Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, ... See full summary »
In a small Catholic boarding school an unspeakable act has been committed. When High School student, Luther Scott, confesses to Father Michael Kelly, Kelly is bound silent to the ... See full summary »
Just days before leaving for Nashville, Rhett Ryan discovers that the desire to follow his dream conflicts with his desire to be with the woman he loves. While Samantha does love the ... See full summary »
Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
When her daughter Sara (Davalos) unexpectedly passes away, Natalie (Keaton) retreats to the summer home where she and Sara used to visit. Time with her best friends and some of Sara's friends help her deal with her loss.
Tom Everett Scott,
'Why Germany?' explores the breakdown of a friendship between two women. Carried out across multiple times and places, the film weaves a complex and often surreal portrait of a widening ... See full summary »
In 1976, Steven Spurrier, a sommelier in Paris, comes to the Napa Valley to take the best he can find to Paris for a blind taste test against French wine. He meets Jim Barrett, whose Chateau Montelena is mortgaged to the hilt as Jim perfects his chardonnay. There's strain in Jim's relations with his hippie son Bo and his foreman Gustavo, a Mexican farmworker's son secretly making his own wine. Plus, there's Sam, a UC Davis graduate student and free spirit, mutually attracted to both Gustavo and Bo. As Spurrier organizes the "Judgment of Paris," Jim doesn't want to participate while Bo knows it's their only chance. Barrett's chardonnay has buttery notes and a Smithsonian finish. Written by
In-joke: Maurice (Dennis Farina) adds a wry reference to labor issues with film production during Scene 24 (minute 91:54) as guests and judges arrive. He claps his hands and in bad French urges a chauffeur to get moving and park the cars, followed by "Let's go! You're not a Teamster, ya know!" See more »
In the scene where Gustavo pours some of his red wine into a water glass and tells Bo, several times, "try it", the level of wine in the glass is constantly changing, from nearly full to only a sip, even before Bo drinks any of the wine. See more »
[voice-over during a vineyard pan]
It wasn't always like this. Before Paris, people didn't drink our wine. I mean, my friends did. But you could hardly consider their palates discerning...
Hell, we were farmers... sort of...
[pan to empty bottles of Montelena label and several early twenties/late teens smoking hookah]
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I have to disagree with the negative comments. Of the six or so films I saw, this one was the best. First off, it was beautifully shot. The scenery that was captured is going to get people to visit Napa on it's own. Alan Rickman was as great as always, and Freddy Rodriguez was amazing. Bill Pullman's character, as the owner of the winery, had a terrific arc. I understand that elements of the story were fictionalized, but I come to expect that with most "based on a true story" films.
There were some great, touching scenes between the father (Pullman) and son (Chris Pine) and with Rodriguez as almost a "son he never had" type of character. Oh, and Dennis Farina nearly steals the scenes with Rickman he's so funny - I have to say nearly, because I love Rickman.
In all it was thoroughly enjoyable, and I talked it up with several other movie goers on the tram ride afterward, and EVERYONE I spoke to loved it.
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