Set during WWII, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a German concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being protected by her adoptive parents.
Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Young Bruno lives a wealthy lifestyle in prewar Germany along with his mother, elder sister, and SS Commandant father. The family relocates to the countryside where his father is assigned to take command a prison camp. A few days later, Bruno befriends another youth, strangely dressed in striped pajamas, named Shmuel who lives behind an electrified fence. Bruno will soon find out that he is not permitted to befriend his new friend as he is a Jew, and that the neighboring yard is actually a prison camp for Jews awaiting extermination. Written by
Rupert Friend initially turned down the role as Lieutenant Kotler because he was shocked by the violent nature of his character. He said, "I mean, it's not particularly flattering to be associated with a group of people who attempted to exterminate an entire race. I'm not a shouty person, and I'm not violent either. The character scared me. But then I realized that that was probably the point. It was about putting a human face on these atrocities." However, Friend struggled throughout filming and became withdrawn after shooting the more harrowing scenes. See more »
"The story mixes up the German Wehrmacht (army) and the SS (Hitler's paramilitary "protective" forces). While the Wehrmacht was not directly involved in the holocaust (though they committed war crimes and killed civilians), the SS was in charge of the concentration camps. Bruno's father's uniform is a mix of Wehrmacht and SS. The Wehrmacht uniforms were green, whereas SS uniforms were black and had the skull ("Totenkopf") symbol on the cap." Incorrect: the black "allgemeine SS" uniform, so beloved of Hollywood because of its iconographic qualities, was discontinued during the war. On the green 1940-1945 SS uniforms, the black colour was only retained on the peaked cap bands, the collar patches, as underlay for badges and on some varieties of shoulder board pipings. Camp Guards wore copper-brown uniform piping, the "waffenfarbe", denoting the camp guards branch. Just look at the original pictures of uniformed SS guards in the camps from the period 1940-1945. See more »
Mum, what's going on?
Mm, your father's been given a promotion.
That means a better job.
I know what promotion is.
So we're having a little party to celebrate.
He's still going to be a soldier though, isn't he?
[...] See more »
Quotation displayed before the opening titles: "Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows - John Betjeman" See more »
I read the book "The Boy in the Striped Pyjamas" after coming across it in the library almost a year ago, and it amazed me. The unique approach taken by Mr Boyne put the subject matter across in a fresh and, if it is possible, even more heart-wrenching fashion. When I heard they were making the book into a film, I was very anxious, as I thought that they couldn't possibly convey the book onto the screen appropriately.
I am delighted to say that I was entirely wrong. I have just this minute returned home from seeing the film and I am absolutely stunned. The film is practically identical to the book, which was wonderful to see, and I thought that the acting was superb. Vera Farmiga and Asa Butterfield were, I thought, exceptional. The film was handled fantastically and I believe that the feel of the novel was not lost in the translation to screen.
Seeing the film was a lot more intense than reading the book and, even knowing what was coming, I found myself sobbing at the end, as were my father and step-mother, the latter of whom had never read the book, and was utterly shocked. This is the first film I have ever seen in which the whole audience were silent from beginning to end, and then, when the film ended, not a single person moved for a long time afterwards.
The film is an incredibly powerful, moving story, told superbly well by a stellar cast and crew. I would recommend it immensely to everyone.
143 of 176 people found this review helpful.
Was this review helpful to you?