| Photos (See all 14 | slideshow) | Videos (see all 8) |
| Asa Butterfield | ... | Bruno | |
| Zac Mattoon O'Brien | ... | Leon (as Zac Mattoon-O'Brien) | |
| Domonkos Németh | ... | Martin | |
| Henry Kingsmill | ... | Karl | |
| Vera Farmiga | ... | Mother | |
| Cara Horgan | ... | Maria | |
| Zsuzsa Holl | ... | Berlin Cook | |
| Amber Beattie | ... | Gretel | |
| László Áron | ... | Lars | |
| David Thewlis | ... | Father | |
| Richard Johnson | ... | Grandpa | |
| Sheila Hancock | ... | Grandma | |
| Charlie Baker | ... | Palm Court Singer | |
| Iván Verebély | ... | Meinberg | |
| Béla Fesztbaum | ... | Schultz | |
| Attila Egyed | ... | Heinz | |
| Rupert Friend | ... | Lieutenant Kotler | |
| David Hayman | ... | Pavel | |
| Jim Norton | ... | Herr Liszt | |
| Jack Scanlon | ... | Shmuel | |
| László Nádasi | ... | Isaak | |
| László Quitt | ... | Kapo 1 | |
| Mihály Szabados | ... | Kapo 2 | |
| Zsolt Sáfár Kovács | ... | Kapo 3 Sonderkommando | |
| Gábor Harsai | ... | Elderly Jewish Man (as Gábor Harsay) | |
| rest of cast listed alphabetically: | |||
| Julia Papp | ... | Dancer (uncredited) | |
Directed by | |||
| Mark Herman | |||
Writing credits | ||
| John Boyne | (novel) | |
| Mark Herman | (screenplay) | |
Produced by | |||
| Rosie Alison | .... | co-producer | |
| Mark Herman | .... | executive producer | |
| David Heyman | .... | producer | |
| Christine Langan | .... | executive producer | |
| Mary Richards | .... | line producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Benoît Delhomme | (director of photography) | ||
Film Editing by | |||
| Michael Ellis | |||
Casting by | |||
| Leo Davis | |||
| Pippa Hall | |||
Production Design by | |||
| Martin Childs | |||
Art Direction by | |||
| Rod McLean | (supervising art director) | ||
| Razvan Radu | (as Rázvan Radu) | ||
| Szilvia Ritter | |||
| Mónika Esztán | (uncredited) | ||
Set Decoration by | |||
| Gábor Nagy | |||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Jacqueline Bhavnani | .... | hair stylist | |
| Jacqueline Bhavnani | .... | makeup artist | |
| Hildegard Haide | .... | makeup artist | |
| Marese Langan | .... | hair designer | |
| Marese Langan | .... | makeup designer | |
| Alex Rouse | .... | wigmaker | |
| Erzsébet Rácz | .... | hair stylist | |
Production Management | |||
| Tania Blunden | .... | post-production supervisor | |
| István Király | .... | unit manager | |
| Gyorgy Kuntner | .... | production manager (as Gyõrgy Kuntner) | |
| Mary Richards | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Monika Bota | .... | additional assistant director: crowd (as Mónika Bóta) | |
| Heidi Gower | .... | third assistant director | |
| Zsuzsa Gurban | .... | co-first assistant director (as Zsuzsa Gurbán) | |
| Martin Harrison | .... | first assistant director | |
| Bernadett Lõvey | .... | third assistant director | |
| István Pocsai | .... | third assistant director | |
| Chris Stoaling | .... | second assistant director | |
Sound Department | |||
| Peter Burgis | .... | foley artist (as Pete Burgis) | |
| John Casali | .... | sound mixer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Joe Gallagher | .... | dialogue editor | |
| Rodney Glenn | .... | supervising sound editor | |
| Attila Kohári | .... | cable man | |
| Jerome McCann | .... | sound playback operator | |
| Mark Paterson | .... | sound re-recording mixer | |
| György Rajna | .... | boom operator | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| James Seddon | .... | dolby consultant | |
| Ed Colyer | .... | foley mixer (uncredited) | |
| Glen Gathard | .... | assistant foley mixer (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Gábor Balog | .... | standby special effects technician | |
| János Berki | .... | standby special effects technician | |
| Ferenc Kardos | .... | special effects supervisor | |
| Gyula Krasnyánszky | .... | pyrotechnician | |
| Ferenc Ormos | .... | special effects supervisor | |
| György Solymosi | .... | standby special effects technician | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore-CFC | |
| Simon Allmark | .... | visual effects editorial: Double Negative | |
| Ben Baker | .... | head of digital lab: Framestore-CFC | |
| Adrian Banton | .... | 2d supervisor: Double Negative | |
| Turea Blyth | .... | visual effects editorial | |
| Jerome Dewhurst | .... | di engineer | |
| Miles Drake | .... | visual effects editorial: Double Negative | |
| Mohamed Effandi | .... | visual effects artist: Double Negative (as Effandi Bin Mohamed) | |
| Michael Bruce Ellis | .... | visual effects supervisor: Double Negative (as Mike Ellis) | |
| Adam Glasman | .... | digital intermediate colourist | |
| Gavin Gregory | .... | visual effects coordinator: Double Negative | |
| Edwina Jamieson | .... | retouch and restoration: Framestore-CFC (as Edwin Jamieson) | |
| David Johnston | .... | data operator: Framestore-CFC | |
| Serena Lam | .... | visual effects artist: Double Negative | |
| Matthew Leach | .... | studio assistant | |
| Tracey Leadbetter | .... | visual effects producer: Double Negative | |
| Edwin Metternich | .... | retouch and restoration: Framestore | |
| Stuart Nippard | .... | conform editor: Framestore-CFC | |
| Zelda Tinska | .... | visual effects editorial: Double Negative | |
| Jon Veal | .... | visual effects artist: Double Negative | |
| Szvák Antal | .... | visual effects coordinator: Cube Effects (uncredited) | |
| Matthew Baker | .... | retouch and restoration: Framestore-CFC (uncredited) | |
| Zoltán Benyó | .... | visual effects producer: Cube Effects (uncredited) | |
| Zachary Bloom | .... | scanning and recording: Framestore CFC (uncredited) | |
| Clare Brody | .... | data operator: Framestore (uncredited) | |
| Péter Bujdosó | .... | matte painting supervisor: Cube Effects (uncredited) | |
| Paul Burke | .... | scanning and recording: Framestore (uncredited) | |
| Andy Burrow | .... | scanning & recording manager (uncredited) | |
| Dave Calub | .... | retouch and restoration: Framestore (uncredited) | |
| Francesca Canducci | .... | retouch and restoration: Framestore (uncredited) | |
| Ronan Carr | .... | restoration artist: digital restoration (uncredited) | |
| Zoe Cousins | .... | scanning and recording (uncredited) | |
| Liana Dunleavy | .... | retouch and restoration (uncredited) | |
| Laboncz Edina | .... | digital paint and rotoscope artist: Cube Effects (uncredited) | |
| Richard Edwards | .... | data operator: Framestore CFC (uncredited) | |
| André Gabriella | .... | digital paint and rotoscope artist: Cube Effects (uncredited) | |
| Mai Gray | .... | retouch and restoration: Framestore (uncredited) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Pete Hanson | .... | studio manager: double negative (uncredited) | |
| Adam Hawkes | .... | digital compositor (uncredited) | |
| Karsten Hecker | .... | film mastering engineer: Framestore CFC (uncredited) | |
| Jan Hogevold | .... | executive producer: framestore di (uncredited) | |
| John Inch | .... | retouch and restoration (uncredited) | |
| Horváth Gál István | .... | rotoscope artist: Cube Effects (uncredited) | |
| Éva Korda | .... | rotoscope artist: Cube Effects (uncredited) | |
| Károly Körmöczi | .... | rotoscope artist: Cube Effects (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Esme Long | .... | production manager (uncredited) | |
| James Long | .... | data operator: Framestore CFC (uncredited) | |
| Kevin Lowery | .... | film mastering engineer (uncredited) | |
| Veronica Marcano | .... | scanning & recording operator: Framestore (uncredited) | |
| Peregrine McCafferty | .... | matchmove artist: Double Negative (uncredited) | |
| Gurel Mehmet | .... | concept artist: Double Negative (uncredited) | |
| Adam Parker | .... | retouch and restoration: Framestore (uncredited) | |
| Lee Rankin | .... | scanning and recording: Framestore (uncredited) | |
| James Reed | .... | scanning and recording (uncredited) | |
| Jimmy Saul | .... | scanning and recording (uncredited) | |
| Noémi Somoskövy | .... | visual effects coordinator: Cube Effects (uncredited) | |
| Nick Stanley | .... | retouch and restoration: Framestore (uncredited) | |
| Maria Stroka | .... | senior digital intermediate producer (uncredited) | |
| Mátyás Szabó | .... | senior digital artist: Cube Effects (uncredited) | |
| Gábor Székely | .... | technical director: Cube Effects (uncredited) | |
| Pál Tauszig | .... | digital compositor: Cube Effects (uncredited) | |
| Odean Thompson | .... | digital paint and restoration: Framestore (uncredited) | |
| Gábor Tóth | .... | lead digital compositor: Cube Effects (uncredited) | |
| Péter Závorszky | .... | visual effects production manager: Cube Effects (uncredited) | |
Stunts | |||
| György Kivés | .... | stunt coordinator | |
Casting Department | |||
| Éva Bajusz | .... | casting assistant | |
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Sándor Dénes | .... | casting: c rowd | |
| Mariann Kuzmanné Rónay | .... | casting: children, Hungary (as Marianne Kuzman) | |
| Veronika Varjasi | .... | casting director: Hungary (as Vera Varjasi) | |
| Donna Morong | .... | executive in charge of casting (uncredited) | |
Costume and Wardrobe Department | |||
| Liza Bracey | .... | assistant costume designer | |
| Agnes Forgacs | .... | dresser: crowd (as Agnes Forgács) | |
| Enikö Karádi | .... | dresser: crowd | |
| Anikó Nagy | .... | costume interpreter | |
| Imre Orosz | .... | costume supervisor | |
| Péter Palotás | .... | dresser: crowd | |
| Orsolya Sallai | .... | dresser | |
| Gábor Simkó | .... | dresser | |
| Nat Turner | .... | costume assistant | |
Editorial Department | |||
| Turea Blyth | .... | digital intermediate editorial | |
| Janó Fekete | .... | colorist: dailies | |
| Adam Glasman | .... | colorist | |
| Jan Hogevold | .... | digital intermediate executive producer | |
| Paul Hyman | .... | first assistant editor | |
| Faye Morgan | .... | post-production coordinator (as Faye Stevens) | |
| Karenjit Sahota | .... | trainee assistant editor | |
| Maria Stroka | .... | digital intermediate senior producer | |
| Sean Cooney | .... | post-production executive (uncredited) | |
Music Department | |||
| Dick Bernstein | .... | music editor | |
| Bob Bornstein | .... | music preparation | |
| Sandy DeCrescent | .... | music contractor (as Sandy DeCresent) | |
| Jim Henrikson | .... | music scoring supervisor | |
| James Horner | .... | musician: piano | |
| Aaron Martin | .... | synthesizer programmer | |
| Simon Rhodes | .... | music mixer | |
| Simon Rhodes | .... | music recordist | |
| Peter Rotter | .... | music contractor | |
| Nigel Stone | .... | music editor: temp score | |
| Ian Underwood | .... | synthesizer programmer | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
| James Horner | .... | conductor (uncredited) | |
| James Horner | .... | orchestrator (uncredited) | |
| Richard Wheeler Jr. | .... | scoring crew (uncredited) | |
Transportation Department | |||
| Zoltán Bai | .... | driver: producer | |
| István Bodor | .... | driver | |
| Edit Boroznaki | .... | driver | |
| Pál Boroznaki | .... | driver | |
| Dani Bozsik | .... | driver | |
| Feri Farkas | .... | driver | |
| Viktor Fülöp | .... | driver | |
| András Grúz | .... | driver | |
| Sándor Horváth | .... | driver | |
| Dani Király | .... | driver | |
| Tamás Nagy | .... | transportation coordinator | |
| Jozsef Nyiri | .... | driver (as Jósef Nyíri) | |
| Tibor Nyári | .... | driver: props | |
| Imre Solti | .... | driver | |
| Antal Szbára | .... | driver | |
| László Szücs | .... | driver | |
| Hajnalka Tarján | .... | driver | |
| Sándor Vercz | .... | driver: director | |
| János Zeve | .... | driver: props | |
Other crew | |||
| Gyorgy Bacsatyai | .... | legal services: Hungary, Kovari Tercsak Salans Attorneys | |
| Zsolt Bajczar | .... | catering crew (as Zsolt Bajczár) | |
| Gyõrgy Bajczár | .... | catering crew | |
| Alex Balogh | .... | stand-in: Asa Butterfield | |
| Richárd Balogh | .... | stand-in: Asa Butterfield | |
| Celia Bannerman | .... | acting coach | |
| Libbie Barr | .... | script supervisor | |
| Michael Bartol | .... | staff production coordinator: Miramax Films | |
| Daisy Beattie | .... | chaperone | |
| Susan Beattie | .... | chaperone | |
| Márk Bedó | .... | stand-in: Zac Mattoon-O'Brien | |
| Samantha Black | .... | production coordinator | |
| Imre Bodo | .... | assistant location manager | |
| Márk Bogan | .... | stand-in: Jack Mattoon-O'Brien | |
| Kristóf Brabanti | .... | stand-in: Jack Scanlon | |
| Sam Butterfield | .... | chaperone | |
| Márk Csutár | .... | double: Henry Kingsmall | |
| Noel Donnellon | .... | title sequence producer | |
| Béla Dévényi | .... | catering crew | |
| Renáta Dévényi | .... | catering crew | |
| Márk Elliott | .... | double: Zac Mattoon-O'Brien | |
| Jake Farr | .... | chaperone | |
| Mercedesz Forrai | .... | stand-in: Amber Beattie | |
| Olivia Fridez | .... | stand-in: Amber Beattie | |
| Béla Gajdos | .... | armorer | |
| Krisztián Haraszti | .... | stand-in: Asa Butterfield | |
| Tarn Harper | .... | accountant: post-production | |
| Csaba Harsányi | .... | armorer | |
| Ágota Horváth | .... | cashier | |
| Márton Ivanov | .... | location assistant | |
| Vera Janisch | .... | floor production assistant | |
| Barbara Kaltner | .... | catering crew | |
| Adrienn Kamarás | .... | production secretary | |
| Gabriella Kardos | .... | stand-in: Amber Beattie | |
| András Kassai | .... | location maintenance (as Andrán Kásai) | |
| John Kaylin | .... | dubbing producer | |
| Deepti Khurana | .... | legal services: UK, Wiggin LLP | |
| Mandy Kingsmill | .... | chaperone | |
| Martin Pályi Kiss | .... | double: Domonkos Németh | |
| Csilla Koráng | .... | location security supervisor | |
| Kinga Kovacs | .... | production accountant: Hungary (as Kinga Trimmel-Kovács) | |
| Balázs Kovács | .... | crowd marshall | |
| György Kristóf | .... | floor production assistant | |
| Zsuzsanna Kõhegyi | .... | assistant: Eurofilm Studió | |
| Levente Lórincz | .... | stand-in: Domonkos Németh | |
| Marcell Magyar | .... | double: Jack Scanlon | |
| Hajnalka Makk | .... | assistant: Mark Herman | |
| Péter Mendel | .... | double: Asa Butterfield | |
| Sharon Milton | .... | tutor | |
| Péter Miskolczi | .... | production services: Hungary, Eurofilm Studió | |
| Valéria Molnár | .... | stand-in: Amber Beattie | |
| Charles Moore | .... | legal services: UK, Wiggin LLP | |
| Julian Murray | .... | first assistant accountant | |
| Lajos Nagy | .... | assistant accountant | |
| Till Neumann | .... | legal services: Germany, Brehm & von Moers | |
| Mihály Nyíri | .... | fire safety | |
| David Z. Obadiah | .... | titles sequence producer | |
| Katharine Otway | .... | legal services: UK, Wiggin LLP (as Katherine Otway) | |
| Justin Pollard | .... | researcher | |
| Stephanie G. Pollard | .... | researcher (as Stephanie Pollard) | |
| Martin F. Polyák | .... | stand-in: Jack Scanlon | |
| Mark Preston | .... | assistant: Mark Herman | |
| Fiona Scanlon | .... | chaperone | |
| Peter J. Silbermann | .... | unit publicist | |
| Marianna Strommer | .... | assistant production coordinator | |
| Richard Szabó | .... | facilities manager | |
| Laura Teleki | .... | double: Amber Beattie | |
| Tamas Tercsak | .... | legal services: Hungary, Kovari Tercsak Salans Attorneys | |
| András Tóth | .... | location manager | |
| Patrik Vadai | .... | stand-in: Jack Scanlon | |
| Zsuzsa Varadi | .... | production coordinator (as Zsuzsa Váradi) | |
| Krisztián Varga | .... | stand-in: Henry Kingsmill | |
| Gábor Váradi | .... | production services: Hungary, Eurofilm Studió | |
| Joanna Warner | .... | chaperone | |
| Evelyn Wenzel | .... | researcher: German | |
| Polly Wilby | .... | assistant accountant: post-production | |
| Betty Williams | .... | financial controller | |
| Oliver Wiseman | .... | assistant: Mr Heyman | |
| Nandi Kiss | .... | set runner (uncredited) | |
| Gergö Marton | .... | set production assistant (uncredited) | |
| János Papp | .... | health and safety advisor (uncredited) | |
| Roger Phillips | .... | title designer (uncredited) | |
Thanks | |||
| Tim Corrie | .... | special thanks | |
| Harvey Herman | .... | special thanks | |
| Joy Herman | .... | special thanks | |
| Laura Herman | .... | special thanks | |
| David Nochimson | .... | special thanks | |
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| Downfall | The Ninth Day | David | Fateless | Good |
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There have been more than a few films on the subject of the Holocaust, possibly the daddy of them all being Steven Spielberg's "Schindler's List" based on the book "Schindler's Ark" by Thomas Keneally. Much better, however, in my mind is Costa-Gavras' "Amen" based on Rolf Hochhuth's play "Le Vicaire". Now Mark Herman's "The Boy in the Striped Pajamas", itself based on John Boyne's novel, is fit to mentioned alongside these two great films.
I was initially doubtful at the premise of this film since my knowledge of Holocaust history suggested that 8 year old boys would have been sent straight to the gas chambers on arrival rather than set to work in a camp (obviously I am happy to be set straight on this point if I am wrong). And having seen the film, I also doubt that the boy in the camp (Shmuel, well played by Jack Scanlon) would be able to sit at the camp fence undetected long enough to meet and talk to Bruno, the camp Commandant's son (an astonishingly assured performance by newcomer Asa Butterfield).
There has also been some criticism of the fact that all the actors speak in Received Pronounciation English accents (even American actress Vera Farmiga, whose English accent is completely faultless). This is true, although to be completely accurate, all the actors would have to speak in German and the film would have had to be subtitled as a result.
In truth, however, none of these criticisms actually matters a damn. For even though all of the above is undeniably true, the film still works. And my, how it works. When it finished, I sat in my seat stunned (I had the same reaction after watching "Disaster Movie" last week, but most definitely not for the same reason, I assure you).
The Holocaust as seen through the prism of 8 year old German boy is a novel approach and although we all know what is happening at the camp nearby, at the beginning, he does not. And every step he takes, he gets closer to discovering the truth, losing his childhood innocence in the process.
What I liked about this film is the sophisticated and multi-layered portrayal of the German characters. None of them are one dimensional wholly evil characters but nor are they wholly good either (not even Bruno who tells lies on several occasions, one occasion which results in brutal punishment for one of the prisoners as a consequence).
With good performances from Asa Butterfield as Bruno, Amber Beattie as his sister, David Thewlis as his father, Vera Farmiga as his mother and Jack Scanlon as Shmuel, this may not be the first film about the loss of childhood innocence in the Holocaust (Roberto Benigni beat Herman to it with "Life is Beautiful" and whilst Benigni's film has a powerful end of its own, even that does not compare to the powerful shattering ending which this film possesses) but it is the best and most effective to date.
With restrained direction by Mark Herman and a similarly restrained score from James Horner, if this film does not win the hat full of Oscars next year that it surely deserves, the Academy of Motion Picture Arts and Sciences will have shown itself to be completely irrelevant.