Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being sheltered by her adoptive parents.
Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Young Bruno lives a wealthy lifestyle in prewar Germany along with his mother, elder sister, and SS Commandant father. The family relocates to the countryside where his father is assigned to take command a prison camp. A few days later, Bruno befriends another youth, strangely dressed in striped pajamas, named Shmuel who lives behind an electrified fence. Bruno will soon find out that he is not permitted to befriend his new friend as he is a Jew, and that the neighboring yard is actually a prison camp for Jews awaiting extermination. Written by
In the film, Bruno is eight years old, whereas in the book he is nine years old. See more »
The Nazi banners at the film's beginning are sheer and translucent: silk, nylon or rayon. Nazi banners were constructed of wool and were never translucent. See more »
Mum, what's going on?
Mm, your father's been given a promotion.
That means a better job.
I know what promotion is.
So we're having a little party to celebrate.
He's still going to be a soldier though, isn't he?
[...] See more »
Quotation displayed before the opening titles: "Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows - John Betjeman" See more »
I'm a man's man, and it takes something really exceptional to break my emotionless machine persona. This film ripped me apart and reminded me (and my partner) of humanity inside even the most hardened man.
Perfectly weighted film in every way, from pace to acting and all framed with a wonderful score. The subtlety of the looks passing between the actors and a finale that ensured silence until the final credit rolled, makes this one of the best films i've seen in a long time.
This is the first review I have never written and i cannot think of a better way to have opened my account.
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