of hours of shocking footage shot over a period of several months have been edited into a feature length film, with cooperation from the victims' families. This footage is now being presented as the feature film HEAD CASE. From award-winning filmmaker Anthony Spadaccini. Written by
Two scenes shot during production of The Ritual (2009) were inserted into Head Case (2007) to help connect the two films: 1.) the dinner scene featuring Brinke Stevens as Wayne's mother Julie and 2.) the final scene, which depicts Wayne and Jared's initial meeting. See more »
Okay, first off, this film is not everybody's cup of tea. But if it is yours, and you can handle the graphic violence and frightening look at the human psyche at its most damaged, then you'll be amazed.
It was disturbing as hell. It made me sick to my stomach (and I wasn't going into this blind--I'd been warned it was graphic). These people act so normal about what they're doing and that just threw me. This film has a very unique and little-before-seen take on serial killers and this fresh new approach is what makes it so frighteningly powerful.
The lady wants to put pictures up in the basement where they torture people. Wow, she's a regular freak, though, isn't she? Little details like that throughout the film remind the audience that something is so very wrong in these two character's heads. (And actually, I nearly typed 'people' instead of 'characters' because they are way too real. The documentary style gives it that extra-real feel as well.) I was grimacing through the whole thing.
The husband and wife bicker, like a real couple. He throws out ideas on how to approach their murders and she's eager to see and learn. Between their murdering sprees they have "loving" moments with their two children. "You need to clean up that mess"... These characters probably seem normal outside the house but they're so subtly "off." They're the type of people who would, if you were to pass them in the grocery store or on the street without knowing who they are, give a gut feeling that says "STAY AWAY--don't know why just STAY AWAY." And the grotesque sound effects and the wife's Christmas present.... You'll need to see it to believe. Normal words fail me here.
Now--on to the aesthetic parts of the film (and yes, believe it or not, there ARE some): The lighting and color is gorgeous (is that the right word for a film like this?). The entire film has a desaturated, slightly off-color look which helps bring you into this off-kilter world of the home-video-making serial killer. It's easy on the eyes but it's the only thing that is.
The entire movie was shot home-video style, which lends for a slight camera shake throughout. It works well, making everything feel much more real, but also causes the film at times to move a bit slowly.
The music in the background at the beginning is reminiscent of...really old cartoons. Like the kind where one of the characters is mischievous by nature. It evokes a really interesting feeling from the get-go, sort of like everything is off-kilter. And it's very subtle. The music never proclaims the characters are doing something dramatic or evil.
The actors are phenomenal. They totally made me believe it. And the way the film opens--over black, with narration...it sets the mood for the dark that will follow.
In closing, this film felt way too real and that made it very uncomfortable (well...that word's too tame in this case...). But wow. Just wow. Disturbing on a level I can't even contemplate because these characters were just. so. WRONG. And this is an amazingly scary movie, not because of the blood and gore, but because of the way this film captured the darkest and frankly most disgusting parts of humanity. It's sickening because it's real--because there are people like that. Heck, I'm pretty sure I've passed one or two in the supermarket--we probably all have.
So, this film is AMAZING in its own right--again, if it's your cup of tea. If not, avoid it like the plague; but if you're ready for a dip into the dark and everything we fear but never talk about, then watch this film. You won't be disappointed.
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