When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course. Written by
This film was a conscious reunion of Pedro Almodóvar with a lot of actresses that have worked with him over years. Not only Penélope Cruz or Blanca Portillo, but small parts for Ángela Molina, Chus Lampreave, Lola Dueñas, Carmen Machi, Rossy de Palma or Kiti Mánver. See more »
When the movie goes back to 1992, Ernesto Martel speaks from his office about getting a contract to build Caracas' Metro. This Metro was built more than 10 years earlier than that. See more »
[in Spanish, quoting English subtitles]
What's your name?
I used to be called Mateo and I was a film director. I was always tempted by the idea of being someone else, as well as myself. Living one's life wasn't enough, so I invented a pseudonym, Harry Caine, an adventurer who, as fate would have it, became a writer. I had him sign all the scripts and stories I wrote. For years, Mateo Blanco and Harry Caine shared the same body, mine. But a moment came when ...
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This is a very complex thriller, but also very rewarding. This is director Pedro Almodovar's film with the broadest spectrum. There are numerous plot's and subplots and it all seems a bit confusing, but once again, Almodovar brilliantly pulls it all together by the films end. Penelope Cruz is radiantly beautiful and gives her usual excellent performance. Lluis Homar, Blanca Portillo and Jose Luis Gomez give superb performances. Almodovar is so amazingly visual, and there are several unforgettable images in Broken Embraces. The characters develop so incredibly well and the blending of all the stories is so striking to watch. Superbly done.
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