| Photos (see all 11 | slideshow) | Videos (see all 39) |
| Asa Butterfield | ... | Bruno | |
| Zac Mattoon O'Brien | ... | Leon (as Zac Mattoon-O'Brien) | |
| Domonkos Németh | ... | Martin | |
| Henry Kingsmill | ... | Karl | |
| Vera Farmiga | ... | Mother | |
| Cara Horgan | ... | Maria | |
| Zsuzsa Holl | ... | Berlin Cook | |
| Amber Beattie | ... | Gretel | |
| László Áron | ... | Lars | |
| David Thewlis | ... | Father | |
| Richard Johnson | ... | Grandpa | |
| Sheila Hancock | ... | Grandma | |
| Charlie Baker | ... | Palm Court Singer | |
| Iván Verebély | ... | Meinberg | |
| Béla Fesztbaum | ... | Schultz | |
| Attila Egyed | ... | Heinz | |
| Rupert Friend | ... | Lieutenant Kotler | |
| David Hayman | ... | Pavel - Jewish servant | |
| Jim Norton | ... | Herr Liszt | |
| Jack Scanlon | ... | Shmuel | |
| László Nádasi | ... | Isaak | |
| László Quitt | ... | Kapo #1 | |
| Mihály Szabados | ... | Kapo #2 | |
| Zsolt Sáfár Kovács | ... | Kapo #3 Sonderkommando | |
| Gábor Harsai | ... | Elderly Jewish Man (as Gábor Harsay) |
Directed by | |||
| Mark Herman | |||
Writing credits(in alphabetical order) | ||
| John Boyne | novel | |
| Mark Herman | screenplay | |
Produced by | |||
| Rosie Alison | .... | co-producer | |
| Mark Herman | .... | executive producer | |
| David Heyman | .... | producer | |
| Christine Langan | .... | executive producer | |
| Mary Richards | .... | line producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Benoît Delhomme | (director of photography) | ||
Film Editing by | |||
| Michael Ellis | |||
Casting by | |||
| Leo Davis | |||
| Pippa Hall | |||
Production Design by | |||
| Martin Childs | |||
Art Direction by | |||
| Rod McLean | (supervising art director) | ||
| Razvan Radu | (as Rázvan Radu) | ||
| Szilvia Ritter | |||
| Mónika Esztán | (uncredited) | ||
Set Decoration by | |||
| Gábor Nagy | |||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Jacqueline Bhavnani | .... | hair stylist | |
| Jacqueline Bhavnani | .... | makeup artist | |
| Hildegard Haide | .... | makeup artist | |
| Marese Langan | .... | hair designer | |
| Marese Langan | .... | makeup designer | |
| Erzsébet Rácz | .... | hair stylist | |
Production Management | |||
| Tania Blunden | .... | post-production supervisor | |
| István Király | .... | unit manager | |
| Gyorgy Kuntner | .... | production manager (as Gyõrgy Kuntner) | |
| Mary Richards | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Monika Bota | .... | additional assistant director: crowd (as Mónika Bóta) | |
| Heidi Gower | .... | third assistant director | |
| Zsuzsa Gurban | .... | co-first assistant director (as Zsuzsa Gurbán) | |
| Martin Harrison | .... | first assistant director | |
| Bernadett Lõvey | .... | third assistant director | |
| István Pocsai | .... | third assistant director | |
| Chris Stoaling | .... | second assistant director | |
Sound Department | |||
| Peter Burgis | .... | foley artist (as Pete Burgis) | |
| John Casali | .... | sound mixer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Joe Gallagher | .... | dialogue editor | |
| Rodney Glenn | .... | supervising sound editor | |
| Attila Kohári | .... | cable man | |
| Jerome McCann | .... | sound playback operator | |
| Mark Paterson | .... | sound re-recording mixer | |
| György Rajna | .... | boom operator | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Ed Colyer | .... | foley mixer (uncredited) | |
| Glen Gathard | .... | assistant foley mixer (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Gábor Balog | .... | standby special effects technician | |
| János Berki | .... | standby special effects technician | |
| Ferenc Kardos | .... | special effects supervisor | |
| Gyula Krasnyánszky | .... | pyrotechnician | |
| Ferenc Ormos | .... | special effects supervisor | |
| György Solymosi | .... | standby special effects technician | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore-CFC | |
| Simon Allmark | .... | visual effects editorial: Double Negative | |
| Ben Baker | .... | head of digital lab: Framestore-CFC (as Effandi Bin Mohamed) | |
| Adrian Banton | .... | 2d supervisor: Double Negative | |
| Miles Drake | .... | visual effects editorial: Double Negative | |
| Mohamed Effandi | .... | visual effects artist: Double Negative (as Effandi Bin Mohamed) | |
| Michael Bruce Ellis | .... | visual effects supervisor: Double Negative (as Mike Ellis) | |
| Gavin Gregory | .... | visual effects coordinator: Double Negative | |
| Edwina Jamieson | .... | retouch and restoration: Framestore-CFC (as Edwin Jamieson) | |
| David Johnston | .... | data operator: Framestore-CFC | |
| Serena Lam | .... | visual effects artist: Double Negative | |
| Tracey Leadbetter | .... | visual effects producer: Double Negative | |
| Edwin Metternich | .... | retouch and restoration: Framestore | |
| Stuart Nippard | .... | conform editor: Framestore-CFC | |
| Zelda Tinska | .... | visual effects editorial: Double Negative | |
| Jon Veal | .... | visual effects artist: Double Negative | |
| Szvák Antal | .... | visual effects coordinator: Cube Effects (uncredited) | |
| Matthew Baker | .... | retouch and restoration: Framestore-CFC (uncredited) | |
| Zoltán Benyó | .... | visual effects producer: Cube Effects (uncredited) | |
| Zachary Bloom | .... | scanning and recording: Framestore CFC (uncredited) | |
| Clare Brody | .... | data operator: Framestore (uncredited) | |
| Péter Bujdosó | .... | matte painting supervisor: Cube Effects (uncredited) | |
| Paul Burke | .... | scanning and recording: Framestore (uncredited) | |
| Andy Burrow | .... | scanning & recording manager (uncredited) | |
| Dave Calub | .... | retouch and restoration: Framestore (uncredited) | |
| Francesca Canducci | .... | retouch and restoration: Framestore (uncredited) | |
| Ronan Carr | .... | restoration artist: digital restoration (uncredited) | |
| Zoe Cousins | .... | scanning and recording (uncredited) | |
| Liana Dunleavy | .... | retouch and restoration (uncredited) | |
| Laboncz Edina | .... | digital paint and rotoscope artist: Cube Effects (uncredited) | |
| Richard Edwards | .... | data operator: Framestore CFC (uncredited) | |
| André Gabriella | .... | digital paint and rotoscope artist: Cube Effects (uncredited) | |
| Adam Glasman | .... | digital intermediate colourist (uncredited) | |
| Mai Gray | .... | retouch and restoration: Framestore (uncredited) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Pete Hanson | .... | studio manager: double negative (uncredited) | |
| Adam Hawkes | .... | digital compositor (uncredited) | |
| Karsten Hecker | .... | film mastering engineer: Framestore CFC (uncredited) | |
| Jan Hogevold | .... | executive producer: framestore di (uncredited) | |
| John Inch | .... | retouch and restoration (uncredited) | |
| Horváth Gál István | .... | rotoscope artist: Cube Effects (uncredited) | |
| Körmöczy Károly | .... | rotoscope artist: Cube Effects (uncredited) | |
| Éva Korda | .... | rotoscope artist: Cube Effects (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Esme Long | .... | production manager (uncredited) | |
| James Long | .... | data operator: Framestore CFC (uncredited) | |
| Kevin Lowery | .... | film mastering engineer (uncredited) | |
| Peregrine MacCafferty | .... | matchmove artist: Double Negative (uncredited) | |
| Veronica Marcano | .... | scanning & recording operator: Framestore (uncredited) | |
| Gurel Mehmet | .... | concept artist: Double Negative (uncredited) | |
| Adam Parker | .... | retouch and restoration: Framestore (uncredited) | |
| Lee Rankin | .... | scanning and recording: Framestore (uncredited) | |
| James Reed | .... | scanning and recording (uncredited) | |
| Jimmy Saul | .... | scanning and recording (uncredited) | |
| Noémi Somoskövy | .... | visual effects coordinator: Cube Effects (uncredited) | |
| Nick Stanley | .... | retouch and restoration: Framestore (uncredited) | |
| Maria Stroka | .... | senior digital intermediate producer (uncredited) | |
| Mátyás Szabó | .... | senior digital artist: Cube Effects (uncredited) | |
| Gábor Székely | .... | technical director: Cube Effects (uncredited) | |
| Pál Tauszig | .... | digital compositor: Cube Effects (uncredited) | |
| Odean Thompson | .... | digital paint and restoration: Framestore (uncredited) | |
| Gábor Tóth | .... | lead digital compositor: Cube Effects (uncredited) | |
| Péter Zavorszky | .... | visual effects production manager: Cube Effects (uncredited) | |
Stunts | |||
| György Kivés | .... | stunt coordinator | |
Casting Department | |||
| Éva Bajusz | .... | casting assistant | |
| Vanessa Baker | .... | adr voice casting | |
| Sándor Dénes | .... | casting: c rowd | |
| Brendan Donnison | .... | adr voice casting | |
| Mariann Kuzmanné Rónay | .... | casting: children, Hungary (as Marianne Kuzman) | |
| Veronika Varjasi | .... | casting director: Hungary (as Vera Varjasi) | |
Costume and Wardrobe Department | |||
| Liza Bracey | .... | assistant costume designer | |
| Agnes Forgacs | .... | dresser: crowd (as Agnes Forgács) | |
| Enikö Karádi | .... | dresser: crowd | |
| Anikó Nagy | .... | costume interpreter | |
| Imre Orosz | .... | costume supervisor | |
| Péter Palotás | .... | dresser: crowd | |
| Orsolya Sallai | .... | dresser | |
| Gábor Simkó | .... | dresser | |
| Nat Turner | .... | costume assistant | |
Editorial Department | |||
| Turea Blyth | .... | digital intermediate editorial | |
| Adam Glasman | .... | colorist | |
| Jan Hogevold | .... | digital intermediate executive producer | |
| Paul Hyman | .... | first assistant editor | |
| Karenjit Sahota | .... | trainee assistant editor | |
| Faye Stevens | .... | post-production coordinator | |
| Maria Stroka | .... | digital intermediate senior producer | |
| Sean Cooney | .... | post-production executive (uncredited) | |
Music Department | |||
| Dick Bernstein | .... | music editor | |
| Bob Bornstein | .... | music preparation | |
| Sandy DeCrescent | .... | music contractor (as Sandy DeCresent) | |
| Jim Henrikson | .... | music scoring supervisor | |
| James Horner | .... | musician: piano | |
| Aaron Martin | .... | synthesizer programmer | |
| Simon Rhodes | .... | music mixer | |
| Simon Rhodes | .... | music recordist | |
| Peter Rotter | .... | music contractor | |
| Nigel Stone | .... | music editor: temp score | |
| Ian Underwood | .... | synthesizer programmer | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
| James Horner | .... | conductor (uncredited) | |
| James Horner | .... | orchestrator (uncredited) | |
| Richard Wheeler Jr. | .... | scoring crew (uncredited) | |
Transportation Department | |||
| Zoltán Bai | .... | driver: producer | |
| István Bodor | .... | driver | |
| Edit Boroznaki | .... | driver | |
| Pál Boroznaki | .... | driver | |
| Dani Bozsik | .... | driver | |
| Feri Farkas | .... | driver | |
| Viktor Fülöp | .... | driver | |
| András Grúz | .... | driver | |
| Sándor Horváth | .... | driver | |
| Dani Király | .... | driver | |
| Tamás Nagy | .... | transportation coordinator | |
| Tibor Nyári | .... | driver: props | |
| Jozsef Nyiri | .... | driver (as Jósef Nyíri) | |
| Imre Solti | .... | driver | |
| Antal Szbára | .... | driver | |
| László Szücs | .... | driver | |
| Hajnalka Tarján | .... | driver | |
| Sándor Vercz | .... | driver: director | |
| János Zeve | .... | driver: props | |
Thanks | |||
| Tim Corrie | .... | special thanks | |
| Harvey Herman | .... | special thanks | |
| Joy Herman | .... | special thanks | |
| Laura Herman | .... | special thanks | |
| David Nochimson | .... | special thanks | |
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| Europa Europa | Amen. | Au revoir les enfants | La tregua | Sophie Scholl - Die letzten Tage |
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My fiancé and I purchased tickets for a special advanced screening of this movie during the Carnegie Film Festival in Dunfermline, Fife. I didn't realise, but we were one of the first people to see it. I will try and not spoil it and keep the review very simple and straight forward.
The film is mainly shot through the eyes of Bruno played by Asa Butterfield growing up in war time Germany during the holocaust. After relocating at the will of the German Army, the film then centres on the friendship between Bruno and Shmuel (Jack Scanlon). I will end it there as I don't wish to spoil the rest of the film.
Putting to one side the fact that everyone has a flawless English accent (which does make it difficult to hate them at first), the cinematics, sound, editing and above all acting are a credit to the British film industry.
Asa Butterfield is fine young actor and I'm sure will be destined for even greater things in the future.
As I mentioned above, I won't give anything away, but I will say that this is the first time I have been to the Cinema and everyone sat quiet right up until the end of the credits.
Please, please see this film. It will remain with you for a long time.