Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being sheltered by her adoptive parents.
Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Young Bruno lives a wealthy lifestyle in prewar Germany along with his mother, elder sister, and SS Commandant father. The family relocates to the countryside where his father is assigned to take command a prison camp. A few days later, Bruno befriends another youth, strangely dressed in striped pajamas, named Shmuel who lives behind an electrified fence. Bruno will soon find out that he is not permitted to befriend his new friend as he is a Jew, and that the neighboring yard is actually a prison camp for Jews awaiting extermination. Written by
Bruno's parents are named Ralf and Elsa, but in the credits of the film they are listed as 'Mother' and 'Father'. This is a tribute to the novel, in which the narrative focuses solely on Bruno's point of view. See more »
At the farewell party in Berlin at the beginning of the film, the singer with the dance band was using a Shure 55SH, an iconic American microphone. However the Germans would have used Sennheiser or Neumann microphones. They were very proud of their engineering, and pioneered early audio recording technology which is still sought after by collectors and studios. See more »
Mum, what's going on?
Mm, your father's been given a promotion.
That means a better job.
I know what promotion is.
So we're having a little party to celebrate.
He's still going to be a soldier though, isn't he?
[...] See more »
Quotation displayed before the opening titles: "Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows - John Betjeman" See more »
I read the book "The Boy in the Striped Pyjamas" after coming across it in the library almost a year ago, and it amazed me. The unique approach taken by Mr Boyne put the subject matter across in a fresh and, if it is possible, even more heart-wrenching fashion. When I heard they were making the book into a film, I was very anxious, as I thought that they couldn't possibly convey the book onto the screen appropriately.
I am delighted to say that I was entirely wrong. I have just this minute returned home from seeing the film and I am absolutely stunned. The film is practically identical to the book, which was wonderful to see, and I thought that the acting was superb. Vera Farmiga and Asa Butterfield were, I thought, exceptional. The film was handled fantastically and I believe that the feel of the novel was not lost in the translation to screen.
Seeing the film was a lot more intense than reading the book and, even knowing what was coming, I found myself sobbing at the end, as were my father and step-mother, the latter of whom had never read the book, and was utterly shocked. This is the first film I have ever seen in which the whole audience were silent from beginning to end, and then, when the film ended, not a single person moved for a long time afterwards.
The film is an incredibly powerful, moving story, told superbly well by a stellar cast and crew. I would recommend it immensely to everyone.
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